Το σημαντικό αυτό έργο που παρουσιάζεται για πρώτη φορά στην Ελλάδα, περιλαμβάνει το σύνολο του θεωρητικού και διδακτικού έργου του KLEE που αποτελείται από διαλέξεις, δοκίμια και, κυρίως, από τα μαθήματα που παρέδωσε στην περίφημη Σχολή Μπάουχάουζ της Βαϊμάρης και του Ντεσσάου από το 1920 έως το 1930. Τα κείμενα αυτά αναφέρονται στο σύνολο των εικαστικών μέσων έκφρασης και αποτελούν σημαντικότατο βοήθημα όχι μόνο για τους εκπαιδευτικούς Τέχνης και τους καλλιτέχνες, αλλά για καθένα που ασχολείται και αγαπάει την καλλιτεχνική δημιουργία. Περιλαμβάνουν χρωματική θεωρία, θεωρία του τόνου, χρωματικού και φωτοσκιαστικού, θεωρία της σύνθεσης και του σχεδίου και προσφέρουν στον αναγνώστη το κλειδί για την κατανόηση της μοντέρνας τέχνης. Το καλλιτεχνικό και θεωρητικό έργο του KLEE αποτελεί τη βάση για την οικοδόμηση της νέας αντίληψης στο χώρο της τέχνης του αιώνα μας.
Paul Klee was born in Münchenbuchsee, Switzerland, and is considered both a Swiss painter and a German painter. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. He was, as well, a student of orientalism. Klee was a natural draftsman who experimented with and eventually mastered color theory, and wrote extensively about it; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are considered so important for modern art that they are compared to the importance that Leonardo da Vinci's A Treatise on Painting had for Renaissance. He and his colleague , the Russian painter Wassily Kandinsky, both taught at the German Bauhaus school of art, design and architecture. His works reflect his dry humour and his sometimes childlike perspective, his personal moods and beliefs, and his musicality.
The Thinking Eye is an intriguing book showing, through records of lessons Klee taught at the Bauhaus, the impressive depth of his artistic philosophy. He employs a rather reductive approach to create his very personal understanding of art. Whereas most artists are concerned primarily with having a working, utilitarian knowledge of aspects such as perspective, colour, composition, etc., Klee gives a large amount of thought to more basic, and seemingly simple, elements such as the point, the line, the surface. The Thinking Eye is a great read if you love the conceptual side of art and if you have a decent tolerance of dense topics.
*If* you are lucky enough to stumble across a used copy of this, snap it up. Includes such gems as an alternative music notation system. This book reveals how limitless Klee was...
This work is an assembly of Klee's lectures on abstract art to his students in conjunction with sketches and drawings. The original notes were in German and the translation does not always ring true. I along with other English readers probably missed some of the subtlety and meaning in the original language. Sidenotes reference drawings on other pages and describe strikes or additions that Klee made to his lecture notes. All of this creates a challenging read without much to show for the effort. There were a few brilliant moments such as the distinction between abstract and representational art, but not enough to justify reading through 500+ pages. Not recommended.
I can say for certain that I didn't really like reading this book very much, but I can't say whether or not it's any good. On one hand, I tend to think that artists who are very good at expressing themselves through canvas/music/etc. tend to be terrible writers-- they have their medium already. On the other hand, perhaps I didn't fully get this, as someone whose medium is so non-visual. I get that he's trying to find the hidden structure underneath the image, but it strikes me as a bit of a fool's errand, as much as I like Klee's applications of his theories.