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The English Governess at the Siamese Court: Being Recollections of Six Years in the Royal Palace at Bangkok
The English Governess at the Siamese Being Recollections of Six Years in the Royal Palace at Bangkok (1870) vividly recounts the experiences of one Anna Harriette Leonowens as governess for the sixty-plus children of King Mongkut of Siam, English teacher for his entire royal family, and
translator and scribe for the King himself. Bright, young, and energetic, Leonowens was well-suited to these roles, and her writings convey a heartfelt interest in the lives, legends, and languages of Siam's rich and poor. She also tells of how she and the King often disagreed on matters domestic.
After all, this was the first time King Mongkut had met a woman who dared to contradict him, and the governess found the very idea of male domination intolerable. Overworked and underpaid, Leonowens would eventually resign, but her exchanges with His Majesty--heated and otherwise--on topics like
grammar, charity, slavery, politics, and religion add much to her diary's rich, cross-cultural spirit, its East-meets-West appeal.
Over the years, that appeal has only increased. Eighty years after it first appeared, this memoir inspired the popular book and film, Anna and the King of Siam , and a few years later the hit musical, The King and I . Now comes yet another version, Anna and the King , the new film starring Jodie
Foster and Chow Yun Fat. Here, then, is the original tale, presented with many reproductions of the fine drawings that the King had offered as gifts to Leonowens. The English Governess at the Siamese Court remains engaging as a story of adventure, fascinating as a picture of nineteenth-century
Bangkok, and intriguing as an account of life inside King Mongkut's palace.
translator and scribe for the King himself. Bright, young, and energetic, Leonowens was well-suited to these roles, and her writings convey a heartfelt interest in the lives, legends, and languages of Siam's rich and poor. She also tells of how she and the King often disagreed on matters domestic.
After all, this was the first time King Mongkut had met a woman who dared to contradict him, and the governess found the very idea of male domination intolerable. Overworked and underpaid, Leonowens would eventually resign, but her exchanges with His Majesty--heated and otherwise--on topics like
grammar, charity, slavery, politics, and religion add much to her diary's rich, cross-cultural spirit, its East-meets-West appeal.
Over the years, that appeal has only increased. Eighty years after it first appeared, this memoir inspired the popular book and film, Anna and the King of Siam , and a few years later the hit musical, The King and I . Now comes yet another version, Anna and the King , the new film starring Jodie
Foster and Chow Yun Fat. Here, then, is the original tale, presented with many reproductions of the fine drawings that the King had offered as gifts to Leonowens. The English Governess at the Siamese Court remains engaging as a story of adventure, fascinating as a picture of nineteenth-century
Bangkok, and intriguing as an account of life inside King Mongkut's palace.
321 pages, Paperback
First published January 1, 1870
167 people are currently reading
1143 people want to read
About the author
Anna Harriette Leonowens
29 books14 followersAnna Leonowens (26 November 1831–19 January 1915) was a British travel writer, educator and social activist, known for working in Siam from 1862–1868, where she taught the wives and children of Mongkut, king of Siam. She is also known for co-founding the Nova Scotia College of Art and Design. Leonowens's experiences in Siam were fictionalised in Margaret Landon's 1944 bestselling novel Anna and the King of Siam and in various films and television miniseries based on the book, most notably Rodgers and Hammerstein's 1951 hit musical The King and I.
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Displaying 1 - 30 of 67 reviews
July 11, 2020
Interestingly, this book categorized as ‘History’ and first published in 1870 has long since appealed to its readers and inspired the following productions: the popular book and film (Anna and the King of Siam), the hit musical (The King and I) and the new film (Anna and the King) starring Jodie Forster and Yun-Fat Chow (back cover). From its 30 chapters, we could arguably enjoy reading the whole “Recollections”, chapter by chapter, and learn various do’s/don’ts related to the way of life as seen in “the Siamese Court” some 150 years ago. However, While reading this memoir by Mrs. Anna Leonowens, I think, we should keep in mind that her world as perceived then would be a bit tedious for her readers in 21st century to readily understand, in a word, we should take it as a historic account in which there might be verified, if need be, by further studies or research.
From the following excerpts, I hope, her texts might help the readers get more familiar by means of setting each old Siamese scene from her observant descriptions:
In any conflict related to her work at the Siamese court in 19th century Bangkok, we could not help wondering why she viewed and described straightforwardly, probably as a Victorian English governess, in terms of her critical ways of looking at Siamese people. For instance, we could realize she wrote about her first meeting tinged with ill at ease due to such an unimaginable culture/language barrier in which she did her best in front of the Prime Minister as revealed below:
Having received some 'Likes' from my GR friends today (2017.02.27), I think her readers would be eager to read on her conversations, observations or what she kept in mind when she first met King Mongkut (Rama IV) who had written to offer her post as an English governess to teach his young children. And here is her observant account in an evening meeting in April, 1862:
Reading this memoir, I think, should be a delight to those keen on observing how people in the past acted, queried, answered, etc. since there would be something different from how we do in the modern world. A reason is that we should, more or less, learn from history keeping that in mind and trying to understand them in their contexts.
