Anyone who's now at least 45 or older will certainly remember how different TV was back in the 1970s and '80s. You had to get up to change the channel, by turning a dial on the set. Home video and premium cable did not exist, never mind the Internet and streaming.
If you lived in the New York tri-state area, there were three independent TV stations that showed lots of movies and other programming, often an offbeat alternative to the more polished, bigger-budget fare on the three major networks. For lots of people my age and older, this is a fondly remembered age of TV that, sadly, we'll never see again.
James Arena's "Fright Night on Channel 9" perfectly captures that era. New York's Channel 9, or WOR-TV as it was also known, is remembered for things like "Bowling for Dollars," "Romper Room," "The Joe Franklin Show" and showing lots of movies, around the clock.
One of the movie programs was dedicated exclusively to horror films. It was called "Fright Night" and aired late on Saturday nights from 1973 to 1987.
I'm sorry to say I never knew about this program when it originally aired, but one of the great things about this book is that it includes a complete listing of all the movies that were shown -- many of which are available on DVD or YouTube today.
So thanks to services like Netflix, you can still make it to the party, decades later (although it's not quite the same without the TV station's opening bumper and the quirky commercials from back then for businesses like Crazy Eddie and The Money Store).
Major kudos to Arena for the painstaking research. His passion for this subject is evident, and this is a book no horror film fan should be without.
The other great aspect of this book is the behind-the-scenes look at how Channel 9 operated, thanks to extensive interviews with people who worked there and played a major role in Fright Night's development.
The three best chapters deal with Samuel M. Sherman, a movie distributor who was involved in a lot of drive-in films that were aired on Channel 9. His account of what it was like to be a movie producer and distributor back in the days when drive-ins were all over the American landscape are a highlight of the book.
If you're a nostalgia lover, this book is a great way to turn back the clock and enjoy a quirkier, maybe more innocent time before CGI, when low-budget films had a charm all their own -- and you could tune in to a show like "Fright Night" late on Saturday night never quite knowing what to expect, as many of the film choices often pushed the envelope.
I cannot praise this book enough. It is aimed at a certain niche audience, but anyone can enjoy it if you love horror films and quirky television from decades past.