Our friend Stacy got this book for us for Christmas, and I'm glad she did, I think. I say "I think" because although it was very interesting (and convincing), it was ultimately depressing and sad. Here's what Google AI says about the book:
A Woman I Know: Female Spies, Double Identities, and a New Story of the Kennedy Assassination by Mary Haverstick is a non-fiction book that investigates the life of aviator Jerrie Cobb, revealing her potential involvement in Cold War espionage and connecting her to new evidence surrounding the JFK assassination. The book details how Haverstick's research into Cobb uncovered a world of secret identities, CIA operations, and links to figures like Lee Harvey Oswald, suggesting Cobb may have been a spy with a double identity, possibly linked to the events in Dallas.
Jerri Cobb's "double identity" involves a CIA agent named June Cobb and others. June was also an pioneering female aviator, also from Oklahoma, roughly the same age, roughly the same appearance. But there are more than just these two identities, however. The others include Catherine Taaffe, QJWIN and more I've probably missed.
I didn't care for this book much at first. Haverstick's prose can be over-wrought and too self-involved. But as I read on, I began to realize she really had no choice, as she was very, very involved in the personal life of Jerri Cobb, and Cobb's evasions and omissions, hot-and-cold gouts of emotion, and her astonishing energy and drive (drive to where, it is hard to say) became an increasingly compelling (and necessary) side story to the granular 1960s spy vs. spy research. In a way, Haverstick's book is a kind of survivor's account, an account of how her life was upended by this increasingly labyrinthine tale and its possibly malignant protagonist. Haverstick won me over with her doggedness as a researcher as well, and her reluctance to draw conclusions without a lot of supporting evidence. The book is sometimes a slog, and I admit I skimmed many sections of it, but it is a slog only because of the case-building research Haverstick had to do to do this book responsibly. And I think she did it responsibly.
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The whole thing started out with Haverstick's plans to make a film about Jerri Cobb's life as a pioneering female astronaut - Jerrie was the leader of the mission to train a pioneering batch of female astronauts for NASAs space travel plans in the 1960s. Driven more by the Soviet's use of females in their space program rather than any real commitment by the macho "Right Stuff" guys of NASA and the Air Force, the program was eventually scuppered, of course, despite the fact that Cobb fully qualified as an astronaut - both in brains and physical stamina (she passed all the "Right Stuff" tests, being flung about in steel cage simulators, etc.). That she had to grin fetchingly and pose in front of Mercury capsules in a skirt and heels was an extra part of her job as a female astronaut. Haverstick doesn't belabor the unfairness of this, which is commendable, as it is pretty obvious for most readers nowadays. This film project gradually dropped away as Haverstick's research was uncovering more and more plot holes in Cobb's stories, bolstered by Cobb's constant hint-dropping and conspiratorial half-revelations. Haverstick is quite candid about her lack of interest in history, spies, and an aversion to libraries (the rare person who will admit that!). She's a filmmaker of, I gather, the "human interest" side of things. But history and spies and libraries sucked her in; it could be said that Haverstick found her true calling as a researcher and interpreter of government documents, which in the case of the CIA perhaps out-Kafka'd Kafka. Code words, constant shifting identities, fake(ish) reports, lying, lying, lying (including to Congress), all in the name of "spycraft" which is my next-least-favorite term after "Brew Pub." When she stumbled upon the story of Jerrie Cobb's doppelganger, CIA spy (and pioneering female aviator, etc.) June Cobb (aka Catherine Taaffe?), the hunt was on.
And to what purpose, all these false/double identities, all this lying and obfuscating? As Haverstick shows, at first all this Cold War era "spycraft" was to eliminate America's enemies, in particular Patrice Lumumba of the Congo and Fidel Castro of Cuba. Lumumba was killed by political enemies. Castro died an old man of natural causes, not poisoned by CIA-infiltrated tubes of toothpaste. So much for all the "spycraft." But what about John F. Kennedy? The idea that the CIA assassinated him is a theory that has been around for a long time, and I've always dismissed it as too barouque, too implausible to give any thought to. But after reading Haverstick's book, I'm not so sure.
