As Angela Jackson has developed as a poet, her poetry has engaged various artistic perspectives yet always maintains a characteristic combination of compassion, grace, and daring. Drawing from earlier works contained in chapbooks, And All These Roads Be Luminous is filled with a world of characters engaged in explorations of identity, sexuality, creativity, and spirituality--all revealed through a passionate verse brimming with surprises.
I find myself reading this book every year around the holidays. It is earthy and spiritual. There are many great poems in this book. Here's one I used for a Christmas card one year:
The Resolution
Willie was drinking Mist and mixing batter and mistook the Mist for milk. Didn't intend to make so happy a cake but that was a pleasurable mistake of which we partook with sliding smiles. It was too late to turn back after one and one-half pounds of butter after a half-dozen egges devoted to what was to come in coconut and chocolate pecan.
This was our lesson for the New Year:
Be devoted to delight, be bringer of good cheer, stir as right as you might, and turn away from no ingenious serendipity, discard no sleight of hand, and do the sweetest you can.
Feels of a piece with the confessional lyricism offered by Sonia Sanchez in the 60s, also perhaps the language of Jayne Cortez. There is much reflecting on the nature of Black diasporic being here, especially in the final third or so. Some of my favorites include "Why I Must Make Language," "Monroe, Louisiana," and "Black Atlanta Mother Waits at Window, 1981."You can strongly feel Jackson Jackson's emphasis on relationship between consciousness and place across the writing.
"i would find you curled and crusted waiting to board yet where layers of flesh have fallen from you and wrinkled the earth to madness we would fall into place: bowled-seats
would cut out each others' eyes and stare against the glass-peeling where our names are not spoken"
(from "The Cost of Living," another favorite, and one I was happy to share with a reading group)