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336 pages, Hardcover
First published July 3, 2012
“ ’That’s how it starts, isn’t it , Iris? All these awful things in the world? We don’t stand up for the people being hurt because the ones doing the hurting are our friends and family and we can’t believe that they don’t have a rational explanation for why they did this awful thing. Because what does that say about us that we could be friends or relatives with someone like that? But here’s the thing: if we turn a blind eye and allow ourselves to believe that it’s okay for them to be doing these things, before we know it, we’ll be doing those things too.’
For the first time in our friendship, Pearl had made me speechless. She was right, absolutely. Even though our lives seemed small and unimportant, deciding to tolerate something we’d normally run from, because we liked the person doing it, was what made it easy for evil to creep into our lives.” (p. 228-229)
Overall, I liked this book just about as much as the first book, though each has it's faults. In the case of The Girl is Trouble, my main complaint would be that both of the two main plots were extremely obvious. But I suppose that's a fair trade-off for an exciting ending, considering the rather anti-climactic reveal in The Girl is Murder. I also found most of the teen characters rather flat and unbelievable, and even Iris doesn't much sound like a teenager, though I suppose her life experience has aged her--and no matter how many "golly"s are thrown in, her voice doesn't sound steeped in 40s life.
Don't mean to sound too harsh, though; I did like the book, and recommend it. And yes, the "40s-era-Veronica-Mars" comparisons still hold for this second book, and I still picture Keith Mars with one leg as Iris' father.