Popular for more than two decades among college voice teachers and their students, this outstanding, authoritative vocal pedagogy text is an invaluable manual. It thoroughly examines the vocal problems prospective voice teachers will encounter daily in the teaching studio and choral rehearsal. The author’s approach is a unique one, based in large part on diagnostic procedures similar to those used by doctors. As each vocal fault is presented, its identifying characteristics or symptoms are stated, its possible causes are discussed, and corrective procedures are suggested. Current and prospective choir directors and voice teachers who need help in improving the vocal sounds of choir members or students will find this practical guidebook to be an ever-present help in time of trouble. Chapter Diagnosing vocal faults A basic approach to vocal sound Posture Breathing & support Phonation Registration Voice classification Resonation Articulation The speaking voice Coordination
Dr. James C. McKinney held a combination doctorate in music theory and voice. He had the unique teaching ability of getting his point across with great clarity, and this ability come through in his books as well. For many years he served as Dean of the School of Music for Southwestern Baptist Theological Seminary, Forth Worth, Texas.
This book was written before current advances in science, stroboscopy, etc. and some of the information is outdated. The chapters on breath support and registration have some old info, but the book as a whole is full of wonderful ideas and strategies to support good vocal technique in clear language.
I took this book in order to learn more about controlling my voices. It did a great job on teaching me the basics and putting a name to certain effects which I couldn’t put a finger on or phrase previously. It is recommended to use the book with a teacher and I can see why, however I, as an absolute beginner found myself motivated to do more research and start improving my voice. The effect would be much bigger with a guided approach. In any case, I recommend it further. Four stars, because sometimes I found it hard to follow the structure.
I started with a really good and intuitive book "Sing like never before" (Stoney), and i have to say that without that i would have never understood this books as much as i did with that background knowledge. And I agree with other review that it seems more directed to male singers than women. It has the vast knowledge but all the explanations lacked images to represent the meaning. I think it did an OK job. But i would have to read more books to know if this is the furthest singing books can reach.
I found this book to be incredibly interesting and not a little daunting. I never knew how complicated, nuanced and psychological the act of singing is. I understand now why people can spend a lifetime learning how to sing.