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Whitechapel: Documents of Contemporary Art

Education (Documents of Contemporary Art)

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This book will be an original and indispensable resource for all whobelieve in the importance of art in the wider educational realm. Framing the recent"educational turn" in the arts within a broad historical and socialcontext, this anthology raises fundamental questions about how and what should betaught in an era of distributive rather than media-based practices. Among the manysources and arguments traced here is second-wave feminism, which questioned dominantnotions of personal and institutional freedom as enacted through art teaching andpractice. Similarly, education-based responses by the art community to thecatastrophes of World War II and postcolonial conflict critically informcontemporary art confronting the interrelationships of education, power, marketcapitalism, and--as Michael Hardt and Antonio Negri describe it--the globalcondition of war. These writings by artists, philosophers, educators, poets, andactivists center on three recurring and interrelated the notion of"indiscipline" in theories and practices that challenge boundaries of allkinds; the present and future role of the art school; and the turn to pedagogy asmedium in a diverse range of recent projects. Other writings address such issues asinstrumentalism and control, liberation and equality, the production and thepolitics of culture, and the roots of research-based practice and experimentalparticipatory works.

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First published August 5, 2011

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Displaying 1 - 2 of 2 reviews
45 reviews
March 19, 2019
A great resource, hands down, my only complaint is that it needs more pages. Too much crammed editing. This series of books has a set number of pages for each book and with this edition, I didn't feel it was enough. While Thierry de Duve is rightly given a generous amount of pages for this type of publication, trying to reduce John Dewey's work in art education to 1 & 1/2 pages just seems wrong.
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June 19, 2012
An acceptable collection of essays and excerpts from artists' writings on the intersection of education and contemporary art. I'm still trying to figure out how I feel about it. It's not as good as other books in the MIT/Whitechapel "Documents of Contemporary Art" series ( Participation and Sound are mind-blowing), but has its bright spots. The excerpt from Virginia Woolf is gorgeous.
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