From the following excerpts, I hope, her texts might help the readers get more familiar by means of setting each old Siamese scene from her observant descriptions:
We heartily enjoyed the delightful freshness of the evening air as we glided up the Meinam, though the river view at this point is somewhat marred by the wooden piers and quays that line it on either side, and the floating houses, representing elongated A’s. From the deck, at a convenient height above the level of the river and the narrow serpentine canals and creeks, we looked done upon conical roofs thatched with attaps, and diversified by the pyramids and spires and fantastic turrets of the more important buildings. … I surveyed with more and more admiration each new scene of blended luxuriance and beauty, -- plantations spreading on either hand as far as the eye could reach, and level fields of living green, billowy with crops of rice and maize, and sugar-cane and coffee, and cotton and tobacco; and the wide irregular river, a kaleidoscope of evanescent form and color, where land, water, and sky joined or parted in a thousand charming surprises of shapes and shadows. (pp. 6-7)
In any conflict related to her work at the Siamese court in 19th century Bangkok, we could not help wondering why she viewed and described straightforwardly, probably as a Victorian English governess, in terms of her critical ways of looking at Siamese people. For instance, we could realize she wrote about her first meeting tinged with ill at ease due to such an unimaginable culture/language barrier in which she did her best in front of the Prime Minister as revealed below:
As we waited, fascinated and bewildered, the Prime Minister suddenly stood before us, -- the semi-nude barbarian of last night. I lost my presence of mind, and in my embarrassment would have left the room. But he held out his hand, saying, “Good morning, sir! Take a seat, sir!” which I did somewhat shyly, but not without a smile for his comical “sir”. …
…
When this reasonable request was interpreted to him – seemingly in a few monosyllables – he stood looking at me, smiling, as if surprised and amused that I should have notions on the subject of liberty. … Some such thought must have passed through his mind, for he said abruptly, “You not married!”
I bowed.
“Then where will you go in the evening?”
“Not anywhere, your Excellency. I simply desire to secure for myself and my child some hours of privacy and rest, when my duties do not require my presence elsewhere.”
“How many years your husband has been dead?” he asked.
I replied that his Excellency had no right to pry into my domestic concerns. His business was with me as a governess only; on any other subject I declined conversing. I enjoyed the expression of blank amazement with which he regarded me on receiving this somewhat defiant reply. “Tam chai!” (“Please yourself!”) he said, … (pp. 15-17)
Having received some 'Likes' from my GR friends today (2017.02.27), I think her readers would be eager to read on her conversations, observations or what she kept in mind when she first met King Mongkut (Rama IV) who had written to offer her post as an English governess to teach his young children. And here is her observant account in an evening meeting in April, 1862:
A flood of light sweeping through the spacious Hall of Audience displayed a throng of noblemen in waiting. None turned a glance, or seemingly a thought, on us, and, my child being tired and hungry, I urged Captain B---- to present us without delay. At once we mounted the marble steps, and entered the brilliant hall unannounced. Ranged on the carpet were many prostrate, mute, and motionless forms, over whose heads to step was a temptation as drolly natural as it was dangerous. His Majesty spied us quickly, and advanced abruptly, petulantly screaming, ""Who? who? who?"
Captain B---- (who, by the by, is a titled nobleman of Siam) introduced me as the English governess, engaged for the royal family. The king shook hands with us, and immediately proceeded to march up and down in quick step, putting one foot before the other with mathematical precision, as if under drill. "Forewarned, forearmed!" my friend whispered that I should prepare myself for a sharp cross-questioning as to my age, my husband, children, and other strictly personal concerns. Suddenly his Majesty, having cogitated sufficiently in his peculiar manner, with one long final stride halted in front of us, and, pointing straight at me with his forefinger, asked, "How old shall you be?"
... (p. 57)
Reading this memoir, I think, should be a delight to those keen on observing how people in the past acted, queried, answered, etc. since there would be something different from how we do in the modern world. A reason is that we should, more or less, learn from history keeping that in mind and trying to understand them in their contexts.
May 1, 2015
I very much enjoyed this collection of memoir, observation, history, and travel journal from the pen of a late 1800s Englishwoman plucky enough to take a position as governess and translator in the court of Siam. There is some level of disjoint if the "chapters" are viewed as a sequence; however, if viewed as a collection or even as a series of articles, they hang together better and the charm and spirit come through.
While a clash of cultures was evident, it was also fascinating to me since it gave an unvarnished impression of the type of prejudices which made international communication so difficult. I also found Leonowens to have an enormous affection for the land and its people, even as she struggled with cultural differences.
