Rot wie Schnee

Ann Lindell #7

by Kjell Eriksson, Sigrid Engeler (Übersetzer)

In Uppsala wird ein Mann mit durchgeschnittener Kehle und nur in Unterwäsche im Fluss gefunden. Die Ermittlungen führen Ann Lindell und ihr Team in die Sümpfe der internationalen Drogenkriminalität und vor Ort in das trendige Restaurant »Dakar«, in dem jeder verdächtig zu sein scheint.

Genres: Mystery, Fiction, Crime, Sweden, Scandinavian Literature, Nordic Noir, Thriller

Paperback

First published January 1, 2004

About the author

Karl Stig Kjell Eriksson is a Swedish crime-writer, author of the novels The Princess of Burundi and The Cruel Stars of the Night, the former of which was awarded the Swedish Crime Writers' Academy Best Swedish Crime Novel Award in 2002. They have both recently been translated into English by Ebba Segerberg.

Series:
* Ann Lindell Mystery

Reviews

[Pam · Rating 4 out of 5]

3 1/2 really.

I continue to read Nordic Noir in the hopes of a little understanding of the polls saying that people in Scandinavian countries are among the happiest in the world (Sweden, the setting for this novel comes in at #7 in 2021). I suppose Noir isn’t really the place to look and Eriksson doesn’t do happy.

It is generally a well written crimer. Don’t expect much mystery as the murderer is revealed very early on. There are various threads to tie up and the author spends a lot of time showing how the police work all this out. Unfortunately it’s a too complicated story with too many minor stories and characters.

I enjoyed the Restaurant Dakar, its characters and scenes. The ordinary Swedish people in The Demon of Dakar are low key to the point of colorless. Much of the story deals with international drug trade and the plight of immigrants and single parents. Not a happy place.

[Gisela Hafezparast · Rating 4 out of 5]

This is my second book of the series and I really like it and have ordered others already. Eriksson's writing is very close to Mankell's in my opinion, but not as dark. However, he picks up on societal problems both in Sweden and elsewhere, in this book Mexico and the way the people of this country are hindered to improve their life at every turn by other countries foreign policy or their people's racism. It depicts the blight of small Mexican farmers, interwoven into a Swedish crime story. I really enjoy the development, both privately and professionally, of Ann Lindell the main character, but just like with Mankell, it is not just about her, you get to know the team.

I know others are not that keen, but if you are looking for something similar to Mankell, than in my opinion, this series is a good one.

[Deb Jones · Rating 5 out of 5]

The title, The Demon of Dakar, is somewhat of a misnomer given that there are so many crimes and levels of criminals in this story that it would be difficult to point to a single one as being "the" demon. A multi-layered tale of greed, hope, manipulation, drugs and death, this was a "meaty" tale that examines that which makes various human beings tick.

Readers will have to decide for themselves, along with the main characters, whether he is the story's protagonist or one of its many antagonists. This book is a police procedural in the loosest sense, in that a police investigation is ongoing, but it is one of the sub-plots.

The Demon of Dakar in heavy in examining its many characters, their thoughts and emotions, their motivations. I think author Kjell Eriksson is in the same writing neighborhood as some of his fellow Scandanavian authors such as Jo Nesbo and Hakan Nesser.

[Chana · Rating 3 out of 5]

I'm on page 67 and have already been introduced to 35 characters! I had to make a list with each character's name and identity.
There is a good and important story here but it takes awhile to get there.
Three poor Mexicans are offered easy money to deliver packages by a couple of Swedes on a recruitment trip. The oldest, Manuel, does not accept this job, his two younger brothers do. When the youngest brother dies in Germany during one of these jobs and the other brother is arrested and jailed in Sweden on drug charges, oldest brother Manuel gets involved, flying to Sweden. I will leave it there.
The author writes good action, suspense, and emotion. He writes an ending very well. His introduction of characters was a morass.

