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Fields of Fire: A Life of Sir William Hamilton by David J. Constantine
, 324 pages including index plus xxvii for chronology, contents and preface. Illustrated with black and white photographic plates.
Hardcover
First published January 1, 2001
11 people want to read
About the author
David Constantine
104 books34 followersBorn in 1944, David Constantine worked for thirty years as a university teacher of German language and literature. He has published several volumes of poetry, most recently, Nine Fathom Deep (2009). He is a translator of Hölderlin, Brecht, Goethe, Kleist, Michaux and Jaccottet. In 2003 his translation of Hans Magnus Enzensberger's Lighter Than Air won the Corneliu M Popescu Prize for European Poetry Translation. His translation of Goethe's Faust, Part I was published by Penguin in 2005; Part II in April 2009. He is also author of one novel, Davies, and Fields of Fire: A Life of Sir William Hamilton. His four short story collections are Back at the Spike, the highly acclaimed Under the Dam (Comma, 2005), and The Shieling (Comma, 2009), which was shortlisted for the 2010 Frank O'Connor International Short Story Award. Constantine's story 'Tea at the Midland' won the BBC National Short Story Award 2010, and won the Frank O'Connor International Short Story Award in 2013 for the collection (Comma Press, 2012). He lives in Oxford where, for ten years, he edited Modern Poetry in Translation with his wife Helen (until 2011). David's short story 'In Another Country' has been adapted into 45 Years - a major Film4-funded feature film, directed by Andrew Haigh and starring Tom Courtenay & Charlotte Rampling. This film won two silver bear awards at the Berlinale International Film festival in February 2015. David is also the author of the forthcoming novel, released by Comma Press, The Life-Writer.
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May 21, 2023
I largely knew Hamilton for being the redundant leg of the relationship featuring Nelson and Emma, so Constantine took a lot of time to flesh Hamilton out before he got to that part. Some members thought this caused pacing issues, as there was a lot to read before the famous relationship entanglements.
Most of us were surprised that Hamilton had a first wife. If the later Emma was a volcano, Catherine was a vase, or at least, she was at first viewing. Suffering throughout her life from a respiratory illness that was also linked to problems with her nerves, including periods or depression, she seems to be a fragile person. It seems clear she thought of herself like that. However, after leaving England near death’s door, she lived for another twenty years and made several arduous trips between Naples and England.
During this time, Hamilton turned his collecting instincts to the ‘Etruscan’ vases pouring out of tombs being unearthed around Herculaneum, Pompeii and beyond. Not only did he collect them, he had them recorded, engravings made and lush books created. He helped establish the fact they were Greek vases, not Etruscan, and purposely sent the pictures (and samples) to people like Wedgewood to inspire British craftsmen to adopt the same clean lines. Meanwhile, he was also spent many hours clambering up Vesuvius and making observations which he sent to the Royal Society in London (unlike one associate, he did this fully dressed). In this way he established himself as an authority in both his two passions. X spends a little too long trying to establish this, invested as he is in portraying Hamilton as more than a famous cuckold.
Despite being a relatively unimportant outpost, Hamilton was successful in integrating in Neapolitan life, becoming firm friends with King Ferdinand and a confidante of his Queen. The town, which Nelson would later describe as ‘a country of fiddlers and poets, thieves and whores’ was certainly a louche place and indifferently run. Ferdinand had been raised to take no interest in politics his principal interest was hunting, which consisted of killing thousands of creatures at a time – he also was fond of a practical joke, like putting marmalade on people’s hats.
Naples only became important when it was on Napoleon’s shopping list. In response, the British Navy sent a fleet headed up by Nelson. By this time Catherine had died and Hamilton had married his second wife, his nephew’s former mistress, Emma. Of astonishing beauty, Hamilton seemed to have appreciated her in the same way as his vases, principally by looking. The two developed her ‘attitudes’ a performance where Emma adopted the poses and emotions depicted in ancient art and theatre and artists flocked to paint her. Eventually, the two had settled into a routine, developing a relationship that was physical but, above all, domestic. Until Nelson.