My favorite bit, though, came near the end as she described the ruins of Angkor in Cambodia. I can say from personal experience that these are truly amazing almost beyond imagination. There is nothing like them, and few Westerners seem to know they exist. The unexpected pleasure of seeing them described by an 1800s visitor was like experiencing a "tesseract" or folding of time. I'm still grinning from the effect.
While a clash of cultures was evident, it was also fascinating to me since it gave an unvarnished impression of the type of prejudices which made international communication so difficult. I also found Leonowens to have an enormous affection for the land and its people, even as she struggled with cultural differences.
My favorite bit, though, came near the end as she described the ruins of Angkor in Cambodia. I can say from personal experience that these are truly amazing almost beyond imagination. There is nothing like them, and few Westerners seem to know they exist. The unexpected pleasure of seeing them described by an 1800s visitor was like experiencing a "tesseract" or folding of time. I'm still grinning from the effect.
February 13, 2017
All I can say is, what a disappointment. While I found parts of this interesting, I did not care for Leonowens' writing style. Also, I was interested in her years as a governess, but much of this deals with other things, including lengthy descriptions of what we can now easily see with photos and videos (not that I never like long descriptions). I was annoyed when she called her son Boy as if it were his name, and since she used his given name a couple of times, wondered what the point was. As it is, it's not even certain that Leonowens was her real surname.
That said, after reading criticisms of her racism and intolerance, I was surprised to read that given her time and nationality, she was fairly tolerant of a number of things. True, she was a Christian and to her that was the only correct religion, but she still managed to see many good principals in the Buddhist fate. Granted, there are lines that would be offensive now, such as "handsome for a Siamese," but she readily pointed out how bright a number of her students were and had many kind observations about women.
But I still didn't like the book. I didn't hate it, so gave it 2 stars.
That said, after reading criticisms of her racism and intolerance, I was surprised to read that given her time and nationality, she was fairly tolerant of a number of things. True, she was a Christian and to her that was the only correct religion, but she still managed to see many good principals in the Buddhist fate. Granted, there are lines that would be offensive now, such as "handsome for a Siamese," but she readily pointed out how bright a number of her students were and had many kind observations about women.
But I still didn't like the book. I didn't hate it, so gave it 2 stars.
August 19, 2014
This is one book I will happily never read again.
To begin with, the author was extremely racist and bigoted. She starts off on a bad foot by describing how the Siamese people, as a race, are inferior not only because of their pedigree but also because of their religion. She even goes so far as to call them bigoted when she displays an even worse prejudice against those not American/English/European/Christian.
The book begins with a meandering look into a village she never stops at during her journey to the palace of Siam and that, essentially, sets the tone for the whole book. What begins like it might in some way hold the semblance of a plot of events is abandoned after the first few chapters. Chapters which, I'm afraid to say, have no coherent organization that I can find. In some, she will delve into matters in detail (such as Siamese literature or topography) which she devotes whole chapters to later in the book. In these chapters, she jumps back and forth in time (Fa-ying's death, then a few chapters which seem to go forward in time, then back to Fa-ying's death) with no care for if the reader is attempting to piece together the events which might actually have happened. For the most part, this book is a dissertation on her limited view and understanding of Siamese culture. I have read from multiple sources that she spreads misinformation in here, and unfortunately it isn't plain enough to tell which parts those might be.
For those unfamiliar with Siamese culture in the 1860s, the tome might hold some interest, but the information is delivered in such a dull manner that I had to put it down several times just to avoid a looming headache.
If you're looking for "The True Story Behind The King And I" don't bother. The movie is clearly a romanticized version of the title, because that's where all similarities end. Without a plot, it's hard to distill a book like this without making it up -- which, given the scarcity of information of Leonowens' actual life in Siam, is exactly what the producers of said movie had to do.
To begin with, the author was extremely racist and bigoted. She starts off on a bad foot by describing how the Siamese people, as a race, are inferior not only because of their pedigree but also because of their religion. She even goes so far as to call them bigoted when she displays an even worse prejudice against those not American/English/European/Christian.
The book begins with a meandering look into a village she never stops at during her journey to the palace of Siam and that, essentially, sets the tone for the whole book. What begins like it might in some way hold the semblance of a plot of events is abandoned after the first few chapters. Chapters which, I'm afraid to say, have no coherent organization that I can find. In some, she will delve into matters in detail (such as Siamese literature or topography) which she devotes whole chapters to later in the book. In these chapters, she jumps back and forth in time (Fa-ying's death, then a few chapters which seem to go forward in time, then back to Fa-ying's death) with no care for if the reader is attempting to piece together the events which might actually have happened. For the most part, this book is a dissertation on her limited view and understanding of Siamese culture. I have read from multiple sources that she spreads misinformation in here, and unfortunately it isn't plain enough to tell which parts those might be.