[Maddy · Rating 3 out of 5]

PROTAGONIST: Investigator Ann Lindell
SETTING: Uppsala, Sweden
SERIES: 3 of 3
RATING: 2.75

Slobodan Andersson is a rather unlikely restaurateur. He's opened a few places in Uppsala, Sweden, none of which have done very well, until his latest venture, the Dakur. This restaurant serves as the epicenter of the book, with all of the main characters having some kind of connection to its operation, either through working in its kitchen or as a part of some nefarious business that Andersson is involved in, assumed to be drug smuggling.

Andersson has sent one of his closest associates, Armas, to Spain to advance a business endeavor. However, Armas is killed before he can get there. The case immediately falls to investigator Ann Lindell and her team, who struggle to find any motives for Armas' brutal death. At first, they believe that Andersson is involved; but given the nature of their friendship, they begin to look at other possibilities.

The book is told from the point of view of three different people: Lindell; Manuel Alavez who has traveled from Mexico to avenge the death of his brother Angel and to get his other brother, Patricio, out of prison; and Eva Willman, a new waitress at the Dakur who has been struggling to find her role in the world while supporting her two sons. All of the stories interconnect. Manuel finds a temporary job at the Dakur as a dishwasher, and he and Eva are attracted to one another despite their vastly different life experiences.

Lindell was determined to pin something on Andersson, and the results of the investigation came to rest on what seemed to me to be very circumstantial evidence. The whole set of circumstances around Manuel and his journey to Sweden and his actions thereafter were completely contrived. The only character I found to be interesting was one of the detectives, Ottosson, who had more humanity to him than most of the others.

I didn't particularly enjoy THE DEMON OF DAKAR. I didn't find Andersson or any of the other characters to be particularly demonic. The worst failing for me was the fact that there was no closure for anyone in the book. When I turned the last page, I felt like all of the main characters were continuing without me, and I couldn't tell in what direction and didn't really care where they ended up. I am a big fan of Scandinavian crime fiction, but this particular book didn't work for me.

[Felicity · Rating 3 out of 5]

This is an interesting mystery, far more interesting than the predictable tales of Guido Brunetti in Donna Leon's Venetian mysteries, for instance. Nonetheless, I imagine Kjell Eriksson's mysteries have been somewhat eclipsed by the posthumous success of Stieg Larsson's sprawling novels. What both share is a focus on a strong female protagonist, though Erikkson's Ann Lindell differs markedly from the dark and somber Lisabeth Salander of Larsson. Sadly, Erikkson is also served very poorly by his translator and/or editor. There are definite issues with the translation, but nothing a good editor could not have fixed easily enough. Either the manuscript was in a much worse state when it was received by the American publisher--and this is the best job they could do in cleaning it up, or they were just too lazy to bother. The number of mistakes, which are so obviously a result of sloppy editing in my opinion, are very distracting--and detract from an otherwise interesting story.

[Sage Streck]

This has been my least-favorite Kjell Eriksson book thus far. The plot was unengaging, and I felt as though Eriksson tried to concentrate on too many main characters at the same time. I did not find the villian credible at all, and I lost interest quickly. I honestly had trouble getting through the whole story--it was very disappointing.

[Lauren · Rating 4 out of 5]

Another good police story, not really a mystery since the reader knows whodunnit. I like that the story is peopled with well thought out characters and the plot moves along bringing all the subplots together. The end leads you to believe another book is on the way.

[Nancy Oakes · Rating 3 out of 5]

The Demon of Dakar is a police procedural set in Uppsala, Sweden where the author makes his home. Ann Lindell is a detective inspector in the violent crimes division of the Uppsala Police, and she's also a single mom of one little boy.

