Toi Derricotte is the author of The Undertaker’s Daughter (University of Pittsburgh Press, 2011) and four earlier collections of poetry, including Tender, winner of the 1998 Paterson Poetry Prize. Her literary memoir, The Black Notebooks (W.W. Norton), received the 1998 Anisfield-Wolf Book Award for Non-Fiction and was a New York Times Notable Book of the Year. Her honors include, among many others, the 2012 Paterson Poetry Prize for Sustained Literary Achievement, the 2012 PEN/Voelcker Award for Poetry, the Lucille Medwick Memorial Award from the Poetry Society of America, two Pushcart Prizes and the Distinguished Pioneering of the Arts Award from the United Black Artists.
Derricotte is the co-founder of Cave Canem Foundation (with Cornelius Eady), Professor Emerita at the University of Pittsburgh and a Chancellor of the Academy of American Poets.
I was assigned this book for my Introduction To Creative Writing class. I've found a love for poetry in this class, but reading poetry does not seem to always build on that love, but rather make me want to write my own rather than read more. It's not that there's anything wrong with this book or her poetry - there's not - it is actually good - it's just not my type of poetry. I prefer poets like Edgar Allan Poe or Emily Dickinson, but after analyzing Toi Derricotte's poems in class they take on a newfound meaning I didn't see the first time I read through them. So, regardless of my initial reactions to reading these poems, there is a deeper meaning than lies on the surface and they are very well written and meaningful and should be commended.