Susumu è un senzatetto. Vive ai margini di un parco, residenza fissa di un gruppo di clochard, e sebbene spesso si unisca a loro, ne mantiene le distanze, dimostrando diffidenza verso chiunque. L’unica cosa a cui è legato è la sua automobile, una specie di ventre materno. Per guadagnare i soldi necessari a riscattare il veicolo, Susumu accetta di sottoporsi a un intervento chirurgico al cranio teso a destare i sensi sopiti dell’uomo. L’esperimento lo rende in grado di percepire grottesche visioni, che comprende essere la proiezione della psiche delle persone con cui spartisce qualcosa. Queste esperienze psicosomatiche risvegliano i fantasmi di un doloroso passato. Affrontarli è l’unica soluzione che ha per smettere di tormentarsi.
山本英夫 Yamamoto Hideo , is a Japanese manga artist best known for the manga series "Ichi the Killer" (which was adapted into a live-action film in 2001) and the series, Homunculus (manga). Recurring themes in his manga are crime, sexual deviations, and psychology.
Mi volumen menos favorito, el hecho de la aparición de Nanako como un hail mary/ deus ex machina ya era tonto. Darle tanta importancia y orillar a Nakoshi a alejarse de su mundo de autoexilio se me hace innecesario.
The story has become the definiton of stupid. It had a good run, but every interaction now is plain senseless. Susumu doesn't have a direction like before, Manabu doesn't have interesting revelations, the new chick in the cast is completely unnatural in both behavior and dialogue (and the way she runs is ridiculous). The well of ideas has run dry. Why don't they just end a series on a high note? No, they have to get paid, so they dilute their solid premise with crap filler.
This manga series is about a homeless man, Nakoshi, who has trepanation surgery and can see homunculi. As the reader, we aren't sure yet if these are real representations of a person's inner heart and shown through the sixth sense, or if these are all an illusion. We are given hints that it is real but also are given doubts due to the deteriorating mental health of Nakoshi and his compulsive lying. At the end of the last volume, Nakoshi had gone to very dangerous lengths to get back his sixth sense.
In Volume 13, Ito and Nakoshi investigate the woman with the face-changing homunculus. Nakoshi believes she could be his ex-girlfriend, the only one who saw him when he was "ugly." However, she looks and acts nothing like his ex.
Humanity is obsessed with celebrating deception and lies. It's all a deception about money, wealth, and so on. Empty. Nothing. We lie because the truth can be the most terrible thing in the world at times. We lie to protect ourselves emotionally. We lie to protect ourselves from the harsh realities of life. The reality about us. Isn't everything a lie? Where can you find the truth? What distinguishes me as a human being? What keeps me going every day. I won't know the answer since you are the only one who can. You hold the key to the solution. But who are you if not you? Where can you go if you don't have yourself? Never lose sight of who you are. Be the person you've always wanted to be.
A few words of wisdom by daph.... This manga is fucking with my mind.
Dopo l'arrivo di Nanako, solo montagne russe in questo volume. Con quella faccia vuota, quanto cavolo è inquietante?! Ho amato tantissimo l'associazione della chirurgia plastica alla "falsità" di Nanako.
menudo final más jebi. todo el arco de nanako es una puta paranoia y sinceramente ya no sé ni qué pensar. es todo una locura y están perlando jebi. sin más muy bien pero necesito más para poder hablar en condiciones.
Ci stiamo avvicinando alla verità. Non so se quella ragazza è chi credo che sia ma lo spero tanto: ho bisogno di sapere, di scavare nel passato del protagonista per darmi pace. La storia continua a essere elettrizzante.
he is trying... i think. he is really trying to look at himself but also figure how his past and who he really was. i do feel bad for this woman because is she the woman he is looking for or ... is he just fucking crazy. IDK. ITS WILD AND CONFUSING BUT GOOD