Although the action of this novel takes place in Sweden, it begins with the story of Manuel Alavez, who is on his way from Mexico to Sweden to visit his brother Patricio. Patricio and his brother Angel got caught up in a drug-smuggling operation; Angel was killed and Patricio was imprisoned. Manuel needs to know exactly what happened, why Angel died. Two men, a "fat one," and a "tall one," had come to Oaxaca to recruit poor campesinos into smuggling drugs, tempting them with large amounts of money. They had promised Patricio ten thousand dollars, even if he was caught, and as Patricio notes, that sum was the equivalent of over "seven thousand hours of work." Manuel wants that money; if his brother won't take it, it will go to his mother back in Mexico. Manuel discovers that the big man is the owner of a restaurant in Uppsala called Dakar, and goes by the name of Slobodan Andersson; the tall one is Armas, his partner.

Lindell and her team become involved when the body of a man is found. His throat has been cut, and the only evidence of his identity was in the remnant of a tattoo which had been sliced off of the body. The tattoo nags at Lindell, who knows that its removal is an important clue. But before she can identify the tattoo, the body is given a name -- Armas, which leads Lindell to Dakar and to Slobodan Andersson. Armas' death sparks a long chain of events, and as the police keep investigating, they begin to realize that there are connections between all of them that will lead them to the killer, hopefully long before anyone else turns up dead. The reader knows who's behind it all, and we watch, waiting for the police to find that one link in the chain to give the killer a name.

Overall, it's a good book, not great, and I think that the story could have been told much more efficiently and cleanly than it was. If I had to give a one-word impression of how I feel about this book -- it would be "muddled." That is not to say I didn't like it, because I did, and I definitely recommend it. And to answer the question of whether or not I'd read another book by Eriksson, I've already started The Hand that Trembles. Many people have given Demon of Dakar a two-thumbs-up and four- and five-star reviews, so it's once again probably me. I'm discovering that I'm a very tough audience.

I have a great deal more to say, but realizing that most people do not care for really long reviews, if you're interested, you can check out my thoughts here.

[Fiona · Rating 3 out of 5]

A man is found murdered in the Fyre river near Uppsala, Sweden. Who is he? Who killed him? These are the questions that Ann Lindell and the other police detectives must resolve.

Armas and Slobodan go to a small town in Mexico and find mules to smuggle their cocaine back to Sweden. The two mules are brothers Angel and Patricio. Angel dies running away from the police in Germany and Patricio is captured in Sweden and sitting in a jail near Uppsala. Their other brother Manuel didn´t want to participate in this folly but he now has to help Patricio. He thinks Swedish jails are like Mexican jails: if he pays the jailers, then Patricio would have a good life while in prison. He´ll get the money that Armas and Slobodan promised his brothers. After her meets Armas, things went awry. He accidently slits Armas´ throat and tosses him in the river. He still needs to avenge his brothers´ situation with Slobodan, though.

While he´s working in Slobadan´s restaurand, Dakar, he meets Eva and falls in love with her. She may have fallen in love with him but she discovers that he lied about his home country and that his brother was in jail for drug smuggling. Because there is increased drug crime in her own neighborhood and her teenage son knows of a kid involved with dealers, she won´t talk with Manuel any longer.

As in any police investigation, a lot of facts are learned but may not pertain directly to the case. It is the same in this story. There´s Manuel´s story, Armas and Slobaban drug dealing, Armas´ porno films, and Eva´s neighborhood crime problems. Not all are relevant to the main plot but they all tie in one way or another. Because of this, there are many characters in the story. For me, there were too many characters. I came across reading about Lorenzo and his name did appear earlier. Who is he?

Good story. I liked how it ended for Manuel and Patricio but not how it ended for the police investigation.

[Steven Langdon · Rating 3 out of 5]

With a police detective story from Sweden, it is inevitable to make comparisons with Henning Mankell's novels -- and The Demon of Dakar shares some of their strengths, but doesn't quite measure up overall.

