Bending the Landscape: Horror brings together a tantalizing slew of truly horrifying tales guaranteed to provoke, entertain, and inspire fear in even the most seasoned horror aficionado. World-renowned fantasy author Nicola Griffith and fantasy publisher Stephen Pagel have compiled an exciting array of never-before-published stories, both from talented newcomers and award-winning genre veterans.
These stories, written by writers both gay and straight, incite fear and spur thought, transporting the reader into realms of shock and dread.
The jacket calls this "Volume II" in a series, but this is actually the third if you include the first volume from White Wolf (1997), Bending the Landscape: Fantasy.
Art by J.K. Potter
Introduction · Nicola Griffith and Stephen Pagel Coyote Love · Kraig Blackwelder Explanations Are Clear · L. Timmel Duchamp What Are You Afraid Of? · Simon Sheppard The Lost Homeland · Cynthia Ward The Man Who Picks the Chamomile · Mark McLaughlin Love on a Stick · Carrie Richerson Triangle · Ellen Klages Memorabilia · Holly Wade Matter Blood Requiem · Gary Bowen In the Days Still Left · Brian A. Hopkins and James Van Pelt Broken Canes · Alexi Smart Keep the Faith · A.J. Potter The WereSlut of Avenue A · Leslie What Kindred · Alexis Glynn Latner 'Til Death · Barbara Hambly If I Could See Lazarus Rising · Kathleen O'Malley The Waltz of the Epileptic Penguins · Keith Hartman Passing · Mark W. Tiedemann About the Editors · Misc. Material About the Authors · Misc. Material
Nicola Griffith has won the Los Angeles Times' Ray Bradbury Prize, the Society of Authors' ADCI Literary Prize, the Washington State Book Award (twice), the Nebula Award, the Otherwise/James Tiptree, Jr. Memorial Award, the World Fantasy Award, Premio Italia, Lambda Literary Award (6 times), and others. She is also the co-editor of the Bending the Landscape series of anthologies. Her newest novels are Hild and So Lucky. Her Aud Torvingen novels are soonn to be rereleased in new editions. She lives in Seattle with her wife, writer Kelley Eskridge, where she's working on the sequel to Hild, Menewood.
Two major things: some of the authors are straight, and this isn't leave-the-lights-on horror. There's a lot of good stories in here (a decent handful about southern gay ppl dealing with ghosts and other such things, which is exactly the kind of thing I love) and there's also some that are just bad. The last story, which involves a lot of torturing and murder of gay men, was really tasteless. Some of the stories feel more like bad comedy routines (true hell is the DFW airport and your nagging bitch of a wife, amirite?) and others are obviously men writing lesbians. Several stories were touching and emotional with horror elements incorporated (post-apocalypse settings, more ghosts) and some felt like writing exercises that should never have been published (looking at you, story #3). All in all a decent anthology, if mostly white, able-bodied and cis.
The final and by far the most uneven and disappointing volume in the 'Bending the Landscape' series. Few of the stories featured here rise above mediocrity and a couple are downright dreadful-so amateurish and so poorly structured that I'd hardly expect them to pass a college creative writing class much less be selected for publication in a major anthology. Only L. Timml Duchamp's evocative 'Explanations Are Clear', Simon Sheppard's dry and witty jeux d'esprit 'What Are You Afraid Of?' and Holly Wade Matter's wrenching, beautifully imagined 'Memorabilia' really stand out. A rather sad end for an intriguing and important series.
This book truly has some of the most amazing gay/lesbian stories in it. Not just like gore horror stories like I originally thought upon picking up the book, but just things that horrify us such as love, loss, death, etc. Some are very sweet, some make you cry, some make you wince as your stomach churns. I definitely recommend it.
Yes, it did in fact take me over 6 years to finish this anthology, and not for lack of picking it up, which I probably did at least once in every one of those years. The vast majority of these were just... a slog. Uninspired, or off-putting, or actively gross (and not in a fun horror kind of way.)
Three standouts are the only reason I'm not giving it one star. - I liked "Memorabilia" but that's mostly all I have to say about it. Some kind of 3.5 runner up. - I thought "'Til Death" by Barbara Hambly was the best horror of the collection, and caught a glimpse of another review about it I thought missed the point. It's not that hell is an airport with your wife, it's a "hell is me (and I can't other-people my way out of that)" take I found really refreshing after the ad nauseam takes on "hell is other people." It made me upset, I was not having a good time: That's good horror. 4.5 stars. - I actually read "If I Could See Lazarus Rising" by Kathleen O'Mally last, which I'm glad about, because it made my cry, and it was the best all around story of the book. Absolutely beautiful. 5 stars.
