If the intent of author du Plessix Gray is to present her protagonist Count Axel von Fersen as an admirable historical figure during the time of the French Revolution, she did not succeed with me. This Swedish nobleman and diplomat, presumed lover of Marie Antoinette, failed to meet my criteria for classification as an historical hero. He seems to have been better at emoting than at carrying out any effective actions.
If, however, the author's intent is to put the French Revolution into a broader international context by using Fersen and his sister Sophie as narrators, she has succeeded, although her style of writing is at times tedious and less successful at making the book an enjoyable read.
The most I had known of Fersen prior to the reading of this novel was his friendship with the French royal family, possible romantic relationship with Marie Antoinette and his masterminding of the royal family's 1790 unsuccessful flight to Varennes from Paris, hoping to find freedom in Belgium. His life as a Swede and as an international player in Europe and even in the American Revolution was unknown to me.
Gray's novel begins with the first meeting in 1774 of Fersen and then dauphine Marie Antoinette at a masquerade ball at Versailles, where they discover themselves to be, apparently, kindred spirits/soul mates and are devoted to each other from then until her beheading in 1793. Theirs is often a long-distance relationship, with separations such as Fersen's 1780-1782 participation in the American Revolution and their intimacy is to be inferred from letters written to each other and from third party observations of the time.
This intimate relationship is quite possibly true but is not the main thrust of Gray's novel. Fersen doesn't even come across as a very likeable or admirable person, never succeeding in any of his attempts to rescue Marie Antoinette from her fate and not even managing to be faithful to her, despite all his protestations that she is the Love of His Life. So, no, this is not really a love story but is rather more an account of international unrest, intrigues and alliances of the time. Sweden, Russia, Britain, Austria, France, Turkey, etc. Who's allied with whom, what's going on internationally during France's revolutionary mess, this is what makes the book somewhat interesting.
There are some excellent sections that were of major interest to me. First, her descriptions of the sights, sounds and smells of opulent Versailles, which certainly help to explain 1700s France's love of, perhaps more to the point need for, perfume. Another highlight for me was Fersen's take on the American Revolution. Information about Sweden's King Gustavus, a rather openly gay monarch, is not to be missed. In addition, her tragicomic account of the botched flight to Varennes is informative for those not in the know, as is the sad description of life for the royal family after their imprisonment and up to their deaths.
For the first two thirds of the book I was questioning Gray's choice of Fersen as narrator of the book. Surely she could have found someone more compelling, heroic or sympathetic, rather than a rich, self-centered womanizing nobleman, lover of wealth and ostentation. But her choice became clearer to me in the last 50 or so pages, which take place mostly in Sweden from 1796 to 1810, where Gray ties Fersen's involvement in the American and French Revolutions to his final years, when his own upper-class ostentatious lifestyle brings about his own downfall.
This was often a tedious book. I couldn't keep myself reading it for long periods of time. When I truly enjoy a book, time and pages fly by. They crawled often for me during the reading of this and I took time off from it to check out more appealing reads.