This novel, like Mankell's, is less a conventional who-done-it and more a multifaceted slice of life in Sweden with a murder or murders knitting the narrative together. Thus the character of Detective Ann Lindell is probed in all its dimensions in the book, just as policeman Kurt Wallander's agonized life is analyzed throughout Mankell's novels. And the Swedish canvass on which the story plays out includes vivid characters from different social and economic dimensions within the country -- you cannot help but absorb the complex texture of a changing and complicated country. Like Mankell, Kjell Eriksson also sets his book in the wider world context that is influencing the open society that is Sweden.

These facets of the novel are all strengths, since they are handled well, and draw the reader deeply into the particularities of Uppsala, its restaurants, and its policing.

Mankell, however, always succeeds in building suspense and mystery into his books, despite his diverse focus. The Demon of Dakar is less skillful on that level. Its plot is rambling, even around the murders that are meant to knit the novel together. The role of the police is analyzed much less effectively than in Mankell. And key characters seem to submerge just as you are expecting to see their roles more fully revealed. The result is a very interesting sketch of one part of Sweden, but just a fair-to-middling mystery story.

[Christa · Rating 4 out of 5]

The Demon of Dakar starts out a bit confusing, as have most of the Swedish crime novels I've read by Kjell Eriksson, but once you get into it, and get passed the way he switches back and forth between first and last names which adds to the confusion of keeping track of so many characters and plot lines, it is completely engrossing. I couldn't put it down and I love the way he weaves together the different lives. I also love how the police, including Ann Lindell, never really seem to have a grasp on what is actually happening. The speculation on their part is as much fun as the actual events that he lets the reader in on, even when no one in the story can fully grasp what is happening. It's a bit depressing but it's a Swedish crime novel so that is to be expected. Definitely recommended, as I would recommend any of his novels that I have read so far.

[Helen · Rating 3 out of 5]

Good, perhaps a bit longer than it needed to be. Much of the story involves two brothers from Mexico (originally three), their background, and how they come to be connected to Sweden. We know who committed the murder and why, while the police team have to work it out. Much social comment on both Sweden, Mexico and the southern U.S. fairly lightly imparted; and somehow you end up hoping the killer escapes. (I think I would have preferred the story to end before the epilogue!) Ann Lindell is interesting if unconventional, and although there's an ongoing story through the series about the police team I don't think it's necessary to read them in order (they have not all been translated into English in any case).

[Katherine · Rating 3 out of 5]

"He joined in her laughter and thought that it was the first time he laughed in Sweden" (224-225).

"He only felt bewildered by the fact that there were so many realities. All over the world, people were standing at the edges of fields, by deserts and lakes, in front of home and graves. Or else they were resting in bed or on a sleep mat, alone, or with their beloved by their side. Many were on their way somewhere, restless of full of anticipation.
"Everywhere there were people with dreams and beating hearts" (260).

[Peter · Rating 3 out of 5]

The convoluted story of the repercussions of a small drug smuggling operation, masterminded by a Swedish restaurant owner originally from eastern Europe, that begins in Oaxaca Mexico but spends most of its swirling time in Upsala Sweden. Entertaining, engrossing, many twists and turns with many peripheral but credible characters.
Good summer read!
Most crime novels end with all loose ends neatly tied up - warning - this one does not. What was the Gringo's mission in Oaxaca? What waas Eva's fate? What happened tot he restaurant staff?

[Carol · Rating 4 out of 5]

Swedish mystery with the most satisfactory (as opposed to satisfying)ending of any mystery I have read in recent memory---and there have been alot of them with uniformly disappointing endings. For that reason alone I would recommend this book; the characters are also well-drawn and the plot a bit ordinary.

[Bethany · Rating 3 out of 5]

Something (minor) was lost in the translation to English I think, but this was good, and is apparently one of three books with the same lead detective. Multiple story lines coming together in one crime.

[Amweatherill · Rating 3 out of 5]

Of the three books I have read by this author, This is the one I have enjoyed the most. If you want a tidy ending, this book is not for you!

