I have often had occasion to remark on the surprising extent of my own ignorance. Sometimes I feel like a lonely janitor, faced with the task of cleaning an enormous building without the help of a floorplan. I wipe down every surface and scrub every floor in sight, only to discover that, further on, there are entire, unexplored wings that are still totally filthy. Not only that, but I am a severely myopic janitor, and often assume a surface is clean until I bend down to take a closer look. Now, without any intended offense to that great nation, for me Japan was one of those apparently clean but very dusty surfaces of my brain.
This course was the perfect place for me to start remedying the situation. Ravina is a wonderful lecturer and a vivid storyteller. More importantly, he is also an expert on the subject, having lived there, learned the language, and devoted his life to the study of its culture. The course is designed for people like me—the wretchedly ignorant—but nevertheless manages to include a surprising amount of depth. Like any great educator, Ravina makes the subject accessible without dumbing it down. He also, wisely, does not focus solely on conventional history (emperors, warlords, battles), turning his attention to the cultural aspects that are most interesting to the layperson. Even more wisely, he does give the listener enough conventional history to provide intelligible context for these cultural achievements.
I was most impressed by Ravina’s ability to tackle such a wide variety of topics. On gardens, literature, religion, food, cinema, the economy, and more, he is a lucid and compelling guide to the topic. And his enthusiasm for Japan is certainly contagious. Speaking for myself, what fascinated me the most was the mixture of familiarity and foreignness. Many aspects of Japanese history and culture seem to have close European parallels—samurai and knights, Shinto and Elizabethan theater, with religious monasteries and sophisticated court culture—and yet, within these similar structures, there can be profound differences in values or attitude. Ravina captured this most clearly in his comparison of Yasujiro Ozu’s Tokyo Story and the American movie on which it was based, Make Way for Tomorrow—films with almost the same plot, but strikingly different emotional effects.
Suffice to say, now that I have a floorplan, I look forward to giving this part of my brain a decent cleaning one of these days.