Appena sgominata banda di Bud Lowett che imperversa a Silver City, Tex Willer corre a liberare Kit Carson dalle grinfie di Kid Billy, razziatore e trafficante. Salvato l’amico, il Ranger ritrova Tesah a Santa Fe, dove il vile Don Felipe Fuentes crea scompiglio facendo credere agli indios Blancos e alla principessa Yogar di essere il condottiero di cui parlano le loro antiche profezie. Il tutto, naturalmente, per mettere le mani su un tesoro nascosto...
In questo numero: da pag. 3 a pag. 45, si conclude l’avventura precedente; da pag. 45 a pag. 88, "La banda di Kid Billy"; da pag. 88 a pag. 162, "Il mistero dell’idolo d’oro".
Giovanni Luigi Bonelli made his professional debut in 1926, when his first poems and articles were published in several Italian magazines. During the 1930s, he shifted his focus to comics, and became one of the editors at the publishing house Editrice Vecchi S.A. In 1945 he collaborated with publisher Giovanni De Leo on 'Il Cow Boy', and with Antonio Canale on 'Yorga'. In 1946 and 1947, he edited 'La Perla Nera' for Franco Caprioli. After many more collaborations, in 1948 he created the famous 'Tex Willer', originally drawn by Aurelio Galleppini.
Gianluigi Bonelli produced, over the years, an enormous amount of comic scenarios, but his main activity was publication. Publishing house Bonelli, which has been taken over by his son Sergio, produced many comic series, including the legendary 'Dylan Dog' and 'Martin Mystère' (written by Alfredo Castelli, drawn by Giancarlo Alessandrini, among others), and is one of the most important comic publishers in Italy. Gianluigi Bonelli's influence on the development of Italian comics cannot be overestimated.
Diferente da primeira edição, onde as histórias eram bem mais simples, nessa edição já temos histórias mais envolventes e sinto que vai seguir esse rumo.