For those unfamiliar with Siamese culture in the 1860s, the tome might hold some interest, but the information is delivered in such a dull manner that I had to put it down several times just to avoid a looming headache.
If you're looking for "The True Story Behind The King And I" don't bother. The movie is clearly a romanticized version of the title, because that's where all similarities end. Without a plot, it's hard to distill a book like this without making it up -- which, given the scarcity of information of Leonowens' actual life in Siam, is exactly what the producers of said movie had to do.
November 5, 2012
I read this book a few years ago. I enjoyed it, though i had some reservations about it's accuracy. It is a well written memoir, but such work is only as accurate as the perception of the individual writing it. I talked with a friend from Thailand (formerly Siam), and she told me about the controversy surrounding Anna and that this book and all films from it, were banned in Thailand. At the same time, she said she was thrilled that I was interested and reading about Thailand! :) She was a wonderful, intelligent woman, I miss her and wish I'd gotten to know her better.
For a concise examination of disparities, read:
http://members.tripod.com/king_anna/l...
When I read the book, I found myself respecting the King as presented. What he accomplished in Siam/ Thailand, resisting British colonial ambition, is quite amazing. He is presented as a strong leader, facing difficult challenges in the life of his nation who has to make some daring and courageous choices, yet still has an affection for his children and wives (within the context of a harem, which remains somewhat unfathomable to me). I wanted to read more about Thai history, but as it's not easy to find, I haven't... yet.
As for Anna, she is, as one would expect from her personal account, presented favorably and appears to have considerable influence. I am not willing to quite dismiss her as readily as some within Thailand, as my experience has been that only those present can really say what the relationships were like. Either way, Anna was a pretty plucky single mom in a time that wasn't favorable to her status. She was probably a flawed human being (aren't we all!), yet she did manage to make a life for her and her son. I may not agree with everything she did to accomplish that, but my assertions remain hypothetical, as I was not given her shoes to walk.
In conclusion, I found the writing a good record of one person's perspective. But given questions about Anna, it should be taken more as a story of historical fiction, than history. There is much to admire about Anna and the King. There is also some material (particularly pertaining to relationships within the harem) that will be uncomfortable. Recommended, probably high school and above.
For a concise examination of disparities, read:
http://members.tripod.com/king_anna/l...
When I read the book, I found myself respecting the King as presented. What he accomplished in Siam/ Thailand, resisting British colonial ambition, is quite amazing. He is presented as a strong leader, facing difficult challenges in the life of his nation who has to make some daring and courageous choices, yet still has an affection for his children and wives (within the context of a harem, which remains somewhat unfathomable to me). I wanted to read more about Thai history, but as it's not easy to find, I haven't... yet.
As for Anna, she is, as one would expect from her personal account, presented favorably and appears to have considerable influence. I am not willing to quite dismiss her as readily as some within Thailand, as my experience has been that only those present can really say what the relationships were like. Either way, Anna was a pretty plucky single mom in a time that wasn't favorable to her status. She was probably a flawed human being (aren't we all!), yet she did manage to make a life for her and her son. I may not agree with everything she did to accomplish that, but my assertions remain hypothetical, as I was not given her shoes to walk.
In conclusion, I found the writing a good record of one person's perspective. But given questions about Anna, it should be taken more as a story of historical fiction, than history. There is much to admire about Anna and the King. There is also some material (particularly pertaining to relationships within the harem) that will be uncomfortable. Recommended, probably high school and above.
December 30, 2012
This book does not read like a movie because it isn’t a movie, and it doesn’t read like a novel because it isn’t a novel. It doesn’t even read like your typical memoirs because Anna Leonowens does not portray herself as the central character throughout her story. Rather, she is our narrator through a history of the then-kingdom of Siam, a critic of the country’s art and culture, and a bit of a travel journalist respecting her account of the broader region’s plant and animal life, agriculture and industry, trade relationships, etc., etc.
My main (yet ultimately surmountable) grievance with this book is that it feels overtly Western-centric. Art, music, religion, and various other points of Siamese culture are judged not in accordance with local norms and aesthetics, but in the context of their Western counterparts. While numerous culture-biased passages jump out of the text like daggers, I feel they must be forgiven, considering they relate the personal impressions of Leonowens—herself, a product of 19th Century Western culture, and one who exceeded her contemporaries in the understanding of and appreciation for Eastern cultures.
This has the potential to be an interesting and educational read for those who are ready to feel the liberation of casting aside their cinematic expectations and cultural inhibitions. “Once you begin to feel that,” says Leonowens (wearing the hat of a travel journalist this time), “you will be happy, whether on an elephant or in a buffalo cart,--the very privations and perils including a charm of excitement all unknown to the formal European tourist.”
