In Mirrorwork, her second collection, Mimi Khalvati takes the Islamic art of mirror-mosaic - found in palaces, barber shops, kebab houses - as metaphor. The shorter poems refract one another, the three long sequences act as a mirror tryptych, their themes - of art, nature, domestic life and memory, east and west - drawing the other poems together. In a mirror-mosaic you search for your reflection but can't find it whole, only flickering, variegated, fragmented, as on television when a pattern is played across a face to preserve anonymity, while the voice discloses what the picture conceals. In Mirrorwork Khalvati at once establishes a voice and questions its integrity. It is a book about becoming, as the poet's children leave home and she must find a changed self and purpose, a new space.
Mimi Khalvati was born in Tehran, Iran. She grew up on the Isle of Wight, where she attended boarding school from the age of six, and has lived most of her life in England. She trained at Drama Centre London and has worked as an actor and director in the UK and Iran.
She has published eight collections of poetry with Carcanet Press, including The Weather Wheel, The Meanest Flower, a Poetry Book Society Recommendation, a Financial Times Book of the Year, and shortlisted for the TS Eliot Prize and, most recently, Child: New and Selected Poems 1991-2011, a Poetry Book Society Special Commendation. Her work has been translated into nine languages and she received a Cholmondeley Award in 2006. She is a Fellow of the Royal Society of Literature.
Mimi is the founder of The Poetry School and was the Coordinator from 1997–2004. She is a core tutor for the School and has co-edited its three anthologies of new writing published by Enitharmon Press.
She is also a freelance poetry tutor and has worked with arts organisations such as the Arvon Foundation and the South Bank Centre and has taught at universities in the UK, Europe and America.