Upon seeing the divisive title, one could be led to believe that there will be a biased commentary on modern architecture. But the way Brolin articulates his arguments are surprisingly insightful. Although he does critique modern architecture, he does not spend the whole book ridiculing it: rather, he takes the reader through a sociological analysis of how people's tastes have changed (particularly in Western society). This in turn builds up his argument that although we have mostly adapted to living in modern buildings, it is presumptuous to assume that every country around the world will preference this way of living as well. Particularly in later chapters, Brolin uses case studies that illustrate the contrasts between different cultures, as well as the importance of their traditional living spaces. He concludes that by modern architects assuming to know what is best for other nations, they have ultimately failed in designing for their needs.
What I found particularly commendable also was how Brolin had brought up examples of modern architecture that did work, and explaining WHY this was so. This further made his book a clever evaluation of modern architecture, rather than one that completely denounced it.
Furthermore, for a work of non-fiction, this book is incredibly easy to read, with engaging text, photographs and blueprints that strengthen, rather than weaken his arguments. I would highly suggest this book to anyone interested in architecture or visual culture itself. University lecturers should recommend architecture or art students to read this, not only for its content but as an example of strong writing.