My main (yet ultimately surmountable) grievance with this book is that it feels overtly Western-centric. Art, music, religion, and various other points of Siamese culture are judged not in accordance with local norms and aesthetics, but in the context of their Western counterparts. While numerous culture-biased passages jump out of the text like daggers, I feel they must be forgiven, considering they relate the personal impressions of Leonowens—herself, a product of 19th Century Western culture, and one who exceeded her contemporaries in the understanding of and appreciation for Eastern cultures.
This has the potential to be an interesting and educational read for those who are ready to feel the liberation of casting aside their cinematic expectations and cultural inhibitions. “Once you begin to feel that,” says Leonowens (wearing the hat of a travel journalist this time), “you will be happy, whether on an elephant or in a buffalo cart,--the very privations and perils including a charm of excitement all unknown to the formal European tourist.”
May 6, 2014
The English Governess at the Siamese Court is actually quite interesting and beautiful in some unexpected ways (and troubling in *exactly* the way one would expect of a 19th-c. Western author writing about someplace other than Britain.) I would not recommend this book for anyone without at least a cursory knowledge of 18th/19th-c. travel Literature (even the Goodreads description of this book is misleading,) and it does take some stamina to wade through, since Leonowens does address some history and politics of the Siam of her day. However, I was pleasantly surprised by the vivid descriptions of 19th-c. Siam and surrounding areas, and by the author's palpable internal conflicts brought about by her own political foibles during her tenure as a teacher and translator. Despite the subdued 19th-c. diction, I could still sense her panic and fear when a misunderstanding threatened her position as an employed single mother in an environment so different from Britain (although, interestingly, I did get the sense that she was well-travelled and much better equipped for such a venture than one would expect.) Overall, an intriguing read for travel Lit/history nerds, but not so much if you're looking for something easy and novelistic.
October 8, 2025
Fascinating, heartbreaking, and educational, this book was like looking through a window into another world. The courage, cruelty, and endurance of humanity is on full display. This is no love story, it’s better. That one person, particularly a woman in that place and time, could have such an effect on the course of an entire country is beyond amazing.
However historically accurate it may have been, I chose not to read the chapter dealing with the occult.
One of my favorite parts was the children’s belief that her large, bell-shaped skirts corresponded to her actual size. Kids are the same everywhere!
However historically accurate it may have been, I chose not to read the chapter dealing with the occult.
One of my favorite parts was the children’s belief that her large, bell-shaped skirts corresponded to her actual size. Kids are the same everywhere!
October 29, 2011
Leonowens, Anna. The English Governess at the Siam Court. Tom Doherty and Associates. New York. 1999.
Ana Leonowens’ autobiographical book The English Governess and the Siamese Court, reveals her experience during her six years as governess to the King of Siam’s family in the Royal Palace at Bangkok. It is the true story and inspiration behind the hit musical, “ The King and I“. Based on Leonowen’s experience in Thailand and the many offenses and cultural challenges she endured as a governess novel. The exotic locale of Thailand make the novel read more as travel literature than predictable governess novel set in rigidly status conscious England. Leonowens has the ability to transport you to Siam during the years between 1870-1876. Her descriptions of her environment, in sensual and sophisticated language gives the reader a tactile and accessible lens with which to experience her life as an English woman in a foreign land. I enjoyed reading this book.
Ana Leonowens’ autobiographical book The English Governess and the Siamese Court, reveals her experience during her six years as governess to the King of Siam’s family in the Royal Palace at Bangkok. It is the true story and inspiration behind the hit musical, “ The King and I“. Based on Leonowen’s experience in Thailand and the many offenses and cultural challenges she endured as a governess novel. The exotic locale of Thailand make the novel read more as travel literature than predictable governess novel set in rigidly status conscious England. Leonowens has the ability to transport you to Siam during the years between 1870-1876. Her descriptions of her environment, in sensual and sophisticated language gives the reader a tactile and accessible lens with which to experience her life as an English woman in a foreign land. I enjoyed reading this book.
August 16, 2012
Bleh~~! I had high hopes for this audio book! I felt like I was listening to an encyclopedic version of the history of Siam..... ZzZzZz!
October 19, 2021
A long foreword (in my edition) goes through the twisting story of the book's release, reception, legacy and controversy.
After reading that, and knowing of the whole "King and I" fallout in Thailand, I expected a serious memoir. But the opening chapters read like a zany comic novel. The wackiness slows, and there are descriptive digressions into 1860's Thailand, but the main story never feels like an attempt to be credible. Still, I enjoyed and can (with some qualifiers) recommend it.
