Born in 1938 and growing up in Ipswich, England, Helen Oxenbury loved nothing more than drawing. As a teenager, she entered art school and basked in the pleasure of drawing, and nothing but drawing, all day. During vacations she helped out at the Ipswich Repertory Theatre workshop, mixing paints for set designers. It was there that she decided her future lay in theater design.
While studying costume design, however, Helen Oxenbury was told by a teacher, "This is hopeless, you know. You ought to go and do illustrations--you're much more interested in the character, and we don't know who's going to play the part!"
But sets and scenery, not books, remained Helen Oxenbury's preoccupation for several more years as she embarked on careers in theater, film, and TV. After marrying John Burningham, another of the world's most eminent children's book illustrators, and giving birth to their first child, at last she turned to illustrating children's books. "When I had babies," Helen Oxenbury says, "I wanted to be home with them and look for something to do there."
Today, Helen Oxenbury is among the most popular and critically acclaimed illustrators of her time. Her numerous books for children include the Greenaway Medal-winning ALICE'S ADVENTURES IN WONDERLAND and its companion, ALICE THROUGH THE LOOKING GLASS, both by Lewis Carroll; Smarties Book Prize-winning FARMER DUCK by Martin Waddell; SO MUCH by Trish Cooke; as well as her classic board books for babies. More recently, she collaborated with author Phyllis Root on the jubilant, no-nonsense tall tale BIG MOMMA MAKES THE WORLD. "As I read Phyllis's text, I imagined Big Momma as part Buddha, part housewife," she says. "It was intimidating to create a whole world, but very enjoyable."
And what does she love most about her work? Thinking up new ideas? Seeing the finished book? Not at all. For Helen, "The best part is when I think I know what I'm doing and I've completed a few drawings. In fact, when I get about a third of the way through, and I feel I'm on my way, then I'm happy. It's like reading a good book--you don't want it to end."
Helen Oxenbury and her husband make their home in London, where the illustrator works in a nearby studio. She is also an avid tennis player.
I have to admit, when I first got this gift as a shower gift I thought I didn't like the art and thought it was just kind of a weird children's book. Well, apparently I do not have the same taste as Abi and Lili because they love it.
I love the illustrations in this book. The babies are so chunky and expressive. This is another great one for story time because it is short and it rhymes. That said, I think it is a better at-home read because there are actions that can be followed at home easier than in a group. Also since the end is "Wave to Daddy, wave to Mom" it's perfect for reading with parents. This was another Mother's Day story time book.
This adorable picture book is great for small children. This book can teach them about different body parts, how to wave, how to clap, and how to play the drums.
We read an edition that was an especially nice size, bigger page format, but still a board book. These babies are so cute! The food pages were especially apropos at the moment with my twins.
This will not be in detail because I lost my notes and I've already returned it to the library. For what it is -- this book is OK and has been around a long time so you might even call it a classic.
Oversized boardbook with a variety of babies doing simple baby things with simple large font text.
Helen Oxenbury's board books were highly recommended in another book I was reading (both possible titles were too long to write here). I wasn't that impressed. I had read Ten Fingers and Ten Toes (I think that's the title), back before Natalie was born, and didn't like the illustrations. I still am not found of the look of the babies. The illustrations are nice big close ups of babies playing, but they just weren't for me. I'd prefer photographs than this style. The text were simple and rhymed, but didn't make me laugh or connected or anything. Maybe it is because these books are intended for infants, and I waited too long to try to share them with Natalie.
It's difficult to find great Laptime in the Library books because most books geared to babies are board books. The good thing for a caregiver or storyteller is that this particular book is a larger board book. It is, however, really short, which might be fine when a child is on your lap and you're reading it 15 times but isn't great in a storytelling setting.
What a lot of the other reviews seem to be forgetting is that these books are for babies/toddlers (up to probably about two years). Oxenbury really does a great job of speaking directly to that audience in a compelling way.
Unfortunately, way too many other 'board' books are just children's books on stiff paper...
Short, simple board book. Great for use with movement activities.
Good illustrations with a variety of babies of different ethnic backgrounds represented. The last lines, however, are "wave to Daddy, wave to Mom," so not necessarily an ideal book for some modern families; the book was originally published in 1987.
This book can be read to Pre-K students. It illustrates different ways to use your hands. I would use this book to teach students how and how not express themselves. I like this book because it allows the teacher to teach politeness and mannerism in and outside of school.
Same review as All Fall Down by the same author, see this book is geared toward very young children, but I still love it now that my babies aren't babies anymore. The simple rhyme and great pictures make it something I won't part with.
We own all of this series. These were the books that started a true LOVE of reading. She still comes back to their simple rhymes and baby faces- perfect for the tiniest readers.
I couldn't give it more than 3stars The whole set is lovely and the illustrations are great but I never tried reading 8-pages-book to any toddler before Would they like it??