"In the small town of Bayeux in Normandy, in a museum specially devised to hold this single object, is a strip of linen nearly a thousand years old. In a series of vivid scenes, with a running explanatory text in Latin, the Tapestry relates the invasion of England by William of Normandy and his victory at the Battle of Hastings in 1066." "The Tapestry is reproduced in full colour, with captions on a fold-out page for easy reference. A second reproduction of the Tapestry in black and white has a detailed accompanying commentary. Sir David Wilson provides an up-to-date summary of the historical evidence, explaining each episode and covers related topics such as the costumes, armour, ships, buildings and customs." As a social document the Tapestry is of incalculable value. As a work of art the Tapestry is the sole survivor of a form which may once have been wide-spread, the wall-hanging commemorating the deeds of a great man.
A good overview of the Bayeux Tapestry which has been lovingly captured and reproduced for future generations in a massive folio edition. A good starting point for any scholar or history buff alike to what is an unique piece of our history. It’s been a one of a kind experience to pour over the images with the accompanying text at my own pace. I can’t believe that it’s about to grace our shores once again towards the end of the year- it’s only insured for 88 million for the trip! Only!
This is a huge book with color plates so large that you can see pretty much every detail of the stitches on the tapestry. I've never seen the real thing (it's on my list of places to visit) but this is almost better than second-best. I would say that this book is a must-have for 1066 enthusiasts, and a nice piece for those of us whose interest is more casual. I'll definitely be keeping this one.
This is a masterpiece! This large folio display of the Bayeux Tapestry published by TASCHEN is just wonderful, so fabulous. This is one of those quality books that are a joy to hold, to smell, to pull out of the bookcase and flick through occasionally. The quality of the image of the tapestry itself is very good indeed and encourages a very rigorous examination of individual scenes.
This book is a wonderful, large-format, facsimile reproduction of the Bayeux Tapestry. It includes a frame by frame commentary explaining the action and historical context of the cartoon-like embroideries, as well as drawing attention to details of significance that the casual observer might otherwise overlook. There are highly informative chapters covering the probable date, origin and subsequent history of the tapestry, as well as the architecture, material culture, ships, arms and armour it illustrates. My only criticism is that the author omits a discussion of the stitching techniques used in the embroidery, the dyes used to colour the wools and any evidence for individual semstresses in its production. This apart, it is an excellent and beautifully printed source of information about the Bayeux Tapestry and very useful reading in advance of the forthcoming British Museum exhibition, when the tapestry will return to England for the first time in almost a thousand years.
At nearly 14x10 1/2 inches, this large book is so beautiful! On 74, full-color plates, it reproduces the tapestry in its entirety making this Anglophile wish I could pop over to Bayeux (or currently London!) to see this 1000-year-old treasure in person. The book also includes Sir Wilson's translations of the Latin inscriptions, his commentary on the historical events depicted, and his thoughts on what the tapestry can teach us about Medieval art and artifacts. It's a stunning book, which I plan to have handy for reference while I read "The Story of the Bayeux Tapestry," by David Musgrove & Michael Lewis (a more recent and more in-depth look at the tapestry). Highly recommend.
As an enthusiast and researcher on the Battle of Hastings it was a wonderful source document that I could revisit time and time again. It helped me formulate a theory that the scenes of the Battle were taken at 3 hourly intervals. The plates however do not respect the frames but rather the traditional view of the Battle. For instance, one frame starts on plate 57 under the word "HIC" and does not finish until plate 63. These plates are all concerned with the first encounter ( Normans V Huscarls) and I time it at Tierce (09:00).
This book is the first of 3 I am reading about the Tapestry, my favorite medieval artefact. It is a folio so the images are spectacularly showing details. The text is good and gives us thoughts about how formulaic are the men, battle scenes, horses, and buildings. He feels they buildings were not actually seen by the original designer so they are stitched from both memory and imagination.
depicts the events leading up to the Norman Conquest of England in 1066, led by William, Duke of Normandy. It is thought to date to the 11th century, within a few years of the battle. widely accepted to have been made in England perhaps as a gift for William, it tells the story from the point of view of the conquering Normans.
The entire tapestry is explained in this very thorough volume which includes large color plate pictures, smaller black and white pictures with explanations, the story of events the depicted, and translations of all the Latin. A beautiful and very thorough book.
This books was gorgeous. My family loved seeing the Bayeux Tapestry on vacation, but it was just too much to take in. I loved the detailed photography and descriptions.
Beautiful book!! It has a picture and description of every single section of the tapestry and shows it in great detail. I devoured the pictures and the words. I keep looking at it over and over.
Excellent book about the Bayeaux Tapestry illustrated with the entire tapestry in close details and an annotated account of each section. We have tickets to see this in a few weeks' time and have read this book and studied the pictures, I feel in a far better position to get the most out of my visit
Of course, the glory of this book is the 73 color plates at approximately 54% of the embroidery's real size. It's worth having on that alone.
Wilson does a fairly good job on addressing broadly the historical context, the uniqueness of the form, and the importance of the clothing and objects displayed in the tapestry. He has a running commentary on a second section of smaller, black and white plates, that discuss important features on each of the plates and the story presented. The sections following: "The Story Told in the Tapestry," "Style, Art and Form," and "Buildings, Dress and Objects" could be considered smaller essays on the tapestry and frequently refer to the plates. This made me wish I had two copies of the book, because of all the heavy page-flipping involved if I wanted to see what he was talking about in the different plates. The introduction gives a brief overview of the history of the tapestry--one that is sometimes quite harrowing to the historian!
His various sections sometimes repeat themselves (especially as relates to the story of the conquest) so I began to skim in some places, already being quite familiar with that side. There's a fold-out short description of the plates, so you can have that on hand as you go through the photos. There's also a translation of the Latin in the back.
All together the supplemental material made me want to go back to those glorious plates and study them more scrupulously again and again. It's such a beautiful, fascinating source.
Excellent as a resource for Art History & for those interested in needlepoint or sewing. Fantastic photography detailing this extraordinary piece of art as well as for an explanation of history... "Gytha's sister-in-law Estrith was the daughter of Sven Forkbeard, the father of Knut the Great." (Wilson,14) Amusing names!!!
Excellent pictoral/factual explanation of the Tapestry. The best detail of any photographs that I have seen of the Tapestry. You can actually pick out individual stitches and repairs. Quite wonderful.