*2.75
Aw man... so close.
Well, sort of.
As you can tell from my initial review of this book before it came out, I was VERY excited for this. Queer high school Twelfth Night retelling?? Yes please!
But there were some elements that got dropped or unsatisfyingly concluded. I did like certain plot points, but this was ultimately a disappointment in a couple of ways.
This'll be a pretty spoiler-y review, for the record.
There are four main elements that I think you should focus on for a TN retelling - Orsino/Viola, Olivia/Viola, Antonio/Sebastian, and the motley crew (aka, what my Shakespeare program called Maria, Toby, and Andrew).
First off, before we get to them - I was surprised, upon starting this book, to learn that it was in a magical realism setting. There are literally fairies walking flying in the school halls. However, this didn't play too greatly into the TN plot, and I think it's just a setup for the rest of this series. Titania and Ron (very nicely named) and Puck are just there in the background.
So - the four elements, in order of how well they were handled.
1. The motley crew
In the original text, the motley crew, while entertaining, arguably go a bit too far in their revenge on Malvolio. Sure, he's a buzzkill, but literally driving him insane is.. a little much.
I loved the take on these three in this graphic novel, and the way the aftermath of their revenge on Melvin is handled. They feel genuine guilt over their actions and apologize, and it feels like them and Melvin balanced things out. And Olivia telling Melvin at the end that she'd like to dance with him as a friend at the next dance and things end well among everyone - so sweet, so perfect.
(Although - Feste! Where was Feste??)
2. Orsino/Viola
I am a diehard Orsino/Viola shipper. I find their canon dynamic adorable (the 1996 TN movie has my entire heart). So, as much as I like Olivia, I was thrilled that this book was pushing the Orsino/Viola plotline. Them bonding over writing and music and slowly falling for each other separately was really cute. And Orsino mistakingly assuming that Vi is a lesbian because of her style (and apologizing for it) is a nice modern take on the Cesario plotline.
3. Olivia/Viola
I liked how Olivia was written in this book - she's popular, kind, and pretty, so of course everyone in the school is falling over her. I found her crush on Vi very sweet and genuine - although I felt pretty bad for her lol. While I do love the original Orsino/Viola pairing, I've always had a soft spot for Olivia and her unrequited love for Viola. It's the same case in here.
I was disappointed that Olivia and Vi never developed a real friendship in this book; the potential was there. Also, they cut out Olivia's dead brother, giving Olivia a dead father instead, the same as Vi. This sort of works, since Sebastian isn't perceived dead in here, but again - I felt like we were cheated out of any good connection between Vi and Olivia. This book is very fast-paced - but we'll get to that later.
As for Olivia/Sebastian...
This book didn't have Olivia/Sebastian as endgame, just a last-minute miscommunication plot device. Which fits, but this whole book kind of loses the mixed identity subplot the way that it's written. Olivia/Sebastian isn't a good pairing in the original text because Olivia never knew or loved Sebastian before she married him - it was Viola/Cesario that she loved. However, in She's the Man, Olivia/Sebastian works because Olivia is already interested in Sebastian via his songs. There's a connection between the two of them that's separate from Viola.
I was a bit sad that Olivia didn't end up with anyone in here - she was really sweet, and I could tell she liked Vi a lot. But you don't need everyone to get paired up at the end of the book, and I liked where Olivia wound up. Maybe she'll get a girlfriend in the sequel?
4. Antonio/Sebastian
Just... WHY??
You had Antonio RIGHT THERE. He showed up!! He was in the graphic novel!! And yet... we don't get ANYTHING from Antonio/Sebastian?? Are you kidding me?
In the original text of TN, it's pretty obvious that Antonio is in love with Sebastian. Despite having enemies in Illyria, he follows Sebastian there, where he sees Viola in a duel and mistakes her for Sebastian. Then you get that fantastic scene where Antonio defends Viola and becomes greatly hurt by thinking Sebastian is pretending he doesn't know Antonio, despite all the time they've spent together. In the end, though, Sebastian marries Olivia and Antonio is left alone.
I was SO excited to get some good Antonio/Sebastian content in here. But it's just... not there! At all!
The duel scene I mentioned above? Never happens! This book just didn't go all the way with the mistaken identity aspect of Viola and Sebastian's characters, which is such a letdown. There's actually NOTHING on the whole Sebastian plotline - nothing with Antonio or anything. I would've killed to get a version of the duel scene in here! And then Antonio and Sebastian could've gotten together at the dance at the end! Come on!
The most egregious insult is when it's hinted, at the end, that Sebastian is going to get with PUCK. Puck!! From A Midsummer Night's Dream!! Why?? Antonio was RIGHT THERE!
Ugh. Why would they do this?
But, ultimately, there was more I disliked about this book that I wasn't expecting, stuff entirely separate from those four elements. I found Vi a lot less likable than I'd hoped. She's sulky and distant from other people most of the time. This wraps into my second complaint - this book is SO fast-paced. If it had some more pages and let the characters process things instead of just having things happen all the time, this could've been great. But, alas...
2.75/5 stars. Out of all of the elements I came in expecting from this book, I wasn't expecting the motley crew to be the ones handled best. But the Orsino/Viola was cute. I just wish this could've hit all of the marks. Oh well, I'm still wildly excited for book two - not sure how a queer King Lear retelling is going to work (definitely isn't the first play that comes to mind when you think "queer Shakespeare"), but I'm here for it!
6/5/22:
COVER. SYNOPSIS. RELEASE DATE IN FOUR MONTHS.
And it's going to be a GRAPHIC NOVEL SERIES aasdjkfhsdkag I'm going to go feral for this - please please please don't let me down!!
9/6/21:
*slams table*
No, you don't get it, YOU DON'T GET IT.
I have been PRAYING the book gods for this book for YEARS. Twelfth Night is one of my all-time favorite Shakespeare plays, and it is absolutely BEGGING for a queer retelling! I mean, come on! Seriously, you have no idea how badly I have been wanting this!! And it's by the same author who did Nothing Happened, which I LOVED. I totally trust her with this, and I cannot wait!! 2022 sounds cruel but... I'll be here. Don't let me down.