I'd been thinking lately of the core "rules" of cozy mysteries (if it sounds like I'm going way off-genre here, I promise, I'll get back to fantasy momentarily): no sex, no swearing, no gory violence. These are the sorts of books targeted at adult audiences but which have cartoony illustrations on the covers and tend to be about cats, bakeries, flower shops, and other such natural subject areas for whodunnits (seriously, there are untold numbers of cozy mysteries in those sub-categories). Cozy mysteries focus on fun, well-told stories that aim to entertain without troubling the reader, and they have legions of fans.
Fantasy's never been an explicitly "fun" genre, despite how its viewed externally sometimes under the umbrella of escapism. There have always been troubling, explicit, questioning stories and there's no special shelf for "fun fantasy". If there was, all three of the Harper Hall books by Anne McCaffrey, starting with Dragonsong, then Dragonsinger, and finally ending with Dragondrums, would have a prominent place on that shelf.
There's no moment in any of these books where you'd feel uncomfortable reading them at night for fear of troubling dreams. The stories are well-written, exciting in places, thoughtful in others, and always in that safe zone free of sex, graphic violence, or swearing. They're not particularly "YA" (which doesn't shy away from difficult subjects or scenes), nor "Middle Grade" (in that they aren't all about how dumb adults are and how kids need to save the world). They're just . . . safe.
Having witnessed the way my own YA series, Spellslinger, has had to navigate certain issues of censorship in places like Russia (but also, for very different reasons, the UK), I've become more and more aware of a push towards "safe" stories in some corners of publishing. Until recently I thought I was dead-set against such a drive for non-troubling stories (especially since "troubling" often grows far past "sex, swearing, or graphic violence" to encompass stories that just happen to feature issues of marginalized people in society). But now I think I've come to the conclusion that the mystery fiction world has it right. Go ahead and have a "clean fantasy" subgenre that's devoid of swearing, sex, or graphic violence. Just make sure it's defined clearly that way so that those readers looking for that experience can find it *without* opening up the rest of fantasy fiction to a kind of puritanical scrutiny.
Dragondrums, a story of a young singer who loses his voice and ends up on a survival adventure on another continent while discover his own path in life, is—to me, at any rate—clean fantasy done well. It's not as compelling for me as Dragonsong (perhaps my favourite "clean" fantasy of all time), but it delivers what it promises without furthering any kind of puritanical agenda; it's "safe" and "fun" without suggesting that all fantasy books should be that way. In fact, given that there were some troubling aspects to how McCaffrey dealt with topics of sexuality in her first Dragonriders of Pern trilogy, I kind of think this series staying away from the subject worked in everyone's favour.
I realize this is something of a meandering review, and apologies to anyone who sees this book – or the entire genre – differently from me, but in re-reading the book I found myself fascinated as much with what explicitly _wasn't_ in the story as what was.
Most of all, re-reading Dragondrums made me wish McCaffrey had written more Harper Hall books, and I fear I may have to pick up Dragonsong again one day soon.