The American Musical: History & Development traces the origins of music theatre from its 18th century European roots to the present. Highlights include: exploration of the minstrel show, burlesque and the revue. documentation of true music comedy the Princess Musicals of Jerome Kearn and P.G. Woodhouse leading to the masterpiece of American music drama, Kern and Hammerstein's Show Boat. Cole Porter, the Gershwin Brothers, Rodgers and Hart. Oklahoma, Richard Rogers and Oscar Hammerstein II. Stephen Sondheim, Andrew Lloyd Weber. An Appendix - Broadway on Film. Full Glossary. Bibliography and Index
This is absolutely terrible - even as a broad overview of US American musical theatre. In Riddle's conception, the musical developed teleologically... from Show Boat to Oklahoma! to Stephen Sondheim. The composer of Sweeney Todd gets something like 6 chapters dedicated to him and his work. Hair, by contrast, barely gets its name mentioned at all, and its authors' names go unmentioned. This book is also riddled with odd value judgments (x is more like an opera than a "true" musical, other musicals incorporated tragedy but it wasn't as forceful as in y, z's use of dance was "true" ballet). I say the judgments are odd because they don't seem made to advance a particular thesis, only to clarify the author's opinions. This book's chief claim to value is it is simple and accessible and might, in theory, be something one could assign to undergraduates. But the book just doesn't have enough useful content for a classroom.