Anna Leonowens wrote this years after she left Thailand and shows off her hawk-eyed hindsight throughout. The book opens with her, wary about her move to Siam, being proven right immediately by a wild river cruise into Bangkok. The boat is boarded by a half-naked brute, who later turns out to be the Prime Minister, and his party of cigarette-smoking acrobats. Told she cannot come to the palace yet, Anna is lucky that an Englishmen arrives on another boat with an offer of accommodation. On the way to his home Anna is brought first to a theater where she is accosted by slaves and vendors before watching a juggling stage performance that doesn't impress. She meets the Prime Minister again, wins several arguments with strangers in the crowd, makes it back to her residence and finds fault with the Englishman's decor and wife's appearance. But after reassuring her frightened child, she has a few profound thoughts about her situation then falls into a restless sleep. That was Monday evening.
So it goes, Anna is thrust into one nutty predicament after another and, each time, displays supreme poise, wit, bravery and the dignity of a civilized-English-Christian-high-borne-lady. She is also very hard to please. Though she deigns to offer her handshake to curious Siamese kids because "with few exceptions, they were attractive children" she is nearly "overwhelmed by the smell" of shackled male slaves and is confined to bed for a week after a traumatic walk through "hot, dusty, filthy" streets to a house that was offered to her but she rejected.
There is a late turn in the book when Anna claims that she had become an unofficial patron saint of Bangkok's poor--they come to her begging to take their case to the King and they once rise up to defend her, Spartacus-style, when palace officials threaten. I don't know how she pulled this off since she had made little effort to hide her contempt for everything around her up to that point. But she bills herself as an abolitionist heroine: standing up for beleaguered concubines and fighting to free those confined to dungeons. She supposedly does it by confronting Rama IV directly (owning him with his own logic after mocking his English) and hints that she might have planted seeds of feminism, progressive thought, and Christian morality in the mind of the outwitted monarch.
Anna, the author, is said to have overstated her own importance throughout her life (and beyond--the inscription on her tombstone in Canada inflates the military rank of her father). I don't know what to think. It is true that she worked for Rama IV for several years and personally tutored his son, Rama V (you wouldn't let just anybody do that) and that both kings wrote personal letters (that exist) to Anna in later life, including those that make reference to discussions about slavery. So maybe there is a glimmer of truth in her grandiose claims.
There are welcome, later chapters that give detailed descriptions of Bangkok, then dominated by the river/canals with the first main roads just being built. She writes about the absurd extravagance of a ceremony to mark Rama V's haircut (a rite of passage for adolescent boys). She also paints a fascinating picture of the walled city of women that surrounds one side of the Grand Palace. The home of the King's harem, it is a community populated by all-female residents, shopkeepers and police officers. I enjoyed all these chapters--but wish she had given more of a ground-level perspective of daily life. (She NEVER talks about her Siamese food experiences, not once!)
There's enough good, and interesting, here to make this a worthwhile read. Her high-handed, often racist, attitude can be grating. Her sentence structure can be convoluted and the occasional stabs at poetic flourish don't add much. But I was never bored, learned something, and had some fun moments.
After reading that, and knowing of the whole "King and I" fallout in Thailand, I expected a serious memoir. But the opening chapters read like a zany comic novel. The wackiness slows, and there are descriptive digressions into 1860's Thailand, but the main story never feels like an attempt to be credible. Still, I enjoyed and can (with some qualifiers) recommend it.
Anna Leonowens wrote this years after she left Thailand and shows off her hawk-eyed hindsight throughout. The book opens with her, wary about her move to Siam, being proven right immediately by a wild river cruise into Bangkok. The boat is boarded by a half-naked brute, who later turns out to be the Prime Minister, and his party of cigarette-smoking acrobats. Told she cannot come to the palace yet, Anna is lucky that an Englishmen arrives on another boat with an offer of accommodation. On the way to his home Anna is brought first to a theater where she is accosted by slaves and vendors before watching a juggling stage performance that doesn't impress. She meets the Prime Minister again, wins several arguments with strangers in the crowd, makes it back to her residence and finds fault with the Englishman's decor and wife's appearance. But after reassuring her frightened child, she has a few profound thoughts about her situation then falls into a restless sleep. That was Monday evening.
So it goes, Anna is thrust into one nutty predicament after another and, each time, displays supreme poise, wit, bravery and the dignity of a civilized-English-Christian-high-borne-lady. She is also very hard to please. Though she deigns to offer her handshake to curious Siamese kids because "with few exceptions, they were attractive children" she is nearly "overwhelmed by the smell" of shackled male slaves and is confined to bed for a week after a traumatic walk through "hot, dusty, filthy" streets to a house that was offered to her but she rejected.