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First off, again, Haverstick's research impressed me, even as it bored me (my fault - not hers!). She goes back to the 1920s, following Jerrie's and June's lives and careers. Her first suspicion, that June and Jerrie are the same people she discards after researching original documents - school yearbooks, local news notices, etc. This use of primary sources is how the professional genealogists do it and I was impressed. When things start getting complicated, Haverstick makes chart/timelines that show how the two women had a tendency to appear and disappear at various non-overlapping times. Not conclusive, perhaps, but compelling evidence that these two women were swapping identities and locations.
I won't try to summarize the "plot" of Haverstick's book; it is extensive and complicated. I'll touch on some things in isolated bits, but these things are bits of a much larger mosaic. Here are a few of these things:
Redbird: a private airport in Dallas. Throughout the morning and afternoon, a two-engine prop plane sat on the runway with engines running. This was odd enough that people living in the area commented on it. Haverstick got Jerrie to admit she was the pilot. In her account, she'd been hired to fly LIFE magazine reporters to Dallas. But get this - the LIFE reporters never left the plane! Haverstick, incredulous, asked how reporters and cameramen would not leave the plane to cover one of the biggest stories of the 20th century. Jerrie stuck to her story - they stayed in the plane. She did talk a lot about being nervous about being able to depart before the airspace over Dallas was closed; she managed to take off just minutes before this happened, with the arrival of Air Force One and Lyondon Johnson. Haverstick's conclusion is that this plane was supposed to whisk Lee Harvey Oswald out of the area; a very similar plane showed up in Mexico City later that day, the site of so many CIA hitherings and thitherings, and Lee Harvey Oswald mysterious appearances. She speculates that Oswald was heading to Redbird Airport, but the Dallas Police Dept. got the word out about him much faster than expected, and Officer J. D. Tippet botched Oswald's escape (and died doing so).
Babushka Lady: Several people were very close to the limousine when the assassination occurred - not a crowd, by any means, but a scattering of people. These have been identified for the most part, even the mysterious "umbrella man," apparently. One person who has never been found is the so-called Babushka Lady, a woman in a raincoat and headscarf (babushka - called this in order to keep things looking Commie). She spends the whole time with a big camera up to her face taking photos. Haverstick devotes a chapter to the Babushka Lady (pp. 369-393) and makes a compelling case that this person was June/Jerrie Cobb. She even suggests that the camera was a hidden firearm. Now this Maxwell Smart / Archer's Underwear Gun kind of thing is an eyeroller for me, cunning stupidity, but just enough of this crap works to make it hard to completely write off (Russian umbrella poison jabs, for instance). Haverstick is very methodical, and does not make wild leaps; she points out how the Babushka Lady stands very still, camera up to her face, throughout the entire assassination (see the Zapruder film et al.). Everybody else hit the dirt, but she stood tall, camera still up to her face. In later footage she's seen heading up the Grassy Knoll, then she's lost to history. Haverstick also points out, leaning on her vast experience as a filmmaker, that the way Babushka Lady points her camera is not the way somebody would to film the motorcade. But she is aiming her "camera" like someone shooting a gun would, if the target was JFK.
Ruth Paine: One of the many inexplicables surrounding Lee Harvey Oswald and family before the JFK assassination is his adoption by Ruth Paine. The story goes that Paine, a Quaker, felt sorry for the hapless Oswald family and decided to help them out. The extent of her help has always seemed a bit fishy to many. Haverstick points out the fishiness in detail.
