Between Street And Mirror: The Drawings of James Ensor

Drawing Papers #21

by Catherine de Zegher, The Drawing Center

Early in his career, Belgian painter James Ensor (1860-1949) broke away from Impressionism, rejecting its prettiness in favor of an original, highly dramatic style. Incorporating elements of satire, caricature, masquerade, and the grotesque, Ensor was a sharp observer of his social and political milieu and a skilled controversialist. Bridging the nineteenth and twentieth centuries and not easily fitting into one particular movement or group, his drawings are increasingly valued for their innovative subjects and techniques, as well as the strong social criticism at their heart.

256 pages, Hardcover

First published July 3, 2001

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[Victor · Rating 4 out of 5]

4 1/2 stats, with the half star being specifically for the hugh quality and informative essays.