[Cornerofmadness · Rating 2 out of 5]

This my second or third by this author but unless I have another one hiding out in the tbr pile, it's the last one. I have to admit it: Scandinavian mysteries aren't my thing. Some I've liked, most I haven't and I'm just not enjoying Eriksson's work, especially when this is two in a row that the main detective, Ann Lindell does stupid, unprofessional things and thinks boy that was stupid and unprofessional. If that's what you have to do to make the narrative work, I don't need to read it. Also she's judgmental and irritated by literally everyone (and she irritated me).

This was boring and dour and had too many subplots about completely uninteresting characters. We don't even see Lindell until more than 50 pages in. We have all the people working in and around the titular Dakar restaurant (the blurb is far more exciting than this book). Eva and her sons take up a large chunk of this book and really only exist for the dumb ending which could have worked other ways and honestly been more interesting without her endless worrying about her self confidence, her mean friend and her boys. Slobodan (who we're endlessly told is fat and sweat-smelly) who is a minor crime boss owning the restaurant and his friend Armas are vaguely more interesting.

Their drug dealing ended up killing one of their carriers, Angel, imprisoned his brother Patricio and brought their eldest brother Manuel over from Mexico to try to help find out what happened to his brothers. And Manuel is a pivotal character.

We know who the killer is (technically self defense) there is NO tension about anyone else being next. Lindell and the other cops do investigate but it's like Columbo without the charm, especially with the homophobia running through the narrative.

If I hadn't been reading this for a challenge prompt, I doubted I'd have finished. I know Eriksson wins awards, has a following and a long series with Lindell but this just isn't the series for me. And there were some really bad things in it an editor should have caught (same issues as last time). While translating is an art, these problems weren't translational. Cocaine is a major point in the novel. Someone (author or translator) has it grown in Bolivia in South Africa. Um....how did no one catch that?

[Laura · Rating 3 out of 5]

Eriksson is a tough read for me - I always end up liking the books a lot more towards the end than I do at the beginning. I almost put this one down! But I'm glad I didn't - it's a compelling look at a web of relationships and how the reverberations of a criminal act can be felt at different levels of society. The characters are interesting and well-drawn, though of all the 'Nordic Noire' series I read, I find the detectives in this series to be the most flat. The criminals they investigate, and those impacted by the crimes, are way more interesting and easy to relate to for me.

There were still some holes in this story I didn't understand why Armas' son would pursue Patricio and Manuel at the end. The relationship between them just didn't seem that strong. Also, Manuel wasn't really wrong in killing Armas, right? And I wanted to find out what happened to Zero - did Lorenzo end up throwing him under the bus?

Overall, this is a good read - it gives you a lot to think about as far as right and wrong; the relevance of revenge; and how far loyalty should go.

[Laine · Rating 1 out of 5]

Never have I read such a mis-titled boring book with boring characters. The Demon of Dakar? Try the exploited Mexican dishwasher in a Stockholm restaurant. There is a big cast of characters, most with a thumbnail backstory who go nowhere in this novel at least. And there is not a single one interesting enough to pursue in other books by the same author. The nominal "heroine" is a female policewoman who's as cardboard as the rest. Although three lovers are mentioned, her obsession with this uninteresting case and career likely killed her personal life. Twice she picks up her illegitimate son from daycare and so much for her mothering. The police investigation of a single murder is described in tedious detail, culminating in no arrest, resembling real life police work but not the stuff of a novel that keeps one interested. An insta-romance between a middle aged Swedish woman and Mexican visitor who can barely communicate in her faulty English is unconvincing.

This is the Swedish reputation after all - boring cold blooded northerners and plodders. How this author won awards except as a sleep aid is a puzzle.

