Maxine Clair was born and raised in Kansas City, Kansas, in the 1950s. She is a poet, short story writer, and novelist. She attentded the University of Kansas in Lawrence where she studied science. Clair went on to a career in medical technology as chief technologist at a children's hospital in Washington, D.C. It was while workingthere that Clair became interested in writing. She pursued and achieved her M.F.A. at George Washington University where she is currently an associate professor of English.
Her first book, a collection of poetry, Coping With Gravity, was published in 1988. In 1992 she published a fiction chapbook entitled October Brown, which earned her an Artscape Prize for Maryland Writers. Her next book, Rattlebone, was published in 1994 and is perhaps her most well-known work. Rattlebone is a collection of interrelated stories revolving around the life of a young African-American girl coming of age in a small African-American neighborhood called Rattlebone, in Kansas City, Kansas. Clair got the name of her book from Rattlebone Hollow, a North Kansas City, Kansas, neighborhood.
Her most recent work is October Suite, published in 2001. This novel takes a character from her chapbook October Brown and her novel Rattlebone and explores her life and experiences as an unwed teacher and African-American mother in the 1950s. The novel is a journey of self discovery for its lead character, October Brown, and was well received by critics.
This was my last read for the Sealey Challenge. I had heard of the poet as a novelist so I was intrigued to read her poetry. Her poems are extremely relatable. She writes about familiar topics such as Martin Luther King, Jr. in the MLK poem, she uses words associated with him i.e. sermon, mountaintop, and midnight. Brilliant word play. She also has a poem reimagining the biblical story of the woman caught in the act of adultery. In that poem, Clair makes the story more modern and humorous.
She quotes from other writers in the collection including Iceberg Slim and Toni Morrison. Her Morrison quote is from Song and Solomon. The poem that follows the quote is from the point of view of a flying African, an integral aspect of Song of Solomon.
Excellent collection that will be enjoyable to lovers of poetry.