What happens when an Arab-American merchant’s daughter inherits an English castle? The inaugural book in Diana Quincy’s brazen new Sirens in Silk series explores this question.
The Duke Gets Desperate is my first Diana Quincy novel and after reading it I am officially a fan. I can’t wait to read on in this series, not to mention her Clandestine Affairs series!
Publication date: September 26, 2023.
Summary:
At first glance, Anthony Carey, Duke of Strickland, is curmudgeonly and entitled (literally and figuratively). Following his stepmother’s funeral, our hero (who goes by Strick) is pleased to finally inherit his rightful legacy—the family Castle Tremayne. Though his father’s will bestowed him the surrounding estate, the capricious Deena Carey retained the castle. Consequently, Strick is appalled to learn that Deena has not bequeathed him the castle. Worse still—she entrusted the eight-generation Carey family home to her American cousin whom she never even met!
In contrast to Strick, Raya Darwish—the American in question—is loveable from her first introduction. Raya is smart, courageous, and uncowed by ridiculous British nobility and their foreign conventions. Despite being the brains behind Darwish and Company’s success, Raya’s brother pushed her out of the family textile business, encouraging her to marry instead. Recently untethered, Raya and her Aunt Majida have traveled to Yorkshire to meet Raya’s beloved pen-pal cousin Deena—only to arrive and discover Deena died in a tragic accident. Now, Raya owns a musty, old, unprofitable castle. Fed up with relying on men and confident in her proven business acumen, Raya is determined to gain independence by turning Tremayne Castle into a lucrative, self-sustaining operation.
Strick and Raya infuriate each other, each antagonizing the other at every opportunity. Unfortunately (wink), they have no choice but to work together as the castle and its grounds cannot function independently. Worse still, the adversaries cannot ignore the combustible attraction sizzling between them. And wouldn’t things be a lot easier if they just got married… for practical reasons, of course. Not to mention the overarching mystery—who was Deena really and was her death truly accidental?
The Duke Gets Desperate is charming and sharp-witted. This feminist enemies-to-lovers novel confronts various forms of prejudice and offers an exciting update to the traditional Victorian-era British aristocracy romance.
Things I Loved About This Book:
Raya and Strick’s dynamic. Their enemies-to-lovers energy is impeccable. I love how mean they are to each other; their love language is basically insults. But it is also clear that, even when they hate each other, each genuinely respects the other person. Even when he detests her, Strick stands up for Raya against bigotry. Their interactions are full of wit, humor, and passion. As Strick tries to court Raya, readers enjoy episodes of sweet gestures followed by genuine disdain. I loved watching the characters spar verbally.
Strick and Raya are well-matched lovers, fated to forever drive each other mad. Though their loathing is strong, their love is even stronger. Raya and Strick’s relationship is one of equal partners—long-lasting marriage material, not just instalust. Strick offers support when needed but trusts Raya to fight her own battles. At the most critical moment, Strick concedes power not for the sake of manipulating or indebting Raya, but because he wants her to be happy and free.
Strick is hilariously horny at all times. Raya and Strick’s attraction is really well written, and the love scenes are brazen and steamy.
Characters. Especially Raya, Strick, and Aunt Majida. There is also a superbly loathsome villain.
It’s really satisfying watching Raya’s business genius at work, coming up with scheme after scheme. Raya is unstoppable and confident. She doesn’t let polite convention hold her back, she calls out bigotry and injustice.
Despite first impressions, Strick is a very loveable hero. He’s an ass, for sure, but he reveals himself at heart to be ethical, intelligent, nerdy, and passionate.
Aunt Majida is a star. Her acerbic commentary to Raya in Arabic behind everyone’s backs is so enjoyable. She’s wise, funny, and cruel (in a fun way).
Exploring contrasts. Strick and Raya’s relationship is dichotomous, representing legacy and tradition vs. modernity and progress; patriarchy vs. feminism, women’s rights; aristocracy vs. merchant class; end of an era vs. beginning of an era; American vs. British, etc.
Confronting prejudice. Raya experiences discrimination for various reasons (ethnicity, nationality, class, sex); it is openly acknowledged, not glossed over. Readers will witness secondary characters expose their bigotry “behind closed doors” to other white peers. These instances are not gratuitous, but I appreciated that the author created a realistic representation of what a person a person of Raya’s identities would experience in these circumstances. More importantly, Raya, Strick, and Aunt Majida actively confront and tear down the ignorant rhetoric thrown at them. The book also challenges Raya’s assumptions about Strick.
Arab-American representation. This book feels very affectionately written, highlighting Arabic words, foods, and diaspora communities in the 1800s.
Conclusion: 5 stars.
This was my first Diana Quincy novel, and I was excited to start a new historical romance series, especially one featuring an Arab-American heroine. This book was a delight to read and an excellent introduction to this talented, innovative author. Moreover, through this book, I was excited to learn about Quincy’s Clandestine Affairs series, in which all books also feature strong, independent heroines and main characters of Arab descent. The Duke Gets Desperate will appeal to both old school and new generation historical romance readers.
Key Tropes: enemies to lovers; class differences; cultural differences.
Star Criteria:
1: Is the book engaging/enjoyable/entertaining? Yes.
2: Is the book creative? Yes.
3: Does the book offer educational value? Yes--Arabic language, history and culture; Anglo-Saxon history and culture; late 1800s Britain; 1800s Arab-American communities.
4: Does the book highlight voices traditionally underrepresented in literature? Yes--#OwnVoices (Arab-American author writing about Arab-American heroine); main character and a few supporting characters are Arab-American.
5: Does the book challenge existing literary norms and tropes? Yes—unique premise successfully executed.
A sincere thank you to NetGalley, Avon, Harper Voyager, and the author for sharing this ARC in exchange for an honest review. All opinions expressed are my own.