4.5/5
I can’t believe I ended up loving this novel as much as I did—the first 100 pages or so were just OK, and I even had a few gripes early on, but this book fully won me over.
This is a book about the Forbidden Fruit—a trope that’s been used many times over, but this is a new and extremely well fleshed out take on it. Dan Paxson is a man trying to redeem his family name by starting an orchard…an orchard that offers a recently unfamiliar kind of apple that Dan came to by possibly dubious means. His daughter, who won’t eat apples and could care less, helps him name this apple the Ruby Slipper. Soon, everyone is Bucks County PA knows Dan’s name. His apples are the most popular thing at the market. The people love them, but this is no normal apple. Soon the people who eat them are addicted, and they start developing almost superhuman qualities. Dan is brought into an ancient and secret society revolving around the apple—turns out this isn’t a new discovery at all, and the apple is back. As the apple continues to spread, Dan becomes more and more powerful, and the people who didn’t eat it find themselves threatened by the changes going on in their friends and family.
From there, it really takes off. This is my first Chuck Wendig and it definitely won’t be my last. I found this to be an incredibly creative and interesting piece of work. The book also contains all kinds of interesting information about apples, orchards, and their history. In fact, I found myself researching apples of all things, a piece of fruit for Pete’s sake. I currently have about 4 different apple varieties sitting on my kitchen counter—none are the Ruby Slipper of course, but I’ve nonetheless become interested in all this. Wendig himself writes about how he himself became obsessed with apples shortly before being inspired to write this book in an Afterword that is both interesting and funny. The book also takes place in Pennsylvania, my home state, and contains a bunch of little in-jokes that made me laugh: “Wegners” grocery stores, wooder, making fun of New Jersey, and much more. If you’re not from PA, it won’t effect your reading experience at all, but I enjoyed these little sprinklings of local humor.
The Stephen King influence here is undeniable. He uses (perhaps overuses) the short parenthetical phrases that King also loves, and the format of the book itself is a bit like IT. There are “Interlude” sections that go back into history to help paint the picture of the history of the apple. These weren’t done on the walloping scale that King did in IT, but they certainly added to the story and I thoroughly enjoyed them. This was a picture well worth painting, and Wendig took his time and fleshed out many details that other authors would leave on the cutting room floor, and I love this. His writing is smooth, flows well for the most part and is very entertaining. Some of the dialogue is slightly clunky, but it wasn’t enough to bother me.
Speaking of the dialogue, I mentioned early that I had a few gripes early on. Let me elaborate on that; Chuck Wendig is an extremely talented and capable writer, but he opted to muddy up his otherwise excellent prose with modern internet slang and lingo, the way the “kids” are talkin’, throughout the book (mostly the first half); I thought this was a mistake and cheapened the feel of the prose when it came up. Much like King himself (who is guilty of this from time to time), this aspect doesn’t feel authentic, it feels like a guy in his forties or fifties trying to talk like the kids do. I just would’ve much rather he wrote with his own voice, and kept it authentic. The way the kids talked to each other, early on especially, just didn’t feel realistic. This didn’t ruin the book for me, obviously, and it really isn’t that big of a deal overall, but it was a bit distracting when it came up. Also, while not a political book, his personal politics to come through here, once again mostly early on.
Overall, this was an excellent, unique read by a talented writer. I look forward to reading more of his stuff. His passion for both his subject matter and writing itself is on full display in these pages, and that is completely authentic. So if you like gruesome horror in the King vein, with fleshed out characters and interesting subject matter, grab a Pink Lady or Granny Smith and crack open this book. It’s well worth it’s 600+ page count.