The final chapter in the International Bestselling trilogy first Published in Spain and subsequently Brazil, Poland, Russia and Mexico. Three years have gone by and the cult of the new savior has dramatically grown by means of the Internet. Blogs devoted to sightings of him, as well as descriptions of the miracles that he has presumably performed, have flourished. Millions of people wait for him to emerge, but powerful forces from across the globe fear his impact on the world. He must be found and bought off or forever silenced. In THE SAVIOR, a thriller that raises profound spiritual questions, the fate of a man is linked inextricably to the survival of his soul. It combines the suspenseful elements of the high-tech adventure story with the equally riveting aspects of a spiritual quest. “ . . . an electrifying story . . .” - LA REVISTA IMPAR (Spain)
LEONARD FOGLIA is co-author, with David Richards of the mystery novels 1 RAGGED RIDGE ROAD, FACE DOWN IN THE PARK. As well as the thriller series THE SUDARIUM TRILOGY: THE SURROGATE, THE SON AND THE SAVIOR which have been published in Spain, Mexico, Brazil, Poland and Russian and will be available in the US in the fall of 2011.
Mr. Foglia is also a theater and opera director as well as librettist. His work has been seen on Broadway, across the country as well as internationally.
His theater credits include the original Broadway productions of MASTER CLASS (with Zoe Caldwell, Patti LuPone, Dixie Carter and Faye Dunaway), THURGOOD (with Laurence Fishburne) and THE PEOPLE IN THE PICTURE (with Donna Murphy) as well as the revivals of WAIT UNTIL DARK (with Quentin Tarantino and Marisa Tomei) and ON GOLDEN POND (with James Earl Jones and Leslie Uggams). Off Broadway (and on national tour) he directed Anna Deavere Smith’s LET ME DOWN EASY.
His opera credits include the premiers of three operas by Jake Heggie – MOBY DICK, THREE DECEMBERS and THE END OF THE AFFAIR. His production of Heggie’s DEAD MAN WALKING has been seen across the country.
As a librettist his opera CRUZAR LA CARA DE LA LUNA (To Cross the Face of the Moon) had it’s premier at Houston Grand Opera in 2010 and was performed at the Théâtre du Châtelet in Paris in the fall of 2011.
The ending of this Trilogy should leave the reader with more questions than answers. A well written story that had me thinking about my beliefs and what kind of ending I can have. Time well spent reading these books. How do you see the second coming? Could it really happen like this? Is cloning. where the human race is going? Read it from the beginning and see what answers fit you best.