Halfway up the remote fortress of Sigiriya in Sri Lanka is a long wall of polished plaster, with mysterious golden women painted on the rock above, who seem to be dancing in the clouds. Twenty of these frescoes have survived since the end of the fifth century. The “Mirror Wall,” as it’s called, is covered with hundreds of songs relating to these cloud nymphs, composed by nobles, merchants, travelers and Buddhist monks during the eighth, ninth and tenth centuries. These songs or lyrics were sung, probably with vina, flute and drums, in the gallery beneath the portraits, where the words were written on the love poems, satires, and curses; happy, witty, ironical, and sad celebrations of beautiful, erotic, festive, and sometimes painful experiences. Richard Murphy’s poems were inspired by the songs of the Mirror Wall. Some keep close to the intricate forms and meaning of their Old Sinhala originals. More often they are free versions, elaborating particular images and ideas, bringing in modern voices or combining several songs.
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Richard Murphy was one of Ireland’s most distinguished poets. He is particularly known for poems that draw on the landscape and history of the west of Ireland. His Collected Poems (Gallery Press) was published in 2000, his acclaimed autobiography The Kick (Granta Books) in 2003. His awards include the Cheltenham Award and the American-Irish Foundation Award.
‘Richard Murphy’s verse is classical in a way that demonstrates what the classical strengths really are. It combines a high music with simplicity, force and directness in dealing with the world of action. He has the gift of epic objectivity: behind his poems we feel not the assertion of his personality, but the actuality of events, the facts and sufferings of history’ (Ted Hughes).