The Indian village of Deorala in Rajasthan, the northwestern Indian state that borders Pakistan, is neither remote nor feudal in the strictest sense. A tarmac road links the population of 10,000 to neighboring villages and towns, there is running water and electricity, and the villagers have had television for more than twenty years. On September 4, 1987, Deorala found itself in the center of a furor that awoke age-old conflicts in Indian society. Before a crowd of several thousand people, mostly men, a young woman dressed in her bridal finery was burned alive on her husband’s funeral pyre. The apparent revival of an ancient tradition opened old wounds in Indian society and focused world attention on the status and treatment of women in modern India. The ancient practice of sati — the self-immolation of a woman on her husband’s funeral pyre — was outlawed by the British administration in India in 1829, and sati was widely believed to have died out. The fate of 18-year-old Roop Kanwar changed that perception. Mala Sen explores the reality of life and death for women in modern India in a study that is both illuminating and terrifying. The book is part journey through the India that the author knows and loves, and part exploration of the enigma that India still remains in the minds of many. Starting with Kanwar, Sen enters the worlds of three a goddess, a burned bride, and a woman accused of killing her daughter, and shows how, in this society in which ancient and modern apparently co-exist comfortably, there is increasingly cause for real alarm. She creates an image of a state in which political turmoil is constantly at the surface, and in which the role of women is constantly being redefined.
Mala Sen nos adentra en la situación de la mujer india en las últimas décadas del siglo XX. Sin ser presuntuosa, la autora nos retrata la sociedad y forma de vida de distintas castas y ambientes urbanos y rurales. Sen pone a tu disposición distintos puntos de vista que permiten formarte tu propia postura frente a ritos como el sati o inmolación de las viudas. Con un estilo sencillo, propio y con diversas referencias, Mala Sen consigue sumergirte en la dura realidad india contemporánea.
I expected this to be more of a study on the traditions in rural India, however it turns out that the writer pours much of her feelings and thoughts in this and it reads more like a travelling diary. It is well written, but at times I struggled to keep on reading.