Scholars have been interrogating and interpreting classical Greek philosophy since Roman times. This book fits very comfortably in that scholarly tradition and offers a truly exciting clarification of the way the Greeks, especially Plato, though perhaps #notallGreeks, saw things. As it happens, it also fits into a feminist tradition, one aspect of which is the temptation to assume that this is consequently of interest only to women and need not be incorporated into the wider tradition. If so, then mainstream philosophy can only be diminished, because it would be sustaining an unchallenged tradition of misogynistic sexism which is incompatible with a search for truth or even relevance.
Cavarero unpicks and dissects that misogyny with exquisite wit but it is not at all unusual to point out Plato’s (and the Greeks’) systematic sexism, with women and slaves excluded from the status of citizens or even educated adults. The point of its analysis by Cavarero and other feminist philosophers is to show that this is no superficial quirk or accidental attribute of an otherwise profound and universally valid system; it’s a fundamental defect, a systematic flaw and its pretensions to universal validity are no longer sustainable on the terms proposed. These are ambitious claims and cannot be resolved indefinitely by partitioning philosophy into feminist work in a less visited annexe, mainstream philosophy in the more public part of the edifice. The contrast is not between feminist (marginal) and mainstream (universal) but between feminist and misogynist. Long before feminists had an axe to grind, male philosophers were grinding their hostility to women into a fine art.
A charge Cavarero (or her supporters) has to rebut is that she might be engaged in a form of archaism, projecting modern anxieties and debates back into an ancient and very different world. This is an academic vice that can be seen in many other writers but it is not a valid complaint here. First, she gives an accurate account of the chosen classical works and her readings strengthen our appreciation of those works; this is indeed the task she sets herself here and is a good enough reason to value her contribution. Secondly, their influence on secular philosophy, as well as Christianity, Judaism and Islam, has been profound and long lasting, although tracing that influence is not a task in this book. Thirdly, there are influential advocates today for the same misogynistic ideas, argued in very similar if not identical terms; again, this is implied and not unpacked in this book. There is no need for her to spell out these implications. Once Plato is examined and explained in the terms of this book it is difficult to avoid seeing his legacy in its light, bearing in mind Whitehead’s remark that Western philosophy is a footnote to Plato.
Classical Greek philosophy builds many of its insights on myths and legends, with frequent reference to Homer and Hesiod and a remarkable theatrical tradition. To a degree they are used as thought experiments or models. This is a device permitting huge flexibility and creativity but it is a game that women can play too and it is difficult to restrict the range of allusions and interpretations which are already baked into classical mythology to purely orthodox and compliant readings. When Cavarero takes these iconic stories and shows that they permit radically different readings, it is tempting to push away her reflections as self indulgent storytelling, or missing the point, or just wrong because that is not what Plato intended, or just generally blasphemous and disrespectful but she really is just replying to Plato and the Greeks on their own terms and using their own methods to expose defective lines of reasoning.
The myths and legends of any society represent accumulated wisdom and are unlikely to remain the possession of any one faction, least of all any one sex. Cavarero demonstrates that Greek mythology retains in plain sight the irrepressible wisdom of Greek women and their ongoing resistance to male oppression. Greek philosophy is, to her, a crime scene and the evidence of matricide is never far from sight. The outrageous project in Plato's dialogues is to eliminate male dependence on women, to write women’s power out of the story of Greek and even human culture, but against this she picks out the transmission of female wisdom from mother to daughter in an unbroken chain through countless generations as a samizdat culture of dissent built on a female power that is out of male control and which men fear and resent. At the core of every story in which Plato seeks to silence them, there is a woman’s voice present to demonstrate the futility of his ambition.
Quotes:
Socrates is an expert in the maieutic method, the art of the midwife who does not “insert” notions into the soul of the listener but rather helps souls give birth to a truth that they already carry within them… the works of Plato and Socrates seem marked by a mimetic desire for female experience. The pregnant, birth-giving male, like the male who practices midwifery, stands as the emblematic figure of true philosophy. [92]
The primary locus and precondition of all other power is to be found in the Great Mother, from whom every man and woman originates by nature and by birth, since in order to be good, rich, noble, honoured and beautiful one must at least be there. One must be living, one must already have been born [105]
Starting in the “here and now,” as is necessary and inevitable, from the standpoint of the individual living human, I would describe the central axis of this order .. as a looking back towards the past: towards a root that bears the sign of its origin, rather than forward, anticipating, planning and projecting limits, as well as the obsession with transcending the individuality of mortal life. … it is indeed evident that the backward gaze of the human individual encounters first of all his or her own birth in the figure of a mother who brought him / her into the world. Female sexual difference, in its aim of recovering meaning, becomes visible here in such a way as to prevent universal / neutral Man from finding a meaningful space on the stage in any important scene. … The mother is in many ways a threshold between the full and irreducible concreteness of each and every living person and the world from which individuals come and are shaped; a world which already exists, before and even despite their individuality. … The theoretical possibility of not being here at all, of not having been born, … draws the gaze backwards towards the infinite chain of mothers. Each one forms a link in a sequence of births that might not have existed or might have existed otherwise… every mother is a conduit for the vibrant process of pure life and the undeniable individuality of those born from her. [117 - 119]