Oozing flesh and monsters who dine on brains are not the first things that come to mind when one considers senior-level academic writing, but for Max, that is what made it happen. Max was a student who did not love school. Max did love zombies. Hours on the computer were spent happily watching zombie movies or slaying zombies in a video game. Writing research papers was not as much Max’s thing. If he wanted to pass senior English, however, writing a research paper was what Max needed to do.
Jeff Anderson’s book "Ten Things Every Writer Needs to Know" aims to prepare teachers to motivate and inspire students to write by teaching concepts and strategies rather than just explaining. In chapter eight, Anderson states that student choice with topics is important. “With choice often comes passion, authority, and force” (Anderson, loc. 3267). In Max’s case, this proved true. Max had not been motivated to write a word earlier in the semester, but when he was allowed to research the scientific possibility of zombies becoming a reality, he was fueled by passion to create an epic piece of writing. Suddenly, zombie flicks and games ceased to be the only purpose of his laptop. The pride that Max exuded turning in that paper (along with the fact that he was able to graduate from high school) are a testament that at least one of the many strategies within the pages of this book is effective.
"Ten Things Every Writer Needs to Know" is organized into ten writing strategies which, employed by teachers, should improve student writing. The “things” every writer needs to know are: Motion: Getting and Keeping Writers Motivated, Models: Using Mentor Texts, Focus: Narrowing the Scope, Detail: Selecting the Concrete and the Necessary, Form: Organizing and Structuring Ideas, Frames: Exploring Introductions and Conclusions, Cohesion: Unifying the Whole, Energy: Creating Rhythm and Style, Words: Crafting Precise Diction, and Clutter: Deleting the Extraneous. Anderson begins each chapter with a narrative tale or a descriptive comparison, defines the skill, provides a mentor text demonstrating the skill, and explains with clear details using sample dialogue to illustrate how he presents the strategies to actual students. The text is peppered with thematic quotes by famous authors. The most useful element of the book are the charts and teaching guides that educators can use to recreate the lessons.
The writing strategies in "Ten Things Every Writer Needs to Know" contrasts with some other well known and more traditional modes of instruction. In the book Best Practices In Writing Instruction, writing strategies such as goal setting, planning, seeking information, record keeping, organizing, and self-monitoring are encouraged (Graham, MacArthur, & Hebert). These techniques hone in on student behaviors and the more technical and academic parts of the writing process. Anderson’s approach is more casual and interactive. Chapter Two touts model texts as a strategy, but in actuality the entire book centers around model texts as a basis for all writing instruction. The process through which students are guided is: read it, analyze it, do what the author did. Anderson expands upon these three simple steps by applying them to each of the ten writing tactics and providing clear and active tasks which student writers can employ to master the skills. In Chapter Three, students identify focus by writing one-word summaries of passages. In Chapter Four, students seek out effective sensory details in a description of a place, and they write their own description of a place utilizing sensory details. In Chapter Six, students categorize leads, recognize why they like something, and then try creating their own similar lead. Some of Anderson’s strategies are reminiscent of the old-school methods, especially in Chapter Five which focuses on Form and Chapter Seven which explores Cohesion. Anderson updates the craft by connecting to student interests by using popular movies and TV shows as examples of genre and likening writing connectivity to internet connectivity.
As a Drama teacher as well as an English teacher, I found Chapter Eight: Energy: Creating Rhythm and Style to be the most interesting. Anderson encourages his students to see writing as a performance. “Be bold. Be confident. Entertain me!” (Anderson, loc. 2910). He emphasizes the role of the audience in effective writing. “Strong writers keep the audience in mind--reaching out to them by electrifying their prose with pacing--surging, ebbing, flowing, getting louder, softer, faster, slower” (Anderson, loc. 2997). His energy in expressing the importance of energy reminds me of why I love reading, writing, and theatre and inspires me to instill that joy in my students.
This connection to performance makes the most tasteless part of writing more palatable as well. Chapter Ten: Clutter: Deleting the Extraneous reminds us that we cannot just write something and leave it as it is, we need to clear out the clutter. “Getting rid of the clutter gives writing due space: space for thought, space for readers to soak in what’s important, space for what matters most. When we clear out the clutter, our best thoughts surface and shine” (Anderson, loc. 3913). Annoyingly, clearing the clutter is not always fun. Thinking of it as a performance, however, may increase the level of enjoyment. In On Writing, George V. Higgins states, “You will find, to your delight, that reading your own work aloud, even silently, is the most astonishingly easy and reliable method that there is for achieving economy in prose, efficiency of description, and narrative effect as well." Anderson agrees, instructing students to read their work aloud as a method of revision. He also offers simple suggestions like deleting unnecessary and repeated words and forming new verb endings which can clean up a piece of writing more quickly.
Throughout "Ten Things Every Writer Needs to Know," I imagined implementing each idea with my own students in my own classroom. It would not be possible to allot time for every exercise and discussion within the burgeoning and demanding English Language Arts Curriculum, but there are many ideas within this text which would fit tidily within both reading and writing standards. New teachers will find this resource helpful in its explicit detail, and busy, experienced teachers will appreciate the ready-made sample texts. I would also recommend this book to novice writers who would like to improve their craft as well as to college students. Overall, I found this book to be a practical, realistic, and engaging resource which would serve a student writer well, even in the zombie apocalypse.
Works Cited:
Anderson, Jeff. Ten Things Every Writer Needs to Know. Stenhouse Publishers, 2011.
Higgins, George V. On Writing. Henry Holt, 1990.
Graham, Steve et al. Best Practices in Writing Instruction, Third Edition. Guilford Publications, 2019.
Hartley, J., Sotto, E., & Fox C., Clarity Across the Disciplines: An Analysis of Texts in the
Sciences, Social Sciences, and Arts and Humanities, Science Communication, 26(2),
pp. 188-210, 2004.