Both were smitten with the hero of the Nile, or what was left of him. As Emma and Nelson’s relationship grew physical (and obvious, Emma was pregnant), Hamilton became a figure of laughter or pity. Hamilton was recalled to England and the three, rejoicing in the motto of the Order of the Bath ‘tri juncta in uno’ went home the long way, Emma and Nelson revelling in the fame. There’s a town in Germany that still celebrates the visit with the model of an erupting volcano.
Hamilton seemed perfectly fine in his unusual relationship, praising Emma and admiring Nelson to his end. In many ways it encapsulates the difficulties in writing a biography about him, he was a man who was private and rather detached. He observed rather than participated and collected rather than created. He seems to have been very happy letting life wash over him and taking in the things that interested him. It’s probably a nice way to live but it makes for an elusive subject. While the death of Catherine did affect him greatly for a while, it wasn’t long till he was negotiating to have Emma round. When a ship called The Colossus sunk off the British coast with a large portion of his vase collection, he was upset but seems to have shrugged it off easily enough. Perhaps Hamilton was a true stoic, after reading Fields of Fire, I still wasn't sure.
Most of us were surprised that Hamilton had a first wife. If the later Emma was a volcano, Catherine was a vase, or at least, she was at first viewing. Suffering throughout her life from a respiratory illness that was also linked to problems with her nerves, including periods or depression, she seems to be a fragile person. It seems clear she thought of herself like that. However, after leaving England near death’s door, she lived for another twenty years and made several arduous trips between Naples and England.
During this time, Hamilton turned his collecting instincts to the ‘Etruscan’ vases pouring out of tombs being unearthed around Herculaneum, Pompeii and beyond. Not only did he collect them, he had them recorded, engravings made and lush books created. He helped establish the fact they were Greek vases, not Etruscan, and purposely sent the pictures (and samples) to people like Wedgewood to inspire British craftsmen to adopt the same clean lines. Meanwhile, he was also spent many hours clambering up Vesuvius and making observations which he sent to the Royal Society in London (unlike one associate, he did this fully dressed). In this way he established himself as an authority in both his two passions. X spends a little too long trying to establish this, invested as he is in portraying Hamilton as more than a famous cuckold.
Despite being a relatively unimportant outpost, Hamilton was successful in integrating in Neapolitan life, becoming firm friends with King Ferdinand and a confidante of his Queen. The town, which Nelson would later describe as ‘a country of fiddlers and poets, thieves and whores’ was certainly a louche place and indifferently run. Ferdinand had been raised to take no interest in politics his principal interest was hunting, which consisted of killing thousands of creatures at a time – he also was fond of a practical joke, like putting marmalade on people’s hats.
Naples only became important when it was on Napoleon’s shopping list. In response, the British Navy sent a fleet headed up by Nelson. By this time Catherine had died and Hamilton had married his second wife, his nephew’s former mistress, Emma. Of astonishing beauty, Hamilton seemed to have appreciated her in the same way as his vases, principally by looking. The two developed her ‘attitudes’ a performance where Emma adopted the poses and emotions depicted in ancient art and theatre and artists flocked to paint her. Eventually, the two had settled into a routine, developing a relationship that was physical but, above all, domestic. Until Nelson.
Both were smitten with the hero of the Nile, or what was left of him. As Emma and Nelson’s relationship grew physical (and obvious, Emma was pregnant), Hamilton became a figure of laughter or pity. Hamilton was recalled to England and the three, rejoicing in the motto of the Order of the Bath ‘tri juncta in uno’ went home the long way, Emma and Nelson revelling in the fame. There’s a town in Germany that still celebrates the visit with the model of an erupting volcano.
Hamilton seemed perfectly fine in his unusual relationship, praising Emma and admiring Nelson to his end. In many ways it encapsulates the difficulties in writing a biography about him, he was a man who was private and rather detached. He observed rather than participated and collected rather than created. He seems to have been very happy letting life wash over him and taking in the things that interested him. It’s probably a nice way to live but it makes for an elusive subject. While the death of Catherine did affect him greatly for a while, it wasn’t long till he was negotiating to have Emma round. When a ship called The Colossus sunk off the British coast with a large portion of his vase collection, he was upset but seems to have shrugged it off easily enough. Perhaps Hamilton was a true stoic, after reading Fields of Fire, I still wasn't sure.
Displaying 1 of 1 review