This arrived in the mail yesterday and I finished it within hours. It took me years to "get" Harmony Korine; to watch Gummo past the opening narration; to understand that his work is full of heart and free of judgment. It's almost impossible to articulate why Harmony is great because that's an understanding someone has to approach on their own, when discomfort regarding his work turns into understanding and finally turns into admiration.
All of the work is absurd, sure -- but I agree when Harmony calls his work realist. You could encounter his characters anywhere; perhaps you've even lived some of the experiences he details. I was really put off by his introduction to "Jokes," but I fell in love with it when I read it and I'm sad it was never fully realized as a film. His characters, despite their strange circumstances, feel real. Their struggles feel real. His scene detail in the scripts is imaginative, but always grounded. Harmony doesn't stray from reality, even when it's ugly.
But when it's ugly, he doesn't judge. In these screenplays, Kids, and the films of his I've seen, he doesn't ever seem to judge. He highlights that it's not his job to preach a moral narrative and I agree. He's not trying to tell you anything. He doesn't exploit his characters to serve some preachy purpose. People are as they are, strange as they may be, and Harmony bears witness to it.
Yeah, I get it, everyone hates that "Harmony Korine fan" but I just really love him, ok? Harmony doesn't judge.