There is a late turn in the book when Anna claims that she had become an unofficial patron saint of Bangkok's poor--they come to her begging to take their case to the King and they once rise up to defend her, Spartacus-style, when palace officials threaten. I don't know how she pulled this off since she had made little effort to hide her contempt for everything around her up to that point. But she bills herself as an abolitionist heroine: standing up for beleaguered concubines and fighting to free those confined to dungeons. She supposedly does it by confronting Rama IV directly (owning him with his own logic after mocking his English) and hints that she might have planted seeds of feminism, progressive thought, and Christian morality in the mind of the outwitted monarch.
Anna, the author, is said to have overstated her own importance throughout her life (and beyond--the inscription on her tombstone in Canada inflates the military rank of her father). I don't know what to think. It is true that she worked for Rama IV for several years and personally tutored his son, Rama V (you wouldn't let just anybody do that) and that both kings wrote personal letters (that exist) to Anna in later life, including those that make reference to discussions about slavery. So maybe there is a glimmer of truth in her grandiose claims.
There are welcome, later chapters that give detailed descriptions of Bangkok, then dominated by the river/canals with the first main roads just being built. She writes about the absurd extravagance of a ceremony to mark Rama V's haircut (a rite of passage for adolescent boys). She also paints a fascinating picture of the walled city of women that surrounds one side of the Grand Palace. The home of the King's harem, it is a community populated by all-female residents, shopkeepers and police officers. I enjoyed all these chapters--but wish she had given more of a ground-level perspective of daily life. (She NEVER talks about her Siamese food experiences, not once!)
There's enough good, and interesting, here to make this a worthwhile read. Her high-handed, often racist, attitude can be grating. Her sentence structure can be convoluted and the occasional stabs at poetic flourish don't add much. But I was never bored, learned something, and had some fun moments.
December 11, 2012
In 2004 I read Siamese Harem Life, the second book written by Anna Leonowens about her life in Siam and loved it. That book, which is largely considered to be almost entirely fictional, nevertheless told a story focusing entirely on the role of women in the court. Leonowens was able to focus on issues that were interesting, whether or not her examples were real or not. I enjoyed it greatly. Unfortunately the same cannot be said for this book. It’s the first book in a long time that I decided not to bother finishing. I read about two thirds and just couldn’t bring myself to finish it with so many other books waiting to be read on my bookshelf. I’m not sure why I enjoyed one so much and didn’t care for this one at all. In the intervening three years I have learned a great deal about travel writing but I think the difference is greater than this. The issues in Siamese Harem Life seemed more real, the stories more cohesive and the author a lot less judgemental. In this book the chapters were very short and jumped all over the place. The author came across as terribly judgemental, and I found myself not liking her at all. I felt like I was wasting my time reading it, learning nothing much about Siam or the colonisers. So I stopped. I may go back to it at some point. But not for a while, it was very disappointing.
July 9, 2014
Unfortunately for the modern reader the womens' literature of the time, especially traveller's notes, was excessively wordy, filled with outrageous amount of pompous adjectives, rhetoric ensuring the reader about the awfulness of Siam and the goodness of the West, and other unnecessary flowery language. Underneath it all would be a quaint day-to-day description of the life and actions of a king, who tried to deter Western colonizers from gaining too much influence or subvert the most intransigent among them, and articulated why the Christian ideology was a poorly thought-out subset of Buddhist values, which the Europeans themselves did not follow. Overall, I would not recommend reading this book in its original edition (Gutenberg project), as at times it is diffucult to force oneself to read on, because of the repetetive nature of the 'flowery prose' within.
February 21, 2015
I think I remember hearing that Anna and the King was written, because this original version was not really suited to a popular audience. I think I can understand that view. This book is good when it is a memoir, not so good when it digresses into being a travelogue, a history primer or a political treatise. The memoir has a fine middle, but no beginning whatsoever. The reader is simply dumped into the middle of the story without any hint of who the characters are. The story does come to a logical conclusion, but then several chapters are tagged on after the ending--a travel account of a visit to a Cambodian temple and a myth explaining the origins of that temple. The writing is a bit stiff at points, but the greater issue is a lack of organization integrity and solid editing.
October 16, 2008
My mother had the edition of this book that was printed in Thailand and now out of print because it is banned due to all of the controversy of the story it self. (or just because the edition is 20 years old)
Well, I'm half Thai and open to the outside world (not saying that Thai people aren't open, I just happen to be more open in ways, thanks to my mom) and I must say I enjoyed this book very much indeed! just the historical facts or events that happened in the royal Thai court during the reign of King Rama IV interested me very much
So yes, rather your Thai or not or just interested in Thai history (its an epic one) you will enjoy this book, I recommend it.
Well, I'm half Thai and open to the outside world (not saying that Thai people aren't open, I just happen to be more open in ways, thanks to my mom) and I must say I enjoyed this book very much indeed! just the historical facts or events that happened in the royal Thai court during the reign of King Rama IV interested me very much
So yes, rather your Thai or not or just interested in Thai history (its an epic one) you will enjoy this book, I recommend it.
