I recently watched Dagon, a movie loosely based on H.P. Lovecraft's The Shadow Over Innsmouth. Unfortunately, despite being directed by Sturart Gordon (Re-Animator), Dagon proved deeply disappointing. I was hoping for a modern adaptation of Lovecraft's deep sea mythos, complete with an intriguing premise, interesting characters, and grotesque special effects. Instead, I got a tired pastiche peopled with flat, unlikeable characters and so-so effects. As the credits rolled, I felt unsatisfied and a little cheated.
Then I came across James A. Moore's Deeper in my local bookshop and got exactly what Gordon failed to produce.
Joe Bierden, a New England fisherman, hires out his yacht and services to a team of researchers. Backed by a platoon of grad students, the researchers wish to uncover the secrets hidden deep with the underwater caves just off the seacoast town of Golden Cove. But the researchers have secrets of their own, such as why their team includes a couple of ghost hunters and a disarmingly intense cryptozoologist.
Deeper is a perfect blend of Lovecraftian tropes and modern thriller. The inclusion of a scientific expedition and speculations on the nature of the evil hidden beneath the waves draws from the works such writers as Douglas Preston and Lincoln Child, James Rollins and the late Michael Crichton, but the first person narrative and blue collar narrator ensure that Deeper retains its everyman roots and never dives too deeply into techno-thriller territory.
In fact, the narrator is worth highlighting. In Joe Bierden, Moore has created a likeable, friendly story teller and protagonist with a distinct yet wholly unobtrusive voice. There is no overwriting here, because a drinking buddy recounting a serious, intimate story does not overwrite—and that's essentially Joe’s role here.
And the special effects? Moore's descriptions are vague, ambiguous—that is to say, perfectly in keeping with Lovecraftian tradition, which only ensures that the reader's imagination does most of the heavy lifting and, well, are there any better special effects than those in an avid horror reader's mind? I would certainly hope not.
In short, with Deeper, Moore has given me everything I wished I'd gotten from Dagon. I only wish it had been available to Gordon when he was shopping for a screenplay. Maybe next time.