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Marguerite Yourcenar spoke of "the well-tempered clavier" of Andrade's poems, Gregory Rabassa of his "succinct lyricism...summing things up in a moment, much like haiku." His verse, deeply rooted in the rural landscapes of his childhood and in the ancient Greek lyric, have the clarity of light on sand, radiating pagan intimations of immortality.
294 pages, Paperback
First published March 1, 2003
It's urgent-love.
It's urgent- a boat upon the sea.
It's urgent to destroy certain words,
hate, solitude, and cruelty,
some mornings,
many swords.
It's urgent to invent a joyfulness,
multiply kisses and cornfields,
discover roses and rivers
and glistening mornings- it's urgent.
Silence and an impure light fall upon our shoulders till they ache.
It's urgent- love, it's urgent
to endure.
I do not sing because I dream.
I simply sing because you’re real.
I sing your ripened gaze,
your purest smile,
your animal grace.
I sing because I am a man.
And if I didn’t sing I’d be
just a brute, bursting with health, blind
drunk and dizzy with delight
there in your vineyard without wine.
I sing because love wishes it.
Because hay ripens
in your arms, glistening wet.
Because my body tightens
facing them, bare and bathed in sweat.
The cool violence of wine;
the furrows of receding surf; the morning whistle
of the shepherd, more propitious for art
than all the music of the spheres;
this pride at having in one’s heart the spilled milk of the stars.