May 26, 2010
After my two-year L.D.S. humanitarian mission to Thailand (1999-2001), I was eager to read more about Anna Leonowens and her relationship to Chulalonkorn, whom she was commisioned to teach. After his father's death, he became Rama V, whom the Thais revere and love. As king, he made many reforms, including the abolishment of slavery. I learned from other reading that Anna is pretty sloppy in her memory and writing, and doubt the romance between the Rama IV and Anna as protrayd in the movie.
February 26, 2012
Unfortunately, I didn't finish this one. It was an interesting read, but I couldn't distance myself enough from my 21st century viewpoint to appreciate the story. Compared to her English peers at the time, I'm sure Leonowens was incredibly forward-thinking and respectful to the people of Thailand. But I just couldn't get over the "Oh, these savages. They could be almost human if they just found Jesus." colonialist talk. It was just too frequent, and too heavy handed.
September 4, 2011
The interesting thing about this book is, that it contains the real memoirs of Anna Leonowens, who was a teacher of the royal children of King Rama IV. However, many people doubt if she wrote her real memoirs. They believe that she mixes fact and fiction. Whatever may be true, I get the impression that her memoirs are real. That makes the book worthwhile. Only three stars, because the style of writing is quite old-fashioned and nowadays not really gripping. A historic document.
December 15, 2012
I liked reading Anna's descriptions of her life in Siam, did not like the free version of this on my kindle. Lots of typo's, and the text-to-speach feature mispronounced, not just the native verbage which is to be expected, but the English as well.
The whole time I was reading it, I kept hearing the March of the Children over and over in my head!
I would recommend to someone who liked the Anna and the King and The King and I, but desired to get the non-Hollywood-icized version.
The whole time I was reading it, I kept hearing the March of the Children over and over in my head!
I would recommend to someone who liked the Anna and the King and The King and I, but desired to get the non-Hollywood-icized version.
May 7, 2015
I enjoyed reading about the true story of "Anna and the King" or "The King and I", from the actual Anna. It was historically fascinating. And although her racism and closed mindedness is somewhat disappointing by our modern standards, it gives true insight into the perceptions of the west towards the cultures of the east in the 1800s. It is also going to be at least somewhat of a disappointment if you are a fan of the movie "The King & I", as the real story isn't nearly as romantic.
June 16, 2010
Despite her obvious Orientalism, I found the account an interesting perspective on Thailand. The beginning tells Anna experiences in "Siam" but by the end, she only relates histories and the last chapter is about Angkor Wad and Cambodia. I was waiting for the scenes I loved in the movie about the party for Englishmen. Maybe there a sequel I am missing.
June 8, 2011
The description written at Goodreads pretty much sums it up. It was very interesting and much of it was well-written. There were tedious moments when Anna seemed to feel the need to catalog the commercial life of the country, but her descriptions of her impressions of court life and her experiences there were engaging.
September 30, 2014
El libro me parece que está bien. Tiene sus partes más aburridas pero es lo que hay. Se supone que es un texto básicamente descriptivo. Lo que más me sorprende es que, tratándose de un texto mundialmente famoso, la primera y única edición en castellano haya salido en 2007.
Reseña completa en: http://nachopajinblog.blogspot.com.es...
Reseña completa en: http://nachopajinblog.blogspot.com.es...
March 18, 2017
I read this as a teenager because of my love of "The King and I." Despite the fact that it wasn't much like the musical, Leonowens' well drawn picture of the Siamese court of King Mongkut in the Victorian age showed the struggle of an eastern monarch with his country's traditions and his own desire for modernization.
March 4, 2018
The book is so poorly organized that it's kind of painful to get through. It's the least reflective memoir I've read; the narrator is farcically Anglo-supremacist. The most enjoyable aspects were a) considering the narrator unreliable and reading the implicit storylines of her ridiculousness, and b) the overwrought adjectives.
How did this become a musical???
How did this become a musical???
September 28, 2012
True story behind the story made popular in 'Anna and the King.' There were some interesting descriptions of Siam and the court in the 1880s, and it was interesting to see that the King was more tyrannical than depicted on screen or in the play. Parts were ok, but the story just seemed dated.
November 2, 2013
Didn't finish the book yet, and I'm affraid I won't be able to do so. Most of it is descriptions of views and customs, and almost nothing about real PEOPLE and the author's personal experiences, which is what I find interesting.
September 26, 2013
I am not big on description, so I skimmed most of the book. The old language was hard for me to read. I really enjoyed the history portion, though. I guess I was expecting more King and I than was there. Maybe if there was more music...
August 18, 2010
Read this one first, then find a copy of Bombay Anna. You'll be in for a surprise.
September 21, 2010
Not a quick read. Sometimes bogged down in minutiae. Still a fascinating glimpse into a bygone area and an exotic foreign land.
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