Whether dissecting his family of origin (“twentynothing,” “1977,” “Where the Self Divides”) or penning unusual love poems (“Following Her to Sleep,” “Trust,”) McDaniel’s unparalleled ability to wield a mighty metaphor is revealed in every poem. This book contains the poem “Grace”, which the Poetry Society of America chose for their Poetry in Motion series to entertain public transit passengers in major metropolitan areas.
He is the recipient of a creative writing fellowship from the National Endowment for the Arts. His writing has been included in Ploughshares, The Best American Poetry 1994, and The New Young American Poets, as well as on the National Endowment for the Arts website.
Although McDaniel has not performed in a poetry slam in over 10 years, he has made spoken word appearances at Lollapalooza, the Moscow Writers Union, and the Globe in Prague, as well as numerous poetry slams across the United States in the early-to-mid '90s.
A compilation of selected poems, Katostrophenkunde, was translated into German by Ron Winkler and published in 2006.
He teaches creative writing and is a faculty advisor at Sarah Lawrence College.
The library only have me a week for this loan. Not accepting it as a challenge but to ease my eagerness to read more of this man's work. His poetry is classic humor. Get yours. The entire opening (Part 1) is very funny.
Other Favorites: - Where The Self Divides - Grandfather - Dead Twin - Kill The Carrier
The fifth book I've read by McDaniel is fittingly his first. It was a great read, a nice origin story of sorts, and it's crazy he was only 27 when this was published. The final poem, "Objectivity", is most definitely my favorite.
Quirky, funny, unsettling, often surreal, honest, touching, and decidedly not boring, this first book by McDaniel, a former slam poet, surprised me by being more inventive than I'd expected, as well as more oblique. While much spoken-word poetry tends toward the general or the "grabbing by the throat" with emotion while not necessarily being very well-written, these poems are clearly well thought out and are balanced on the page as well as in the mouth. In addition, the imagery McDaniel uses is original and thought-provoking, while not losing a sense of emotion and humanity. He straddles the line between intellectual and conversational in his poetry, leaving room for the reader to ponder and question, but also striking emotional chords, so that his work didn't leave me feeling empty (as so much overly intellectual/academic work can do) or, on the other hand, feeling deliberately emotionally trampled and shouted at (like so much slam poetry can do).
Though not many of these poems left me saying "wow" or insisting that others read them (often they felt like well-put-together parts, many of which I enjoyed and smiled at or flinched from, but which often didn't add up to more than the sum of those parts.... this is why I give it 3 stars instead of 4) a number of them did demand to be re-read, and the collection as a whole is solid. Topics range from self-loathing to addiction to family losses and dysfunction to depression to love and longing to friendship; a little of everything.
There are only 38 poems in this volume, so it really feels like more of a chapbook; it's a bit misleading for it to be granted book status, being so slim. I felt that having the poems divided into 4 sections seemed unnecessary (though I did understand the slight categories of the sections), making the book bulkier than it otherwise would have been.
I'll definitely be seeking out more of McDaniel's work, since this was his debut and he's come out with 3 more books since then.
My favorites: Modern Day Sisyphus D Exile Last Night 1977 Dead Twin
I read this third while taking a self-guided Jeffrey McDaniel tour. It's not my favorite of all of his work, but it's great to read his earliest work and see where he started. This one relies more heavily on humor and that aspect feels a little heavy handed in places, but I still fully enjoyed it and am happy to add it to my collection.
jeffrey mcdaniel is one of the few modern poets who shine as brilliantly on the page as he does on the stage. the appearance of his work in such publications as best american poetry and ploughshares attest to the former observation while live performances around the world bear witness to the latter. his highly original, deeply intimate, and profoundly creative work is not to be missed.[return][return]by aberjhani[return]author of "i made my boy out of poetry"[return]and "encyclopedia of the harlem renaissance"
This is McDaniel's first book of poetry, and it sizzles. I like his later work more, but there is a rawness here that is very intriguing. His metaphors are striking and unusual, and his language crisp. I especially enjoyed his poems about his family and youth - subjects that can easily be tired are made personal and distinct.
Mathematicians still don't understand the ball our hands made or how your elecrtocuted grandmother made it possible for you to light my cigarettes with your eyes. *sigh* Does it get better than that?
Things I have read which I have since bought and re-read, furtively, before and after the science fiction. Poetry about raw nerves and alcohol sluiced over them.