This is a memoir by sister and brother team Judy and Paul Karasik. I believe these are the youngest siblings in a family with four kids--David, Michael, Judy, and Paul (in order of age?). I had to send the book back to the library, which makes reviewing it a bit challenging. But there are segments of it on Google Books and so I can see chapter names and am able to access a few of the chapters.
There are eighteen chapters in all, broken up into five chronological sections. Judy Karasik writes the prose chapters and her brother Paul the comics/graphic-sequential-art chapters. Their stories alternate and for the most part go chronologically except for the first chapter which begins near the end, in 1995. Then, back to 1953 and gradually forward.
Judy and Paul Karasik are middle-aged when they write this, and they tell the tale of their lives growing up and becoming adults with an older brother who is autistic and has (other) developmental disabilities (not all people consider autism a developmental disability). The book wonderfully details what it is like to grow up in a house in which a lot of the focus revolves around care taking and working to make the home safe, comfortable, and manageable for an autistic and disabled sibling. At times it's frustrating for the other kids to have so much of their parents' attention focused on their brother, to constantly have to worry about doing things that put their brother David (sometimes called Dave) in distress and about who they invite into the house... In addition to the effort put into creating a home that supports David and keeping him as comfortable as possible, Judy and Paul also have to deal with their short-tempered though at times charming father, which seems a bit of a challenge (it was hard to fully get a read on what kind of parent he was, and I don't have any memory of their mother, which is strange. She is in the book).
At a certain point their mother's mother dies and their 95 year old grandfather and their mother's severely developmentally disabled sister come and live in the house, too. What a full house! And what a lot of responsibility for the kids. It's pretty great to see a family so dedicated to taking care of other family members. But it's clear that it does require a lot of Judy and Paul.
There is a hired caretaker who works at the house and is an honorary family member, Dorothy White. She is an important person in the book. She's a black female caretaker who does a lot of emotional labor and in moments I worried the book wouldn't handle this in an honest and appropriately conscientious way. I'm still not sure, but she definitely reads as someone who is respected and appreciated. And when tragedy strikes her family, the two families do seem to support each other. In one of the most intense scenes in the book, it's night time, Judy's parents are out, and her grandfather is distraught and groaning in discomfort and the night-time nurse who was hired to be there (not Dorothy) is ignoring him. Judy calls Dorothy crying, and Dorothy comes over and sends the other nurse home and attends to the grandfather. His discomfort turned out to be a simple problem, not hard to solve. But the other nurse had chosen to ignore it, and she had been doing so for some time. It was haunting. A haunting reminder of all the many things that can go wrong with (health) care providers...all the ways they find to callously dismiss other people's pain/experiences. And how a little bit of listening and attentiveness can often resolve a problem.
Later in the book the issue of abusive care-providers comes up again and this time it has to do with a facility where David was living--a place the Karisik parents had really supported (they did a lot of activist type work). It's super upsetting and disturbing, but important, and I think it's handled with appropriate care, though in moments I think it could have been contextualized and explored a little more. It's horrifying to think of the abuse that goes on behind closed doors of so many places that are supposed to be supporting vulnerable people/communities. It's comforting that in this case the abuse is addressed, though hard to know that so often it goes on and on and on...
The last section of the book is the section the title is named for. "The Ride Together." It's a theme that comes up a few times in the book (little road trips.) This chapter takes place in 2001, and brings us to the book's present with a family that is deeply flawed but still deeply connected. At first I found the back and forth between prose and comics in the book, and the two points of view, a bit distracting. But the writing was quite good and I got used to the rhythm and pacing and voices and by the end found that I wasn't quite ready to let it go. I wanted to continue getting to know David and Judy and Paul and see how their stories continued.