What do you think?
Rate this book
Undine
A gothic tale of a restless soul who inhabits the new wife of her husband. One of them must die.
Hardcover
First published January 1, 1980
16 people want to read
About the author
Phyllis Brett Young
10 books3 followersAlso published under pseudonym Kendal Young
Phyllis Brett Young was an internationally bestselling Canadian novelist.
Born in Toronto, Young was the daughter of Marion and George Sidney Brett, the latter a noted philosopher who wrote the first English-language history of psychology. After some time studying interior decorating at the Ontario College of Art, she married her longtime sweetheart, Douglas Young, and became a wife and mother.
As her daughter Valerie would later explain, her mother was a “product of a culture in which married women only went to work under extreme circumstances.” It was not until Valerie was a teen, and her husband secured work for a branch of the UN in Geneva, that Young found the time to evolve beyond short stories and write her first novel. Dinner-table discussions of nature versus nurture became Psyche, the story of a girl who struggles to find herself after being kidnapped from her wealthy parents and abandoned in a poor mining town. When Douglas urged her to submit the manuscript to publishers — something Phyllis was reluctant to do — her hobby become a career.
In just ten years (1959-1969), Phyllis Brett Young wrote four novels (Psyche, The Torontonians, Undine, and A Question of Judgment), a memoir about her summers in Muskoka (Anything Can Happen!), and a thriller experiment under the never-secret pseudonym Kendal Young (The Ravine). It was estimated that her first three books reached ten million readers throughout the world, making her one of the rare mid-century Canadian scribes to earn world recognition.
Young excelled at capturing the life of women between and beyond two World Wars, and her work spoke to mid-century womanhood before the rise of feminism. She was also a proud Canadian who strove to capture the cosmopolitan evolution of “Toronto the Good.” The Torontonians explored womanhood within a city caught between decorum, nationalism, and change, and Young fought against publishers who insisted that the novel lose its explicit Toronto-ness, dubbing it Gift of Time, The Gift of Time, and The Commuters. As she told the Ottawa Citizen, “I write because I love Canada and I wish more and more people would write about Canada as it is today.”
Ill health and familial obligations ended Young’s successful career. Never one for the spotlight, her work faded into obscurity. Phyllis Brett Young passed away in 1996, at the age of 82.
Eleven years later, the spotlight returned when McGill University posthumously republished two of her works, Psyche and The Torontonians.
Phyllis Brett Young was an internationally bestselling Canadian novelist.
Born in Toronto, Young was the daughter of Marion and George Sidney Brett, the latter a noted philosopher who wrote the first English-language history of psychology. After some time studying interior decorating at the Ontario College of Art, she married her longtime sweetheart, Douglas Young, and became a wife and mother.
As her daughter Valerie would later explain, her mother was a “product of a culture in which married women only went to work under extreme circumstances.” It was not until Valerie was a teen, and her husband secured work for a branch of the UN in Geneva, that Young found the time to evolve beyond short stories and write her first novel. Dinner-table discussions of nature versus nurture became Psyche, the story of a girl who struggles to find herself after being kidnapped from her wealthy parents and abandoned in a poor mining town. When Douglas urged her to submit the manuscript to publishers — something Phyllis was reluctant to do — her hobby become a career.
In just ten years (1959-1969), Phyllis Brett Young wrote four novels (Psyche, The Torontonians, Undine, and A Question of Judgment), a memoir about her summers in Muskoka (Anything Can Happen!), and a thriller experiment under the never-secret pseudonym Kendal Young (The Ravine). It was estimated that her first three books reached ten million readers throughout the world, making her one of the rare mid-century Canadian scribes to earn world recognition.
Young excelled at capturing the life of women between and beyond two World Wars, and her work spoke to mid-century womanhood before the rise of feminism. She was also a proud Canadian who strove to capture the cosmopolitan evolution of “Toronto the Good.” The Torontonians explored womanhood within a city caught between decorum, nationalism, and change, and Young fought against publishers who insisted that the novel lose its explicit Toronto-ness, dubbing it Gift of Time, The Gift of Time, and The Commuters. As she told the Ottawa Citizen, “I write because I love Canada and I wish more and more people would write about Canada as it is today.”
Ill health and familial obligations ended Young’s successful career. Never one for the spotlight, her work faded into obscurity. Phyllis Brett Young passed away in 1996, at the age of 82.
Eleven years later, the spotlight returned when McGill University posthumously republished two of her works, Psyche and The Torontonians.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 of 1 review
December 13, 2020
A beautifully unique thriller that toys with decorum, emotion, and sanity. Undine reads like a movie, moving briskly through vibrant settings and strange characters. (Sadly, early talks about an adaptation fell through in the '60s.)
Undine follows Miranda, a method actor who leaves the lights on Broadway to head upstate and figure out what she wants to do with her life. Only, instead of a brief sojourn away, Miranda finds herself in the middle of haunted houses, mysterious characters, and ultimately, a haunted marriage that might be the end of her.
Most still feels quite modern, though it does have an antiquated ableist angle.
Undine follows Miranda, a method actor who leaves the lights on Broadway to head upstate and figure out what she wants to do with her life. Only, instead of a brief sojourn away, Miranda finds herself in the middle of haunted houses, mysterious characters, and ultimately, a haunted marriage that might be the end of her.
Most still feels quite modern, though it does have an antiquated ableist angle.
Displaying 1 of 1 review