This is a fascinating account of Warhol's amazing output: the paintings (Campbell's Soup Cans, Monroe, Elvis and many other famous people), the sculptures (Brillo Boxes), the album covers (the Stone's Sticky Fingers), the films (Sleep, Eat, Blowjob) as well as his own magazine publication (Interview) and his own books. This was a busy man! And although not a single picture in this volume feels superfluous, there is what seems to be an excess of "filler" material. For example, there is an extended discussion of Warhol's multi-hour film "Sleep", in which a man sleeps. It's surprising the author finds enough material to fill a couple of pages of his discussion of said film in which we will see or have indeed seen : a torso, a face, unidentifiable body parts, buttocks, sheets carefully folded to cover genitals, etc.) And at one point, Bourdon hints to us this tidbit: while discussing the film "Blow Job" the author recounts that Warhol may have seen the actor/receiver in a Clint Eastwood movie, thus leading this reader to question much of what the author has to say. Is he simply being gossipy? Or is the author, again, desperate for filler material? In summary, this book does offer the amazing breadth of Warhol's talent. And it's a story that covers Warhol's life, birth to a way-to-early death. But some of the writing is, well, too much writing. There is an art, certainly, to the very best gossip. And as they say, any publicity is good publicity. So I'm taking just one star away from what approaches a masterpiece because of the filler material. This is a must for Warhol fans, if only to flip the pages and see the world through Warhol's lens.