[Pamela · Rating 3 out of 5]

Difficult Plot

This is my first read of a book by Kjell Eriksson. The somewhat haunting story of two brothers who are Zapotec—from Mexico, Manuel and Patricio, and their sometimes grim adventures in Norway, are really the focus of the tale. Ann Lindell is a detective who ends up searching for them in Norway, under the presumption that they are drug dealers. In the beginning, each main character's story is written separately and the reader has no idea how all these stories connect. Eventually the threads of each story become entangled, only to untangle at the end. The real drug dealer, and his partner, are main characters, also. As is a waitress who works at Dakar.
This author has the ability to inhabit the minds of all these characters as their story unfolds. By creating parallel stories, we are lead into the violent world of drug dealing, centered in the restaurant named Dakar.

[Krista · Rating 4 out of 5]

I enjoyed the third (translated) book in the Ann Lindell series better than the first two books in the series. It took awhile for the story to ramp up. I think the author spent too much time introducing minor characters, but once I got past that I was engrossed by the story.

Eriksson ventures out of Sweden by including a couple of Zapotec indians from the Oaxaca region of Mexico as major characters. I liked learning more about these characters. It was more of a thriller than a mystery this time. The readers know who killed the murder victim. The real plot is to see if the person gets away with it.

[Rachael · Rating 3 out of 5]

I enjoyed this novel. I particularly liked the absence of clearly good/clearly bad delineations between the police and the people who committed crimes. However, some plot lines were neglected and then abandoned with no resolution at all. The end of the novel just kind of trails off. I am not a reader that depends a neatly tied-up conclusion. However, virtually none of the story lines received any kind of resolution or closure.

Nevertheless, I enjoyed the true-to-reality feel of the characters. I'm not sure it's a novel I'll revisit, but I would recommend it as a relatively quick and painless read -- maybe for the beach in the summer.

[Patrick · Rating 4 out of 5]

Yes sirree Bob, another writer of gloomy Swedish police procedurals! I've read this and the Princess of Burundi and another one.

They are very good. Like Ed McBain, you learn something about the repeating cast of cops. Also like McBain, you don't learn too much.

The plots are twisted and a little on the savage side, and Eriksson doesn't wrap it up in a neat package. (Those kooky Scandinavians and their darn ambiguity.)

Check it out

Oh, by the way, one Swedish kroner is worth about 14 cents US. This will come in handy.

[Carfig · Rating 3 out of 5]

Lots of typos in the edition I read, luckily a library book so not one I own. Second translated book from this series featuring detective Ann Lindell. The drug angle is not one I am fond of, but of course it will crop up in a murder mystery all too often. Likeable characters who voice very believable thoughts and anxieties. The ending leaves you hanging, but there's no reason everything has to be resolved, and the brothers shouldn't be able to live peacefully for the rest of their lives. I'm not convinced Manuel can have a clean conscience.

[Aguess · Rating 3 out of 5]

Eriksson is growing on me. I didn't much like the princess of Burundi for all of its acclaim, I felt it just had to many characters, too many points of view. The cruel stars of the Night was more focused and Eriksson's principle character Ann Lindell became more three dimensional. While Demon of Dakar was a bit unfocused, with none of the various plot threads being entirely resolved I found myself liking all of the voices in the novel more and more. I am looking forward to the next one in this series being translated.

[Jim Coughenour · Rating 2 out of 5]

I'm a big fan of Swedish crime novels – but Kjell Eriksson's have always seemed the least compelling of the lot. For a while I thought this one would be different: its many strands of plot, the unpretentious writing, the almost-interesting characters. But by the end it had come apart like a graham cracker in hot cocoa.

[Sheila · Rating 1 out of 5]

I don't know whether it's the translation - and there were some noticeably awkward turns of phrase - or whether I'm missing something, but I found this really unengaging. No character caught my sympathy, and the plot was dull. I went to the end because it got recommendations from worthy people, but I really don't understand why.

[Janellyn51 · Rating 3 out of 5]

It took me forever to read this. I've been busy, but for some reason, these Lindell books don't get me all that excited. It was a good plot. I just don't find the detective team to be all that interesting. I didn't not like it, it just didn't thrill me.