El Sr. Smith y Kevin buscan inscansablemente a Lee Harvey Oswald, para evitar que mate a Kennedy. Será en Nueva Orleans donde se encuentren los únicos dos seres humanos que pueden ver al famoso murciélago.
Urasawa Naoki (浦沢直樹) is a Japanese mangaka. He is perhaps best known for Monster (which drew praise from Junot Díaz, the 2008 Pulitzer Prize winner) and 20th Century Boys.
Urasawa's work often concentrates on intricate plotting, interweaving narratives, a deep focus on character development and psychological complexity. Urasawa has won the Shogakukan Manga Award, the Japan Media Arts Festival excellence award, the Kodansha Manga Award and the Tezuka Osamu Cultural Prize. In 2008 Urasawa accepted a guest teaching post at Nagoya Zokei University.
Series list (not including short stories collections): - Pineapple ARMY (パイナップルARMY) 1985-1988, written by Kazuya Kudo; - YAWARA! 1986-1993; - Master Keaton (MASTERキートン) 1988-1994, written by Hokusei Katsushika; - Happy! 1993-1999 - MONSTER 1994-2001 - 20th Century Boys (20世紀少年) 1999-2006 - 21st Century Boys (21世紀少年) 2007 - PLUTO 2003-2009, based on Tezuka Osamu's Tetsuwan Atom - BILLY BAT 2008-2016 - Master Keaton Remaster (MASTERキートン Reマスター) 2012-2014 - Mujirushi (夢印-MUJIRUSHI-) 2017-2018, collaboration with Musée du Louvre - Asadora! (連続漫画小説 あさドラ!) 2018-ongoing
Now is the time to explore the relationship between Kevin's former assistant illustrator Chuck and the pseudo Chuck, posing as Billy Bat's father.
Kevin and Lee Harvey Oswald meet one another.
Enter Jackie, Kinji Momochi's daughter, a descendent of Tanba Momochi, a feudal lord who passed down the Black Bat scroll to Kanbei... Would she and Kevin be able to locate the place where Kanbei buried the scroll?
I enjoyed the scenes involving young lady Momochi and the dialogues between Kevin and Lee Harvey Oswald!
El arte complementa muy bien la historia y la hace mucho más fácil de entender. Es un manga complejo, aún así el misterio mantiene la continuidad y la intriga, te envolvés en el mismo desarrollo que el personaje en busca de la verdad.
Sure enough, the Oswald story ended up awesome, unexpected things happened, there were shifts that promise to link things in further unexpected ways, and every chapter and page was a pleasure. In short, this was another of the most satisfying volumes yet, and it's causing me to re-evaluate earlier volumes that I was slightly less sold on.
I'm coming to enjoy the voice of Billy Bat (the character) more and more, nagging, whining, fast-talking enigma that he is.
I love that much of the cast is made up of unwilling visionaries, and I mean visionaries in the noun sense that doesn't actually apparently exist, following the adjective that does: "relating to or having the ability to see visions in a dream or trance, or as a supernatural apparition."
I love the cameo that a Freewheelin' Bob Dylan LP makes.
There was an action scene that literally got my heart racing, which almost never happens this side of Hunter x Hunter.
The only pity about the character-shifting set-up, with all its opportunities for narrative momentum and off-stage character growth, is that you have to leave behind favorite characters with no idea of when they might next reappear.
Choice quotations:
Character A: “I want to be Alexander the Great! Caesar! Napoleon!” Character B: “All those men’s stories ended badly.”
and
“Whether an ending is happy or not all depends on where the author chooses to stop writing. If the story gets cut off once the man and the woman are happily together, there’ll be a happy ending. Keep writing to the end, and their love might turn to hate, and the both of them die miserable.”
Kevin riesce a incontrare Oswald e lo convince che è meglio ritirarsi dalla folle corsa imposta dal pipistrello, salvo poi aver salva la vita proprio grazie a un atto di eroismo di Oswald, comandato dal pipistrello stesso. Il problema della storia, come di tutte le storie, è il finale: riuscirà Kevin a scriverne uno adeguato? cosa succederà alla terra e a Kevin? Il pipistrello riuscirà a influenzare Kevin? Sembra di no, ed è per questo che entra in scena Jackie, studiosa di storia, appassionata del nuovo Billy Bat e di origini giapponesi, come Kevin. Sarà reclutata dal pipistrello per ritrovare, in giappone, il rotolo Kanbei sotterrato ai tempi del giappone feudale.
Ya no sé si es un relato de terror, una épica o una reversión histórica fantástica; aunque quizás sea una mezcla de todas estas, de verdad que el giro que se le da a hechos históricos, de los que en verdad tenemos pocos datos, es súper original, ¿será que Billy Bat no era el villano que se creía, o uno mucho peor? Algo que noto en los dibujos de Urasawa son los detalles de las vestimentas, algunos poco creíbles porque parecen pegados al dibujo con computadora, pero creo que es la primera queja que tengo de sus dibujos.
Urasawa is unmatched in manga. This man weaved so many historical events so perfectly in this world that my mind is blown. This manga is never coming to the US for sure!
Nach Exkursionen in das japanische Mittelalter und sogar die Zeit Jesu kehrt Billy Bat wieder in die Gegenwart (sprich die USA im Jahr 1963) und zum Haupt-Plot zurück. Das Geheimnis um den doppelten Comic-Zeichner Chuck Culkin wird offenbart, und Kevin Yamagata kommt in Kontakt mit dem ebenfalls von der Fledermaus geplagten Lee Harvey Oswald.
Deutlich bodenständiger als die letzten Bände - aber kein bisschen weniger interessant.