I very quickly (on Open library) skimmed through Betty Ren Wright's The Moonlight Man on October 9, 2024 (The Moonlight Man being both a middle grade ghost story and also focusing on issues such as grief/loss and a family trying to rather unsuccessfully escape their traumas through repeated moves) and with me also having the full intention of revisiting The Moonlight Man later in October for a more in-depth perusal. However, since Open Library has been off-line for more than ten days now after its parent company The Internet Archive experienced a security breach (was hacked in other words) and because I have way too many books currently on the go, I am (for now at least) going to post a review based primarily if not solely on my reading feelings whilst skimming over The Moonlight Man (but that I am definitely planning on revisiting The Moonlight Man when Open Library is online and available once again).
Now with The Moonlight Man, Betty Ren Wright for the most part tells a nicely suspenseful ghost story (and one that is rather frightening but also and thankfully so not ever too creepy and with no gratuitous violence or exaggerated gruesomeness), but to be perfectly truthful and in my humble opinion, Ren Wright also leaves some frustrating narrative holes, she has a few textual shortcomings so to speak in The Moonlight Man that do make me rather groan.
For one and what has probably most bothered me on a textual level, much of the frame story Ren Wright provides in The Moonlight Man feels incomplete and with narrative threads left dangling, going nowhere, so that readers do know main protagonist Jenny Joslin's mother is dead, that Jenny, her younger sister Allie and even more so their father are grieving, are having trouble coping and also keep moving, keep relocating, but well, this is kind of all as there appears so to speak. And yes, to and for me, The Moonlight Man absolutely does require considerably more textual information on Jenny's mother dying and that the on-the-surface backstory, that the narrative frame of The Moonlight Man shows textual promise but is not at all sufficiently developed by Betty Ren Wright to be readable and to feel sufficiently interesting.
And for two, while the ghost story presented in The Moonlight Man is both engaging and enjoyable on a general level (and also reads a bit like a mystery), with shortly after her family's latest move, narrator Jenny Joslin and her family experiencing all kinds of supernatural occurrences (photographs appearing and disappearing from the wall, loud sobbing noises emerging from neighbour April's house, a sequence of household disasters next door that seem to be connected to the moonlight man of the book title), sorry, but two-dimensional characters (both primary and secondary ones), contrived plot details and the undeveloped subplot of Jenny's friendship with self-centred April do tend to make The Moonlight Man adequate but also in no way special enough textually and thematically speaking for a higher than three star rating (but if upon rereading The Moonlight Man in-depth and not through skimming, my enjoyment of Betty Ren Wright's presented text increases, yes, I will definitely consider upping my rating).