I get so tired of books.
That break up paragraphs.
To make them seem.
That.
Much.
More.
Dramatic.
This is a device which should be used sparingly. But I think John Eldredge read the memo backwards, because "normal" paragraphs almost seem to be the exception in his epic (but tiny) book. Epic but tiny. And that's just it: Eldredge wants to make every sentence in this small book breathless (see the last sentence on page 80). His topic justifies that desire, but his treatment of it does not.
And my complaints aren't done. Here's one that seems minor but isn't, given how often it shows up: I just don't think evangelical books need to assume that their readers have watched all of the most popular R-rated movies in the modern canon. (11–12) Many, many illustrations rely on the reader's knowledge of these films.
But references to people's common experience are part of what a popularizer does, and here comes something nice to say: Eldredge knows how to popularize. I don't frown on this ability. It's an essential role needed throughout the body of Christ.
Eldredge also popularizes some truths that ought to be more popular:
• He ties together the personality of God and the way creation reflects not relativity but personality. (21)
• He shows that at the foundation of all reality is a community, "a fellowship of hearts," the Trinity. (22)
• He argues that the very stories we tell show that, deep down, we know there is a malevolent villain in this world. (29)
• He argues that the very stories we tell show that, deep down, we know there is a rescuer coming to put the world right. (61)
• The problem of evil points to the existence of that same wicked being. (39)
• The problem with the world infects us, too; our own sin is heinous and frequent. (57)
• The greatest sin in is to break the Greatest Commandments. (58)
• Creation and humanity in it will one day be restored to what God intended. (87)
• Humanity was created to rule the earth and will one day do so. (94)
And I really liked these lines:
• "Rescuing the human heart is the hardest mission in the world." (62)
• "I mean, really. We have dreamed better dreams [in our popular movies] than God can dream? We have written stories that have a better ending than God has provided? It cannot be." (80)
But my problem with this book is that Eldredge is popularizing some of the wrong ideas.
• Robert Alter is brilliant, but he's wrong to say that Genesis 1:1 should be translated, "When God began to create..." (18)
• I don't think Philip Yancey's point about the relationship between love and free will accounts for all the scriptural data, particularly Romans 9. (51–52)
• The kinds of people Eldredge likes to quote just aren't the most reliable theological voices. Most lean toward the left side of the evangelical spectrum, if not further.
• God is pictured as a wounded lover shackled by my free will from doing what really needs to be done. (64)
• Eldredge says God needs us. (102) Scripture says God is not "served by human hands, as though he needed anything" (Act 17:25 ESV).
And worse, Eldredge minimizes or ignores some essential ideas:
• Israel doesn't seem to play a role in this story. We skip straight from Adam to Jesus.
• My personal holiness—and what Christ's death has to do with it—don't seem to play a role in this Epic, either.
• The life and death—and life again—of Jesus don't rise to the top of this Epic like they do in the Bible. I could not give this book to a non-Christian and expect him or her to get the gospel out of it. Even though one of the last lines on the last page of the book is "This is the gospel," I did not see the gospel. I'm left extremely uncertain about what in the world Eldredge is trying to say.
Fundamentally, you won't read this book and come away with greater ability to make sense of your Bible. You'll get some good (truly good) one-liners, you'll collect some good (truly good) Narnia allusions, and you'll be confirmed in your decision to view some movies you shouldn't, but you won't know that the Bible tells one story.
If you want to catch a vision for the sweeping epic that is the story of Scripture, and you want to do it in a small space, and you want the author to demonstrate that what he's doing actually comes from the Bible, read Vaughan Roberts' God's Big Picture instead.