In the introduction, the editors state that the horror genre is difficult to define because what scares one person doesn't necessarily scare others. One example they give is that a story about spiders will scare an arachnaphobe but not someone with a pet tarantula. These stories are not about monsters or vampires, but rather about psychological things that scare us. For example, one of my favorite pieces is about a woman who is possibly one of the last survivors of a virus who devotes her solitary life to saving whooping cranes. She faces an existential crisis when she questions whether her life has any meaning because the cranes fly away and don't return. In another story a man chews off his own arm (like a coyote caught in a trap) to avoid acknowledging that he slept with another man. One consistent theme of the collection is the horror of homophobia, whether internal or external.
Only a couple of these were really horror, i would describe a lot of them as tragic but not really scary. Disappointing bc the first one out the gate made me squirm. I did quite like a few of these, especially the ones that were more speculative
Although I didn't enjoy this one as much as the SF stories (gore and horror actually horrifies me, in a usually unpleasant way that I don't over-enjoy much, though thrillers and psychological suspense are really enjoyable - so about half of these just made me queasy).
This is my failing, by the way, not the stories. Horror fans? This one is a great collection for you. I'm just a wuss. Still, there's something to be said even for a wuss like me in these tales! The story with the pink triangle from Nazi Germany made me shiver down to the bone, and the opening story about a homophobic gay man whose arm ends up trapped under another man post coitus, and he feels he must eat his way out of this trap had me just about ready to vomit.
“Kindred” is a very sweet story about a lonely gay Georgia farmer who gets otherworldly help from his gay neighbors who have died. ‘”Til Death” by Barbara Hambly has an unhappy lesbian couple stuck in a very real and funny hell that is the Dallas/Fort Worth airport. “Passing” by Mark Tiedemann takes place in a near future where gays and lesbians are killed by the state. Howard works for the police, drugs himself, has a cover marriage to a lesbian and turns his friend in all to protect himself. This story would be a good companion to The Handmaid's Tale by Margaret Atwood.
“Bending the Landscape” is a series of original collections of gay and lesbian short stories in different genres: Horror, Fantasy, and Science Fiction. This edition is Horror. I found it very interesting. As in the title of the book, the landscape of horror is bent a bit. Only a few stories are what I would call classic horror. The rest are more like speculative fiction of horrific things. They didn’t evoke outright fear and loathing as much as sadness and despair. Most are very disturbing and some are even surreal.
Short stories, some more horrific than others, all of which featuring gay and lesbian characters. Memorable ones: a married man has an affair with another guy while drunk and decides on a gruesome way to get out of the bedroom, a widowed teenager in a hick town in love with another girl gets followed and beat-up by the other girl's boyfriend/husband, an evil antique of the pink felt triangles used by the Nazis to identify homosexuals, teenagers who hear a motorcycle crash but who no one believes until it's too late.
I had higher hopes for this collection but so many stories were dull and didn't feel like horror. A couple of decent ones in here with good writing that weren't trying too hard. I felt the same way about the Science Fiction collection in this series. I have the Fantasy one but I don't think I can bring myself to try it after two duds.
I first picked this up sometime in 2003 and have revisited it several more times in the past decade. I'm pleased to say that I enjoy it just as much every single time. This anthology delivers some well-crafted new classics of its genre. Particularly, Mark W. Tiedemann's novella "Passing" is one of the best and most haunting stories I've ever read. Highly recommend!
This was nowhere near as good as the fantasy Bending the Landscape. Most of the stories weren't really horror, and a lot weren't well written. There were a few I liked. I'll have to go through it again and put down the stories/authors I liked.
Awful. If "horror" means horrific then this book takes the cake. If there was a rating lower than one star it would receive it. By far the worst book I have read. Not horror at all. Was not worth my money.
A sound collection of stories, mindful, thought provoking, and subtle. This was a happen-chance find at the bookstore and has picqued my interest in the other two installments!
Really well-done on the whole - varied, skillful, deeply unsettling. Some of them made me feel actual nausea. Mostly in a good way. If you know what I mean.