First things first. Tania James is just a terrific writer. In a few short sentences, she can capture a relationship, make you care about a character, or present a weighty idea.
In this set of short stories, I would say the dominant theme is "melancholy sweetness," if there is such a thing. Almost all the stories deal with issues of loss -- of status, or memory, or relationships, or physical ability -- but that is not to say that these short stories leave you depressed or unhopeful.
For making full use of the short story form, I give the highest plaudits to "The Scriptological Review," in which a young man with some kind of emotional disorder is consumed by his self-published handwriting analysis journal, which in its final issue he wants to devote to the scraps of handwriting left behind by a father who died; "Ethnic Ken," in which a young girl struggles with acceptance by other students and shares a special relationship with her demented grandfather, who believes she is the child version of his dead wife; and "Girl Marries Ghost," a brilliant piece that takes the ancient Asian practice of women "marrying" men who had already died and thus becoming part of the dead man's family, and modernizes it with a woman who signs a contract to marry the ghost of one of the richest men in town. This last story of the book shows off James' creative brilliance, because the characters are so real and the lessons of loss and jealousy so poignant that the bizarre construct of the story seems perfectly natural.
There were also a couple of stories that deeply engaged me in the characters, but left me frustrated when the endings dangled me in midair with no resolution.
Tania James is very talented, but I have to confess I'm a novel lover, so I'm happy to know that she intends to return to that form for her next book.