Filled with images from the artists many shows and performances, this unique book celebrates Anderson's many films, videos, sculptures, paintings, and concerts, as well as her collaborations with William Burroughs, Spalding Gray, Lou Reed, and others.
Marvelous anthology and discussion of Anderson's work. Author Roselee Goldberg situates Anderson in the same postmodern, critical milieu as Robert Longo and Cindy Sherman, artists who took their work out of traditional gallery spaces, questioned its assumptions, and playfully disassembled parts of pop culture, putting them back together in strange new forms. I would have liked some more analysis from the author, but this is partly a showcase for Anderson's work, not an academic book. Besides, too much analysis might detract from the free-associative structure, which throws Anderson's images and words into juxtaposition — much like one of Anderson's albums or live shows. In other words, too much structure might defeat the subject's purpose.
I was bailing dome friends out of jail several years ago in Camden, New Jersey. The city had seen fit to put the county jail and the public library right next to each other, and I walked in to look at books and found this one on the "for sale" shelf, brand new, for 50¢.
Camden's loss.
I blogged about this book a little bit on 31 Dreamers, and about how Laurie Anderson was my first celebrity crush. Her records alone don't do her justice. She is a total artist whose whole picture is made up of the many mediums she's worked with. Check it out.
This book was absolutely essential for my honours dissertation. It has excellent descriptions of the technical as well as thematic and symbolic aspects of all of Anderson's productions up to the publication of the book.