There are so many times in reading that you want to take a character out of their situation, hug them, and tell them it'll all be over by the end of the story. Maybe some horrible things have happened, or they've made some terrible choices, or they've been hurt. But there's some little string that connects them to you, tying their story to your heart -- character depth, a compelling voice. Whatever it is, it convinces you that this character is someone to root for.
Katie Martin is not that kind of character. Maybe other people will disagree, and maybe people will see something in her that I didn't. But I spent the larger part of the book hoping something horrible would happen to her to straighten her out. But then something horrible does happen to her, and I felt a bad -- I didn't want that specific thing to happen (is this vague enough for you?), and it felt like a set-up.
See, Katie Martin gets drunks and goes for a drive with a complete asshole who blackmails her for months after they both lie and say he was driving. Let me back up, and say it again: Katie Martin gets drunk and goes for a drive. Her accident injures him, and of course, she walks away with minor injuries and guilt. I have no sympathy for her whatsoever. Maybe this is supposed to teach teenagers a lesson about not being selfish enough to drive drunk? I don't know. But I'm probably the wrong person to have sympathy for anyone who is that degree of selfish. Risk your life all you want, but don't put someone else in danger because you're irresponsible. And yeah, I know that she's a character in a book, and sometimes people do that, but I wanted to root for her in the start.
Now, let's talk about Alec. He's a horrible human being too, and for whatever reason, Katie doesn't care. She knows the sorts of things he does, she knows the kind of person he is, but she chooses to hang out with him, to kiss him, to be seen with him. This is something that drives me up the wall, when it comes to YA books (any books, but especially YA). The good thing about Alec, however, is that at no point after his true colors are revealed are we made to believe he's good. We knows what's lurking underneath the popular boy exterior, and Lisa Luedeke does not romanticize his behavior. I am so happy that wasn't the path she took with the book, and it satisfied me enough to keep reading.
The relationships between Katie and the people around her are not as well-developed as they could be. There is a brother who comes and goes -- I honestly doesn't understand what he was doing in the book, his role was so minor it might have just served as a reminder that Katie's family was so disconnected, a mother who has her priorities in all the wrong places, and a best friend Katie treats like crap. None of these characters are given the depth that Katie or Alec are given, and that's too bad, because I liked what I saw of him. The best relationship depicted is that of Katie and her coach. We really see how the coach is almost a stand-in for Katie's mother, watching over her and noticing things that are wrong with her when her mother doesn't. The coach is also a good disciplinarian, and doesn't forgive Katie's screw-ups without consequence.
From a reader's standpoint, there's nothing wrong with Smashed's writing. The pacing is great, with nothing happening too quickly, no large gaps in time that are confusing, and nothing dragging. The story is also told very well, with clear language that will appeal to teen readers. I would definitely recommend this book to people who enjoy edgier, upper-YA -- or, sneak this book into your friends' lockers if you're worried about their drinking (after you tell someone). It's not preachy, but I think that people will be able to connect with what's going on enough to understand the dangers of making bad choices.