Leishmaniasis: Leishmaniasis is a disease caused by a parasitic sand-fly which June Cobb (not Jerrie, so the story goes) picked up in South America. Again, June, like Jane, was a pioneer woman aviator who shared a very similar biography with Jerrie, including locales (Oklahoma, Florida, Latin America); these similarities may be why these two women were used interchangeably by the CIA for their covert whatevers, perhaps. Anyway, both were in Latin America a lot and June was infested by this gruesome disease leishmaniasis, and had to be whisked out of the jungle and sent to a specialist, Dr. Isidore Snapper, in NYC. He published this case in a detailed article, including photos of the patient:
"Snapper featured June's wound in various stages of healing, which was as big as an orange and on her left collarbone. But the pictures also needlessly featured June's face, and the article delved into aspects of her biography that were superfulous to the medical discussion. The woman pictured isn't Jerrie, and to my eye, the photos bore signs of dodge and burn alterations, techniquest I'd practiced in my darkroom days. Jerrie and june already shared numerous jungle diseases. I wondered if Jerrie's body was the one carrying the true leishmaniasis scar." (p. 397)
Yep, I agree, the photos look fakey to me, in addition to having that dodgy mid-century textbook science black-and-white blurry look to them. Furthermore, patients tended to be rendered unidentifiable by the mid-20th century (my dad's Biology 101 college textbook from the late 1950s featured people with thyroid conditions, leprosy, etc., all with black bars over their eyes as a nod towards protecting privacy). June, in one of the photos, has a wistful, mouth half-open smile in one of these, just inches above a glossy, gaping wound just below her neck. She looks like she's at a Cuban Embassy cocktail party.
Years later, during their meetings, Haverstick noticed that Jerrie always wore high necklines, which thwarted Haverstick's efforts to get a glimpse of her collarbone area. But in one of the later meetings Haverstick had with Jerrie, when Jerrie was succumbing to dementia somewhat, she came out in a low-cut T-shirt and Haverstick managed to sneak a photo of her clavicle area - yep, a big old scar right where June's was supposed to be.
These photos, along with the one Haverstick snuck in of an elderly Jerrie Cobb's clavical are in Appendix 2 "The Clavicle Scar" (pp. 414-416).
Somewhat less convincing is Appendix I "The Forearm Scar" (pp. 410-413). Catherine Taaffe, one of the other identities Haverstick suggests Jerrie-June was sharing via the CIA, received a warning from Cuban operatives by having a big 26 carved into her forearm, this in order to mark her as an American spy and therefore not to be trusted. "26" is the date of Cuban independence or something like that (I don't want to look it up). Frankly, this sounds like another example of CIA over-thinking Maxwell Smart/Agent 99 buffoonery. But indeed, Jerrie seems to have a carved-up forearm, although a 80-something woman who spent a lot of time in the sun has a very, very wrinkled and scored forearm. I'm not so sure what I was seeing, really, scars or sun damage.
A quibble: both the Appendixes are interesting, though I wish Haverstick included a more of a full recounting of the events surrounding the scars. To find this, you'd have to go back to the main text.
Did Jerrie Cobb poison Haverstick? As far-fetched as this seems, it sure seems possible, in Haverstick's account. During one of the late visits (and these would go for several days) to Cobb's place in Flordia, just before departure, Cobb presented Haverstick with a bowl of fruit and soon after Haverstick wound up hospitalized. I couldn't find the reference in the index, sorry. But it's in there. And Haverstick makes a good case, I thought.
Elena Garro (December 11, 1916 – August 22, 1998) was a Mexican author, playwright,screenwriter, journalist, short story writer, and novelist. She has been described as one of the pioneersand an early leading figure of the Magical Realism movement...(Wikipedia)
How does she figure? She saw Lee Harvey Oswald at a "twist party" in September 1963 in Mexico City. She had several contacts with the FBI and the CIA (she was anti-communist and a JFK fan), trying to help the "investigation" if that's what you can call it:
"Two to three months before the Kennedy assassination, Garro, her daughter, Elenita, and hsr sister Deba attended a twist-style dnce party at her cousin's home. Many of Garro's extended family members were there, including Silvia Duran, Garro's cousin by marriage; Duran was the staffer who had waited on Oswald at the Cuban embassy when he came in to get a visa. According tot he Garro women, Oswald was at this party as a guest of Silvia Duran's. Garro and her daughter were so certain they saw Oswald at this party that they would talk about the incident for years, in spite of the tremendous backlash they encountered." (p. 111).
