It's become a statement so commonly used in Goodread reviews and lampooned on other websites and numerous blogs - but you know, sometimes it turns out to be the truth: “Maggie for Hire” is a work I ordinarily would not have read if I wasn’t researching the genre and some of the archetypes involved. There. You know where I'm coming from and how to take the rest of the review if you take these things seriously.
I have to place "Maggie for Hire" in the middle of the pack. although I see that most people rate it higher. On the plus side, "Maggie for Hire"'s characters are solid, the plotting competent and the fantasy elements utilized knowingly – but there’s not much depth. Reading the book, for me, was like plopping down on the sofa to watch an episode of a television series. You stick it out until the end and have a reasonably good time watching the program, but it vanishes from your mind as soon as the next show comes on.
Author/actress Kate Danley is no light weight. She won the Garcia Award for Best Fiction Book of the Year and the Reader View Reviewer First Choice Award, 1st Place Fantasy Book for her debut novel “The Woodcutter.” “In Maggie for Hire,” the central character and narrator Maggie McKay is a “Magical Tracker.” Her job is to track down vampires, werewolves and other supernatural nasties who slip in from a parallel world into our own and send the critters back to where they came from.
So far, so good. We have “Buffy the Vampire Slayer” meets “The Bounty Hunter.” Like most of the heroines of this particular genre, Maggie sees herself as a “badass” Her language can get pretty f***ing coarse – but I can handle that. I don’t live in a hermetically sealed bag and am aware that a lot of our youth pride themselves on their ability to curse. As an established, trained actress with extensive theatre credits, author Kate Danley has no trouble maintaining the voice of her tough, Doc Martin wearing, hipster heroine. Other characterizations, including her partner, an annoyingly knight-like elf, are well maintained throughout.
There's some very good writing here. As a matter of fact, here's a paragraph I just love written in a contemporary, neo Chandleresque vein:
"The roads of downtown LA are a bizarre mash-up of good times gone by and really good times gone by. Homeless crackheads camp out beneath the art deco marquees of some of the most beautiful theaters ever to be abandoned. Sure, much of the space had been converted to lofts and fancy living, but the folks in those homes lived like robber barons under siege, locked behind iron worked gates and security codes. They were posh overlords with a panoramic view of skid row from every floor-to-ceiling window."
That ain’t bad - st all. Okay, there’s a verb tense slip. It should read “the folks in those homes LIVE like robber barons…..” and “They ARE posh overlords…” because the rest of the paragraph starts out in the present tense, but that’s small stuff. Most people aren’t anal enough to stop reading because of a couple of errors. So far we have a likeable heroine, some fast paced adventure and some passages of “class” writing. The BIG problem is that the characters, especially Maggie, are a complacent lot. There are no inner conflicts, no internal issues to be resolved along with the complications of the plot to give the characters any depth and resonance. How much depth can you give an Elf?! Well, actually she manages a little bit of character trajectory on that one as the Mr. Spock/Knightly Elf tries to become more hip and “with it.” (Wait a minute! Wasn’t that a familiar sub plot of those old, Mickey Rooney, “Andy Hardy” movies?!! That’s hip?!! Sigh.)
I don’t care if I’m reading about Vampires, Vampire Killers, Dwarves or Talking Animals: I like a little depth of character. Maggie is basically, a tough talking, too well adjusted superhero. Shoot. Peter Parker has more complications than Maggie! Maggie is simply a fantasy wish fulfillment character and because of that, ….. well … kinda routine.
I am now going to stick my neck out and no doubt become even less popular among my fellow writers than I already am.
I am going to blame the touch of rushed mediocrity that crept into “Maggie for Hire” squarely on NaNo, the National Novel Writing Event. I have never participated in NaNo, but I have some friends I respect who have. The problem with NaNo is that it encourages you to write fast and finish what you are working on no matter what stands in your way. That’s cool – admirable, in fact. The problem is, a lot of people encouraged by certain professionals in the field just sit down and let fly, expecting to fix everything in the rewrite. IN some cases, the prose may flow, the plot may be polished and the characters well maintained – but the subtext which makes a GOOD book is missing. Hell, the characters of “Lord of the Rings” had personal foibles and inner conflicts – just like real people, which is why “Lord of the Rings” is a masterpiece, the high water mark of its genre. I’ve read some Urban Fantasy that at least has the main character struggling to straighten out her family relationships and suffer romantic complications.
There’s also a pretty bad PC slip - something the author may not have intended, but it’s there.
Among hip, young people – for a couple of decades now, as a matter of fact – it’s been an easy laugh getter and good way to ingratiate yourself to your peers by saying: “F***ing Hippies!” To casually indulge in hate for ANY group: hippies, blacks, Latinos, Jews, gays, lesbians or Polish People (remember Polack jokes, gang? ) is to further the cause of extremist “haters” everywhere and make that kind of minority slur socially acceptable. F***ing writers! F***ing pointy head intellectuals! F***king potty mouth, magical trackers!
I am sure that that wasn’t the author’s intent. Oh, by the way. She didn’t write "F***ing Hippies." She wrote “F***king Elves!” It’s cute, but not okay because Elves are fictional, imaginary creatures. This HAD to have been a slip on the author's part because, like a good “buddy” story, the relationship between Maggie and her Elf deepens and matures as the story moves on – but the slur is pretty casually tossed out there. (See what Santa brings YOU this year, young lady! Elves remember!)
So, in the end, “Maggie for Hire” is a decent, professional but routine outing in the Urban Fantasy Genre. Kate Danley is a talented writer and will probably move on to greater things. For example, the mayhem/combat scenes are well handled. However, but I think the characters should have been a little more carefully thought through and the subtext developed before buying a ticket on the NaNo Express.