I love road trips and museums, mountains and woods, libraries and old houses, mysterious photographs, and people with stories to tell. I’m a Montanan who grew up in New York in a family of Texans. I’ve a husband, two kids, a pair of grandkids, and a dog named Mica. Most of my best friends are other writers, and my days don’t feel right when I don’t begin them by putting words on the page. And that all leads to books.
Many of those road trips have been to national parks where I’ve seen countless small signs saying that CCC youth build this turnout or that lodge. They made me curious about who those young people were and why they worked so hard.
The result was HITCH, a novel that brings one of my most-beloved Texas characters, Moss Trawnley, to a Civilian Conservation Corps camp in central Montana. I’m pleased to report that the newest edition of HITCH is a great audiobook recording from Audible.
Young people tackling hard jobs is a theme that runs through all of my novels. THE BIG BURN first brought my writing home to the Northwest. This is a place where forest fires shape land and lives and where young people like my son in his college days sometimes spend their summers on fire crews.
I was delighted when VOYA called this fictional account of the terrible 1910 wildfires “a must-read for adrenalin junkies,” but I hope it will also provoke thought about some of the factors that lie behind the forest fires of today.
PAPER DAUGHTER, my newest novel, tells two stories of teens making their way in the adult world. One is a Chinese immigrant living under a false identity in Exclusion Era days. The other is Maggie Chen, an intern at a Seattle newspaper. I had fun writing her experiences there. My own first writing job was in a newsroom, and looking back, I have to think I couldn’t have asked for a better place to hone my craft.
I don’t put my life into my books, exactly, but bits and pieces do, of course, make their way in, reshaped and sometimes carried far beyond where I might have gone.
MOUNTAIN SOLO is about a passion for music—for a violin, especially—and about the hard choices that can come with great talent. I’ve played mine only enough—in high school and now picked up again--to have a huge respect for anyone who works hard at learning an instrument.
THE WINDOW is about a different kind of courage—the kind needed by a teenage girl facing blindness. It was my first book and, along with two others, is set in Texas. The heroine, Mandy, finds support in family and family stories, and that’s another theme that I like to explore.
Mine was an airline family, and the tales my mom and dad told led me to write AIRFIELD. It’s about two teens who talk themselves into jobs at a small airport in the sometimes romantic, sometimes terrifying early days of commercial aviation.
And finally there’s PICTURES, 1918, to be released as an eBook later this year. I wrote it wanting to put my grandmother’s voice on paper, as well to capture the magic of photography, whether it’s done with an old-fashioned film camera or on the newest phone. I hope you’ll look for it and let me know what you think!