"Backlash" indeed! The "...first American who arrived at Garro's door to discuss the Oswald sighting was CIA agent June Cobb." (p. 112) Soon after this encounter, somebody broke the legs on Garro's cat! (see index: "cat-maiming incident" under Jerrie Cobb). Then years of effort to “fix” the date of his appearance at a Mexican “twist” party – CIA guys trying to make sure the party happened when they said (to the Warren Commission, etc.) it happened. Making sure of something is not the same as competently researching it - for reasons known only to the CIA, they never interviewed the "twist-style dance party’s" host or guests. And as best as you can, beat down Elena Garro, a JFK fan and ardent anti-communist, to keep her from telling what she saw (Haverstick speculates June/Jerrie Cobb was sent to intimidate her for years – not just the broken cat legs in Mexico City, but showing up in Manhattan where Garro fled for her protection before fleeing further afield to Madrid). The CIA didn’t have much use for the intellectuals and “beatniks” – writing off such folks as “nuts” (as applied to Garro in a report – but she’s not nuts). I can see it now, in black and white, the frat boys with flattop hair cuts sneering at the beatniks (NASA and CIA vs. Bebop and Burroughs). And yet I’ll bet the beatniks were boring too, with their own plots and awful jazz music and schemes and theories. But what in the world was Lee Harvey Oswald doing there (with two "beatniks" - I'm picturing Maynard G. Krebs types, as portrayed by Bob "Gilligan" Denver)? Nobody tried very hard to find out, as Haverstick demonstrates.
But you won't find any of this Oswald stuff in the Garro article on Wikipedia; it dribbles off into nothing and is, after the typical "important writer" introduction, sketchy as heck. After an introductory bit on her achievements, there is the typical "Early Life and Education" and then...nothing! It just stops there. No mention of Oswald and the "twist-style dance party." No mention of her moves to NYC and Madrid. Nothing about her death (she died in 1998 at age 81, so at least the CIA didn't bump her off, apparently). Haverstick's book was prominent enough and I'm sure many people who get granular over the JFK assassination will find things in it to debate. Which is what Wikipedia should be dealing with in a footnoted, responsible way. Not surprisingly, perhaps, Mary Haverstick does not have her own Wikipedia article, not even a stub. She deserves one.
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Oswald is not the focus of this book, but Haverstick's research makes this seemingly nutjob lone-gunman more of a cipher in some ways, and in other ways gives more support that he was in some way connected to the CIA. His easy-peasy repatriation after defecting to the Soviets, the weirdly attentive Ruth Paine and his settling in Dallas all seem designed to help Oswald out by a vast Invisible Hand. Furthermore, the assassination attempt of Right-wing extremist General Walker seems less a missed shot than a false flag effort by Oswald (and his team?), as Haverstick theorizes. Her theory seems plausible to me.
Jerrie Cobb had a lot of moxie, took on the uber-male dominated military-industrial complex and government. She carved out her own path, her own career against a lot of odds. She was also a fairly awful person, it seems to me. Haverstick spent a lot of time with her (10 years) in her later years, and the lying, the pointless penny-pinching, the love-bombing, the cruelty and resume-padding (or obfuscating) became hard to take. For instance, Cobb claimed she flew many charity "missions" on her own dime to the deep Amazon jungle to help "the Indigenous" - she went a couple times (she went everywhere at least once - except Outer Space) but it turns out this is BS, as Haverstick figured out. Furthermore, much of Cobb's wealth seems to have come from her collecting (looting? Haverstick does not make this charge, but I wondered) pre-Columbian gold artifacts. Cobb had no family, and only a few at-arm's-length friends. Cobb did have a companion and majordomo, a woman named Ruth, who was actually older than she was, but who basically ran the household and, not surprising, impersonated Cobb to keep unwelcome inquiries at bay. As Cobb's mind began to go, this poor Ruth, well into her 90s but in slightly better health, was threatened with disinheritance by an increasingly abusive, malevolent and senile Cobb. Haverstick attempted to intervene, but Ruth died a few months after Cobb, so it didn't really matter, though a woman in her 90s holding out hope for a legacy is a sad thing to read about. The whole book, from the assassination onward is sad, and very interesting as well.