The planet Mars is one of the most pervasive images in Science Fiction.
Why is Mars still prevalent in Science Fiction today? I suspect it's because it's the most accessible and most likely place for Earthlings to inhabit besides the moon. Recent projects like Mars One and the landing of NASA's most sophisticated Martian rover only serve to reinforce this.
In Jack Thompson's Godmachine, not only are you treated to a Martian adventure, but you actually get two stories in one. The main story takes you on a journey to Mars and back, complete with all the action associated with such a trip. The second story, which is essentially the story within the story, shares a tale of the origins of the Godmachine itself.
The main story explains how the planet Plixar slowly adopted the principles of the Godmachine. The integration of the Godmachine into the society and culture of Plixar has interesting parallels to Orwell's 1984, China under Mao and Hitler's Nazi regime. For example, one of the Godmachine rules is "Thinking will only get you in trouble. Don't think obey."
Another Godmachine rule, "Never create art" is reminiscent of the Apple computer ad that was aired during the 1984 Superbowl in the United States.
People who disobey the rule of the Godmachine are either sent to a "realignment center," or subject to "deletion" which is essentially instant execution.
As with most totalitarian societies, those opposed to the Godmachine are forced to live underground. In this case of the citizens of Plixar, it's literally underground in Tambora City which is essentially the shell of a post-apocalypse city. This is similar to the secret underground "District 13" in the Hunger Games series.
Residents of the underground are called "freebies". The story's main character, Ra'dall, escapes into the underground city and is asked to perform an important role in the fight against the Godmachine. The decision for the "freebie" leadership to identify Ra'dall as a key to their plans initially had me scratching my head, but as the story progresses, Thompson provides an adequate explanation to justify Ra'dall's selection.
Probably, the only objection that I had to the story of the planet Plixar was how the characters and environment on Plixar are way too similar to Earth, even in the smallest details. Is the author just taking the easy way out? Was the translating device used to decode the Godmachine message sophisticated enough to make the viewer automatically adapt the story to his or her perspective? If this was the case, and I don't think it was, Thompson does not explain why the planet of Plixar and its inhabitants are essentially identical to Earth and Earthlings.
If you enjoy the stories of the Apollo mission, then you'll really like the part of the story that chronicles travelling to Mars and exploring the surface. As with the Apollo 13 mission, during their return journey the astronauts aboard are forced to make critical decisions with limited time and resources in an effort to save their own lives.
Thompson does an exceptional job of making both of the independent stories interesting and then weaving them together.
The other benefit of combining two stories into one is that as a reader, you can walk away from the book with more than one message. In fact, without giving away any spoilers, the perspectives offered on human nature differ substantially-or do they? For me, these parallel messages make the book much more interesting. I very much enjoyed this book and Jack Thompson's writing style.