This is surprisingly a very dense, thorough, and wonderful collection of essays on writing. It’s not insipid or corny, like books on writing that tell you to let your juices flow and let the angels move you and anyone can write and all that. It’s also not as mean, maybe, as John Gardner. It’s realistic, and I would say it’s probably a better resource for beginning and intermediate writers than a lot of other works. It proves what I often stress, that I’ve learned the most about writing from, and gotten closer to final, good products and publications with, writers who would generally be pegged as “commercial,” “mainstream,” “not literary,” or “minor.” I think, whether you want to be a literary writer or a commercial writer or a ghost writer, but as long as you want to be both good and published, you stand to learn more from people who publish regularly to good sales and/or acclaim than moody MFA professors who publish a book a decade. Just saying. There is plenty to be learned at universities as well, but this is better. And cheaper.
This would be a great text for a course, and I think it has a fair amount to offer students of literature as well. There are a lot of dissections of genre and style and structure, and some matter of fact, pragmatic statements on market, marketing, and reception—i.e. “General fiction is anything written by a male that both men and women read. Women’s fiction can be written by men or women, but is aimed at women, since most American men don’t (yes, you may read ‘won’t’ here) read women fiction writers unless it’s in a genre they can publicly relate to—a genre like mystery.” I think that’s good for any aspiring writer, critic, or student to have in mind.
You could just read every back issue of Writer's Digest to get all this, but it's nice having it in one handy Kindle edition (free!).