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Precisions on the Present State of Architecture and City Planning With an American Prologue, a Brazilian Corollary Followed By the Temperature of Paris and the Atmosphere of Moscow

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This first English translation of Precisions reproduces the original book published in French in 1930, with an introduction added by the author in 1960. It is a spontaneous and exuberant series of 10 lectures Le Corbusier gave in Buenos Aires during the fall of 1929. As he spoke Le Corbusier improvised drawings on large sheets of paper with crayons. While similar drawings appear in other works, here all the lectures and images appear in their original context as Le Corbusier assembled them.

Precisions reflects a new maturity in Le Corbusier's thinking and an extreme confidence in the development of his ideas. The drawings and lectures are unique in their eloquent and concise summary of his philosophy of architecture and urban design, stating the principles that informed his work from the 1920s on. They contain some of his most compelling aphorisms, both verbal and visual, covering technique as the basis of architecture, the human scale in design, furniture, the private house, apartments and office buildings, the city, the League of Nations competition, teaching architecture, and a splendid analysis of the transformation of his own work in houses from La Roche­Jeanneret to the Villa Savoye.

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First published January 1, 1991

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About the author

Le Corbusier

279 books228 followers
Charles-Édouard Jeanneret-Gris, better known as Le Corbusier; was an architect, designer, painter, urban planner, writer, and one of the pioneers of what is now called modern architecture. He was born in Switzerland and became a French citizen in 1930. His career spanned five decades, with his buildings constructed throughout Europe, India, and America. He was a pioneer in studies of modern high design and was dedicated to providing better living conditions for the residents of crowded cities. He was awarded the Frank P. Brown Medal and AIA Gold Medal in 1961.
Le Corbusier adopted his pseudonym in the 1920s, allegedly deriving it in part from the name of an ancestor, Lecorbésier.

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5 reviews
July 1, 2007
One of Le Corbusier's more thoughtful works, and the last in which you can still feel a genuine excitement for modernity's possibilities on the page.
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